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About this book
To speak of Gerard Schwarz – musician, conductor, festival organizer, gig hopper, educator, television personality, patron and proselytizer of the arts – is to tell an exemplary American story.
You could convey it exclusively in clichés, from his industrious émigré parents to his precocious childhood, from his ardor and diligence as a prodigy trumpeter to his meteoric rise as a conductor, from his unforeseen cross-country migration to the gradual construction of a world-class orchestra in a city formerly regarded as a cultural backwater, from the halls of New York City's High School of Performing Arts to the digital instructor's chair of the All-Star Orchestra's Khan Academy course series.
You could simply recite the numbers: over 300 new works premiered, over 350 recordings in his discography, 14 GRAMMY nominations, five Emmy awards, six ASCAP Awards, and hundreds of other honors and laurels.
You could dazzle and festoon and bewitch with talk of truth and beauty and the pursuit of ever-higher forms of artistic expression.
Or you could tell it Jerry's way.
Behind the Baton is a quintessentially Schwarzian memoir: intrepid, forthright, risible, subtly self-assured, and entirely unpretentious. It offers an intimate inside look at a man whose immense talent is rivaled only by his humility and work ethic – a man who, for nearly fifty years, has strived to leave every orchestra and musician he touched better than when he found them. Whether you're a classical music aficionado, an orchestra initiate just cutting your teeth, or an everyday reader interested in the remarkable story behind an extraordinary man, Behind the Baton belongs on your nightstand.
You could convey it exclusively in clichés, from his industrious émigré parents to his precocious childhood, from his ardor and diligence as a prodigy trumpeter to his meteoric rise as a conductor, from his unforeseen cross-country migration to the gradual construction of a world-class orchestra in a city formerly regarded as a cultural backwater, from the halls of New York City's High School of Performing Arts to the digital instructor's chair of the All-Star Orchestra's Khan Academy course series.
You could simply recite the numbers: over 300 new works premiered, over 350 recordings in his discography, 14 GRAMMY nominations, five Emmy awards, six ASCAP Awards, and hundreds of other honors and laurels.
You could dazzle and festoon and bewitch with talk of truth and beauty and the pursuit of ever-higher forms of artistic expression.
Or you could tell it Jerry's way.
Behind the Baton is a quintessentially Schwarzian memoir: intrepid, forthright, risible, subtly self-assured, and entirely unpretentious. It offers an intimate inside look at a man whose immense talent is rivaled only by his humility and work ethic – a man who, for nearly fifty years, has strived to leave every orchestra and musician he touched better than when he found them. Whether you're a classical music aficionado, an orchestra initiate just cutting your teeth, or an everyday reader interested in the remarkable story behind an extraordinary man, Behind the Baton belongs on your nightstand.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Behind the Baton by Gerard Schwarz in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music Biographies. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Contents
- Chapter One. Childhood
- Chapter Two. Freelance Trumpet Playing
- Chapter Three. Erick and Lucia
- Chapter Four. Casals versus Stokowski
- Chapter Five. New York Philharmonic
- Chapter Six. Waterloo Music Festival
- Chapter Seven. The New York Chamber Symphony
- Chapter Eight. The Los Angeles Chamber Orchestra
- Chapter Nine. New-Music Ensembles
- Chapter Ten. Mostly Mozart
- Chapter Eleven. The Liverpool Years: 2001–2006
- Chapter Twelve. Family Life
- Chapter Thirteen. The Seattle Years
- Chapter Fourteen. Operas
- Chapter Fifteen. Composing
- Chapter Sixteen. The Eastern Music Festival
- Chapter Seventeen. The Milken Archive
- Chapter Eighteen. The All-Star Orchestra
- Chapter Nineteen. The Mozart Orchestra of New York
- Chapter Twenty. What Is a Conductor?
- Chapter Twenty-One. Vignettes
- Chapter Twenty-Two. A Conductor’s Guide to the Orchestra
- Appendix I: List of Awards
- Appendix II: List of Recordings
- Acknowledgments
- Photographs