The Graven Image
eBook - PDF

The Graven Image

Representation in Babylonia and Assyria

  1. 256 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

The Graven Image

Representation in Babylonia and Assyria

About this book

Mesopotamia, the world's earliest literate culture, developed a rich philosophical conception of representation in which the world was saturated with signs. Instead of imitating the natural world, representation—both in writing and in visual images—was thought to participate in the world and to have an effect upon it in natural, magical, and supernatural ways. The Graven Image is the first book to explore this tradition, which developed prior to, and apart from, the Greek understanding of representation.The classical Greek system, based on the notion of mimesis, or copy, is the one with which we are most familiar today. The Assyro-Babylonian ontology presented here by Zainab Bahrani opens up fresh avenues for thinking about the concept of representation in general, and her reading of the ancient Mesopotamian textual and visual record in its own ontological context develops an entirely new approach to understanding Babylonian and Assyrian arts in particular. The Graven Image describes, for the first time, rituals and wars involving images; the relationship of divination, the organic body, and representation; and the use of images as a substitute for the human form, integrating this ancient material into contemporary debates in critical theory. Bahrani challenges current methodologies in the study of Near Eastern archaeology and art history, introducing a new way to appreciate the unique contributions of Assyrian and Babylonian culture and their complex relationships to the past and present.

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Yes, you can access The Graven Image by Zainab Bahrani in PDF and/or ePUB format, as well as other popular books in Social Sciences & Ancient History. We have over one million books available in our catalogue for you to explore.
Figure 
1
. 
Henry 
Layard 
in 
the 
Archive 
Chamber, 
Kouyunjik, 
described 
as
“sketched 
on 
the 
spot 
by 
C. 
Malan,” 
1852
. 
From 
A. 
H. 
Layard, 
Nineveh 
and 
Baby-
lon
(London: 
John 
Murray, 
1853
), 
p. 
345
.

Table of contents

  1. Cover
  2. Contents
  3. Illustrations
  4. Introduction
  5. 1. THE AESTHETIC AND THE EPISTEMIC: RACE, CULTURE, AND ANTIQUITY
  6. 2. THE EXTRATERRESTRIAL ORIENT: DESPOTIC TIME AND THE TIME OF THE DESPOTS
  7. 3 . ETHNOGRAPHY AND MIMESIS: REPRESENTING AESTHETIC CULTURE
  8. 4. BEING IN THE WORD: OF GRAMMATOLOGY AND MANTIC
  9. 5. SALMU: REPRESENTATION IN THE REAL
  10. 6. DECOYS AND LURES: SUBSTITUTION AND THE UNCANNY DOUBLE OF THE KING
  11. 7. PRESENCE AND REPETITION: THE ALTAR OF TUKULTI-NINURTA
  12. 8. CONCLUSION: IMAGE, TEXT, AND DIFFÉRANCE, OR FROM DIFFERENCE TO DIFFÉRANCE
  13. Notes
  14. Bibliography
  15. Index
  16. Acknowledgments