
- 345 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
Women built the popular song industry of Tin Pan Alley, yet many of their stories have seldom been told. They blazed the trail for women in music today and set an inspiring example for generations to come.
Songs She Wrote celebrates women's contributions to popular music by looking at dozens of well-known songwriters, lyricists, and composers in the first half of the twentieth century like Billie Holiday, Peggy Lee, and Dorothy Parker and unearths more unknown women who made major contributions. Learn about Maria Grever ("What a Difference a Day Made") who was the first female Mexican to achieve international acclaim and the fascinating story of African American lyricist Lucy Fletcher ("Sugar Blues"), among many others. Women in the popular music business went through struggles different from their male colleagues, making their triumphs all the more impressive. Their combined sagas convey an epic about women in the world of American popular music.
Songs She Wrote celebrates women's contributions to popular music by looking at dozens of well-known songwriters, lyricists, and composers in the first half of the twentieth century like Billie Holiday, Peggy Lee, and Dorothy Parker and unearths more unknown women who made major contributions. Learn about Maria Grever ("What a Difference a Day Made") who was the first female Mexican to achieve international acclaim and the fascinating story of African American lyricist Lucy Fletcher ("Sugar Blues"), among many others. Women in the popular music business went through struggles different from their male colleagues, making their triumphs all the more impressive. Their combined sagas convey an epic about women in the world of American popular music.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Songs She Wrote by Michael G. Garber in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Folk Music. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- Epigraph
- CONTENTS
- ACKNOWLEDGMENTS
- FOREWORD
- PREFACE
- A NOTE ON SONG POPULARITY
- Chapter 1: Women in the World of Tin Pan Alley
- Chapter 2: The Twenties
- Chapter 3: âCanât We Be Friendsâ (1929): Kay Swift (1897â1993), composer
- Chapter 4: âIt Happened in Montereyâ (1929): Mabel Wayne (1890â1978), composer
- Chapter 5: The Thirties
- Chapter 6: âMy Silent Loveâ (1931/1932): Dana Suesse (1909â1987), composer
- Chapter 7: âWillow, Weep for Meâ (1932): Ann Ronell (1905â1993), composer-lyricist
- Chapter 8: âClose Your Eyesâ (1933): Bernice Petkere (1901â2000), composer-lyricist
- Chapter 9: âWhat a Difference a Day Madeâ (âCuando Vuelva a Tu Ladoâ) (1934): Maria Grever (1885â1951), composer and Spanish-language lyricist
- Chapter 10: âThe Way You Look Tonightâ (1936): Dorothy Fields (1904â1974), lyricist
- Chapter 11: The Forties
- Chapter 12: âGod Blessâ the Childâ (1941): Billie Holiday (1915â1959), composer-lyricist
- Chapter 13: âGood Morning Heartacheâ (1945): Irene Higginbotham (1918â1988), composer-lyricist
- Chapter 14: âPut the Blame on Mameâ (1945/1946): Doris Fisher (1915â2003), composer-lyricist
- Chapter 15: âFar Away Placesâ (1947): Joan Whitney (1914â1990), composer-lyricist
- Chapter 16: The Fifties
- Chapter 17: âJust in Timeâ (1956): Betty Comden (1917â2006), lyricist
- Chapter 18: âWitchcraftâ (1957): Carolyn Leigh (1926â1983), lyricist
- Chapter 19: âNice ânâ Easyâ (1960): Marilyn Keith Bergman (1928â2022), lyricist
- Chapter 20: What Happened Next?
- Notes
- Selected Song Index
- General Index
- About the Author