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About this book
In recent years, the work of Zakes Mdaānovelist, painter, composer, theater director and filmmakerāhas attracted worldwide critical attention. Gail Fincham's book examines the five novels Mda has written since South Africa's transition to democracy: Ways of Dying (1995), The Heart of Redness (2000), The Madonna of Excelsior (2002), The Whale Caller (2005), and Cion (2007). Dance of Life explores how refigured identity is rooted in Mda's strongly painterly imagination that creates changed spaces in memory and culture. Through a combination of magic realism, African orature, and intertextuality with the Western canon, Mda rejects dualistic thinking of the past and the present, the human and the nonhuman, the living and the dead, the rural and the urban. He imbues his fictional characters with the power to orchestrate a reconfigured subjectivity that is simultaneously political, social, and aesthetic.
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Table of contents
- Acknowledgements
- Introduction
- Chapter One: Zakes Mdaās Construction of The āCross-Borderā Reader
- Chapter Two: āAppropriating Urban Space'
- Chapter Three: From āThe Speaking Voiceā to Intertextuality in The Heart of Redness
- Chapter Four: Towards a New Ontology of Postcolonial Vision:
- Chapter Five: Art, Landscape and Identity in She Plays with the Darkness, The Madonna of Excelsior and Cion
- Chapter Six: Imaginary Homelands
- Chapter Seven: āOur Only Physical and Psychic Homeā
- Chapter Eight: āThe Trenches are The Boardrooms of South Africaā:
- Chapter Nine
- Bibliography
- Index