
Staging Creolization
Women's Theater and Performance from the French Caribbean
- 296 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
In Staging Creolization, Emily Sahakian examines seven plays by Ina CĂ©saire, Maryse CondĂ©, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolizationâthe process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism.
Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women's plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Title Page
- Copyright
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Unsettling the Gendered Stereotypes of Plantation Culture: Ina CĂ©saireâs Rosanie Soleil and Maryse CondĂ©âs Pension les AlizĂ©s
- 2 Remixing Unity and Difference: Maryse CondĂ©âs An tan revolisyon, Ina CĂ©saireâs MĂ©moires dâIsles, and Gerty Damburyâs Lettres indiennes
- 3 Syncretizing Performance and Moral Codes: Ina CĂ©saireâs LâEnfant des passages and Simone Schwarz-Bartâs Ton beau capitaine
- 4 Diaspora Performances at Ubu Repertory Theater in New York
- 5 Recasting the Francophone Caribbean Couple at Ubu Repertory Theater
- Coda: Creolizing Knowledge in U.S. University Performances
- Notes
- Bibliography
- Index