The Great Cellists

Margaret Campbell

• Publisher: Faber & Faber
• Year: 2011
• eBook ISBN:
  9780571278015
• Topic: Media & Performing Arts
• Subtopic: Music

The Great Cellists is a comprehensive and authoritative history of the lives and work of the cello's great performers and teachers, from the emergence of the solo instrument in the seventeenth century to the present day.

In its early history, the cello was a genuine 'bass' violin that came in three sizes and from the thirteenth century was played side by side with viols and later violins. The instrument we know today came into general use by the time the great makers of the seventeenth and eighteenth centuries - such as Amati, Stradivari and Guarneri - brought their craft to perfection and made numerous of the instruments most sought after by today's virtuosi.

Many of the earliest known professional cellists were employed as court musicians, but their names have not been widely known. The most familiar names belong to those early cellists who were also composers: Boccherini, Romberg, Piatti and Popper. In more recent times, the great Europeans Becker, Klengel and Salmond led to Feuermann, Piatogorsky, Fournier, Rostropovich, and above all to Casals; and they, in turn, have greatly influenced contemporary musicians such as the late Jacqueline du Pré and the manifold brilliant players from Russia, Japan and the USA. The Great Cellists reveals a splendid range of personalities from the conventional to the eccentric. Included also are the numerous less well-known cellists who were important as founders of the various national 'schools'.

Margaret Campbell has interviewed many eminent musicians and had rich access to letters and private documents in her coverage of the last hundred years. Her absorbing book presents to the reader a rich vision of skills and traditions that have been handed down nationally through the generations, and developed internationally since the twentieth century. It is a book for string players, students, concertgoers and CD buffs - indeed, anyone who enjoys the sound of the cello.

Table of contents

• Cover
• Title Page
• Dedication
• Table of Contents
• Acknowledgements
• Teacher-pupil relationships from Franciscello to the present day
• Cello Diagrams
• Prelude
• 1 : The Birth of the Butterfly
• 2 : Berteau and the Duports
• 3 : The French Influence
• 4 : The Forgotten Genius
• 5 : Enter the English
• 6 : Father of the German School
• 7 : The Dresden School
• 8 : The Dresden Influence
• 9 : ‘Paganini of the Cello’
• 10 : Belgium and Holland
• 11 : ‘Czar of Cellists’
• 12 : The Bohemian Touch
• 13 : Sarasate of the Cello
• 14 : ‘Grand Master of the Cello’
• 15 : The Twin Peaks
• 16 : The British Element
• 17 : ‘Freedom with Order’
• 18 : The European Vanguard
• 19 : Across the Atlantic
• 20 : ‘The Jewel in the Crown’
• 21 : The Last Great Romantic
• 22 : The Unique View
• 23 : Versatility Par Excellence
• 24 : The Italian Quartet
• 25 : Ladies on the Bass Line
• 26 : The French Tradition
• 27 : American by Choice
• 28 : From Russia with Talent
• 29 : The Japanese Phenomenon
• 30 : The British Heritage
• 31 : The Continuing Line
• 32 : Russia – Home and Away
• 33 : The Russian Dynamo
• 34 : The Art of the Necessary
• 35 : Scandinavia and Western Europe
• 36 : ‘Excellent is Enough’
• 37 : The Rose Line
• 38 : The Sunset Touch
• 39 : The British Contingent
• 40 : The Way Ahead
• Coda
• Bibliography
• Index
• Plates
• About the Author
• Copyright