The Red Years of Cahiers du cinéma (1968-1973)
eBook - ePub

The Red Years of Cahiers du cinéma (1968-1973)

Volume II, Aesthetics and Ontology

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

The Red Years of Cahiers du cinéma (1968-1973)

Volume II, Aesthetics and Ontology

About this book

The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. Inspired by Marxist and psychoanalytic theory, the red years of Cahiers du cinéma produced a theoretical outpouring that was seminal for the formation of film studies and is still of vital relevance for the contemporary audiovisual landscape. The Red Years of Cahiers du Cinéma (1968-1973) gives an overview of this period in the journal's history and its aftermath, combining biographical accounts of the critics who wrote for Cahiers in the post 1968 period with theoretical explorations of their key texts..

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Yes, you can access The Red Years of Cahiers du cinéma (1968-1973) by Daniel Fairfax in PDF and/or ePUB format, as well as other popular books in History & Film History & Criticism. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Half Title
  3. Title Page
  4. Copyright Page
  5. Table of Contents
  6. Part III Questions of Aesthetics
  7. 14 Encounters with Structuralism
  8. 15 Beyond Structuralism: Film Form and Écriture
  9. 16 Re-reading Classical Cinema
  10. 17 The Defense and Critique of Cinematic Modernism
  11. 18 Encountering the World Through Cinema
  12. 19 The Film Aesthetics of Jacques Aumont
  13. 20 Two Ciné-fils: Pascal Kané and Serge Daney
  14. Part IV Encounters with Ontology
  15. 21 The Bazinian Legacy
  16. 22 Jean-Pierre Oudart and Suture
  17. 23 Realism and Psychoanalysis in Pierre Baudry
  18. 24 Partial Vision: The Theory and Filmmaking of Pascal Bonitzer
  19. 25 The Brain is the Screen: Cahiers du cinéma and Gilles Deleuze
  20. 26 Film Ontology in the Age of “New” Media
  21. Conclusion
  22. Index of Names Cited