- 329 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
Light Thoughts is about the interaction of thought between the spectator and the film in cinema; not just a matter of describing the play of a film as a thought process, but rather of formulating ideas about this interaction through detailed analysis of what is actually seen and heard in the cinema.
The chapters include explorations of: gaffes in performance, harmonized activity, and so-called "unison" action; the sale of gender roles and attitudes surreptitiously; the viewer's way of (relentlessly) traveling forward through film; human gesture and the variant forms of comprehension it inspires; the cinematic onlooker-she who sees another person onscreen while we watch her seeing without knowing in any way how and what she takes in; the editorial technique of making the viewer wait for an explanation of what is being seen now; to long discussions of Antonioni, pointing to his camera movement in space and our affiliation with it; the problem of secrecy in cinematic narrative; the function and variability of the close-up insert; the problem of reading the image and handing the obvious; various confusions of narrative time; surveillance, doubt, and point of view; expression, meaning, and the face; and much more.
This book offers a series of original analyses of techniques used in films, which function as the basis for enhancing our understanding of cinema – if not as a medium specifically, then certainly as a medium used for telling stories and conveying the complexities of human character.
The chapters include explorations of: gaffes in performance, harmonized activity, and so-called "unison" action; the sale of gender roles and attitudes surreptitiously; the viewer's way of (relentlessly) traveling forward through film; human gesture and the variant forms of comprehension it inspires; the cinematic onlooker-she who sees another person onscreen while we watch her seeing without knowing in any way how and what she takes in; the editorial technique of making the viewer wait for an explanation of what is being seen now; to long discussions of Antonioni, pointing to his camera movement in space and our affiliation with it; the problem of secrecy in cinematic narrative; the function and variability of the close-up insert; the problem of reading the image and handing the obvious; various confusions of narrative time; surveillance, doubt, and point of view; expression, meaning, and the face; and much more.
This book offers a series of original analyses of techniques used in films, which function as the basis for enhancing our understanding of cinema – if not as a medium specifically, then certainly as a medium used for telling stories and conveying the complexities of human character.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Light Thoughts by Murray Pomerance in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Halftitle page
- Also by Murray Pomerance from BLOOMSBURY
- Title page
- Copyright page
- Dedication
- Epigraph
- Contents
- Acknowledgments
- A Note to the Reader
- Prelude
- 1 The Lonely Nobody
- 2 Unison
- 3 Buy This!
- 4 Chariots of Fire
- 5 I See a Voice
- 6 Antonioni I: From Here to There
- 7 Orbital
- 8 The Film Re-membered
- Interlude
- 9 Antonioni II : Lost or Found
- 10 A Secret Garden
- 11 Closer, Closer
- 12 Thinking with Cinema
- 13 Forward, Backward, Forward
- 14 Surveil
- 15 On Exemplification: Portrait of My Teacheras a Young Man
- 16 Psst! Recap
- Works Cited and Consulted
- Index