Staging Creolization
eBook - ePub

Staging Creolization

Women's Theater and Performance from the French Caribbean

  1. 296 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Staging Creolization

Women's Theater and Performance from the French Caribbean

About this book

In Staging Creolization, Emily Sahakian examines seven plays by Ina CĂ©saire, Maryse CondĂ©, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization—the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism.

Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women's plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.

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Yes, you can access Staging Creolization by Emily Sahakian in PDF and/or ePUB format, as well as other popular books in Literature & Latin American & Caribbean Literary Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Title Page
  2. Copyright
  3. Dedication
  4. Contents
  5. List of Illustrations
  6. Acknowledgments
  7. Introduction
  8. 1 Unsettling the Gendered Stereotypes of Plantation Culture: Ina CĂ©saire’s Rosanie Soleil and Maryse Condé’s Pension les AlizĂ©s
  9. 2 Remixing Unity and Difference: Maryse Condé’s An tan revolisyon, Ina CĂ©saire’s MĂ©moires d’Isles, and Gerty Dambury’s Lettres indiennes
  10. 3 Syncretizing Performance and Moral Codes: Ina CĂ©saire’s L’Enfant des passages and Simone Schwarz-Bart’s Ton beau capitaine
  11. 4 Diaspora Performances at Ubu Repertory Theater in New York
  12. 5 Recasting the Francophone Caribbean Couple at Ubu Repertory Theater
  13. Coda: Creolizing Knowledge in U.S. University Performances
  14. Notes
  15. Bibliography
  16. Index