
- 192 pages
- English
- PDF
- Available on iOS & Android
About this book
This path-breaking book explores different ways in which writing about poetry can deepen and extend our critical engagement by deploying creatively the manifold resources of poetic language and form. Through a series of verse-essays, reflective monologues, and inventive variations on topics in literary theory The Winnowing Fan makes a strong case for revising received ideas about the scope and limits of criticism.
Norris's poems traverse the full range of European poetic history from Homer's Odyssey, through the work of French symbolists such as Mallarmé, to modern writers such as Yeats, Benjamin, Heaney, Larkin, and Barthes. There are also verse-essays and shorter pieces on philosophers from Hume and Leibniz to Heidegger, Althusser, Derrida, de Man, Rorty, Deleuze, Badiou, and Agamben. In each case Norris seeks to free criticism from conventional academic forms and return it to an active mutual engagement with the practice of literature itself.
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Information
Table of contents
- Title Page
- Copyright Page
- Contents
- Foreword: Poetry, theory and âcreative criticismâ
- Acknowledgements
- Chapter 1: Mallarmé 1: Verse-crisis
- Chapter 2: Symbolon: An essay on rhyme
- Chapter 3: Ectopiques
- Chapter 4: Shifters
- Chapter 5: Picture of the elder R.B. in a prospect of mortality
- Chapter 6: Hume a-dying: Notes from Boswell
- Chapter 7: This be the life
- Chapter 8: A plain man looks at the angel of history
- Chapter 9: Doors and pictures: Wittgenstein
- Chapter 10: The winnowing fan
- Chapter 11: Life, love and theory: A chronicle
- Chapter 12: Performatives (Yeats/Heaney)
- Chapter 13: Lost for words
- Chapter 14: Poetry as (a kind of) philosophy: For Richard Rorty
- Chapter 15: MallarmĂ© 2 (âA cast of dice ...â)
- Index of Names