
- 276 pages
- English
- PDF
- Available on iOS & Android
About this book
Pedro Calderon de la Barca (1600-1681), one of the great dramatists of Spain's Golden Age, wrote a series of mythological spectacle plays for the Habsburg courts. Written when court spectacles were an instrument of monarchical absolutism, these later works by Calderon have often been dismissed by critics as servile flattery of the royalty or mere displays of dazzling showmanship. Margaret Rich Greer argues, however, that many of the playwright's court dramas not only explore human life and social organization, but also possess artistic unity and thematic complexity that make them landmarks in European dramatic history. Analyzing seven of these plays, she demonstrates Calderon's mastery in the integration of music, dance, elaborate scenery, and stage machinery to enhance rather than overpower his poetic text. Greer shows that by envisioning each drama in the physical setting of its performance and in the political context of its time, readers can appreciate a complex relationship of texts: intertwined with the flattering image of the splendor of royal power are a discourse relevant to common spectators and another one that is subtly critical of the policies of the king and the court.
Originally published in 1991.
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Table of contents
- Cover
- Contents
- List of Illustrations
- Acknowledment
- 1. Introduction
- 2. CalderĂłn, Master of Polyphony: Las fortunas de AndrĂłmeda y Perseo
- 3. Power at Play: El mayor encanto, amor
- 4. The Problem of Don Juan José
- 5. An Optimistic Answer: La estatua de Prometeo
- 6. A Pessimistic View: Fieras afemina Amor
- 7. The End of the Line: Hado y divisa de Leonido y Marfisa
- 8. Conclusion
- Notes
- Bibliography
- Index