Principles of Electronic Music Production
eBook - ePub

Principles of Electronic Music Production

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Principles of Electronic Music Production

About this book

Principles of Electronic Music Production offers a comprehensive overview of the fundamental concepts that shape contemporary electronic music production, revealing it as a complex tradition.

Over ten chapters richly illustrated with the practices and ideas of innovative musicians past and present, across a range of styles, this book looks at the producer as an omnimusical figure—a composer-performer-engineer who improvises, designs sounds, programs MIDI, sculpts audio, makes beats, shapes arrangements, and balances mixes. The chapters explore the power of serendipities and musical systems, the phenomenology of listening, using minimalism and constraints, the lessons of AI, playing software as a musical instrument, the alchemy of sound design, creating dynamic musical form, and iterating tracks towards quality to answer a perennial production question: how does one make music that sounds alive at many levels at once?

Establishing foundations that music production students, professionals, and hobbyists can build on when thinking creatively in their own work, Principles of Electronic Music Production is a fascinating insight into the art of electronic musicianship.

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Yes, you can access Principles of Electronic Music Production by Thomas Brett in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Acoustical Engineering. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half Title
  3. Series Page
  4. Title Page
  5. Copyright Page
  6. Table of Contents
  7. List of Figures
  8. Introduction
  9. 1. Serendipities
  10. 2. A Living Musical System (Alive at Many Levels at Once)
  11. 3. Attention and Attunement
  12. 4. Minimalisms and Constraints
  13. Interlude: AI in Electronic Music Production
  14. 5. Sonics and Instruments
  15. 6. Learning Producing and Building Tacit Knowledge
  16. 7. Ambiences and Atmospheres
  17. 8. Towards Dynamic Structures
  18. 9. Iterating Towards a Quality Without a Name
  19. References
  20. Index