
Metal Music, Masculinity, and Mass Shootings
A Cis-Woman’s Autoethnographic Account of Concerts, Culture, and PTSD
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Metal Music, Masculinity, and Mass Shootings
A Cis-Woman’s Autoethnographic Account of Concerts, Culture, and PTSD
About this book
What can experiences of sexism and violence in music teach us about the imminent dangers perpetuated by hypermasculinity?
Drawing from her own experience as a cis-woman in the realm of heavy metal music, author Deborah Kay Phillips critiques the genre's role in amplifying hypermasculinity to the point of violence. Exploring the intersections of gender, gun culture, and mental health, Metal Music, Masculinity, and Mass Shootings follows Deborah's first-hand experience of a metal concert mass shooting, and the resulting reflection on the issues surrounding metal music in the throes of PTSD. Deborah argues by comparing her own experiences to the academic research that the toxic, violent, and misogynistic foundations of the genre produce real world consequences that must be examined for transformation.
Providing an important critique of a male-dominated genre and the repercussions of its toxic masculinity, this book is ideal reading for students of Feminism, Gender Studies, Music Studies, and Mental Health.
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Information
Table of contents
- Cover
- Half-Title Page
- Title Page
- Copyright Page
- Table of Contents
- Learning objectives
- I Concert chaos
- II The aftermath of a tragedy
- III Toxic masculinity, violence, and metal music
- IV My journey into metal culture
- V A feminist metalhead?
- VI The reunion and the aftermath of COVID-19
- Discussion questions
- References
- Index