The Textiles Student's Manual - An Outline of All Textile Processes, From the Origin of the Fibre to the Finished Cloth

T. Welford

• Publisher: Maine Press
• Year: 2013
• Print ISBN: 9781447400943
• eBook ISBN: 9781473391444
• Topic: Technology & Engineering
• Subtopic: Materials Science
• Index: Technology & Engineering

First published in 1926, "Weaving Patterns of Yesterday and Today" is a comprehensive handbook on the textile industry, dealing with every aspect from the basic materials and tools to bleaching, finishing, and beyond. Although old, this volume contains a wealth of timeless information that will appeal with a practical interest in the subject, and it is not to be missed by readers interested in the history and development of textile production. Contents include: "Cotton", "Cotton Spinning", "Flax", "Miscellaneous Vegetable", "Silk", "Rayson (Artificial Silk)", "Wool Spinning", "Weaving", "Standard Types of Weave", "Knitted Fabrics", "Lace Net", "Carpets", "Glossary of Fabrics", etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on textiles and weaving.

SECTION I

TEXTILE FIBRES AND YARNS

CHAPTER I

INTRODUCTION

VEGETABLE and animal fibres—Characteristics of a good fibre

THE textiles trade is perhaps one of the most complicated in existence, containing within itself so many different sections, each a separate unit of the parent trade and each specializing in its own particular branch. At the same time it is one of the most interesting, and a study of the operations necessary to produce the finished cloth or garment is as fascinating as it is instructive. With the many developments that are constantly taking place, nobody who is in any way connected with the sale or distribution of textiles can afford to be without some knowledge of the basic principles underlying the manufacture of the fabrics which pass through his hands. It is not sufficient to know what a cloth customarily looks like, or its approximate market price. The textiles assistant should know not only how the cloth itself is made but the yarn used in its manufacture and the raw material of which the yarn is composed. The quality of a finished cloth depends on so many factors that it is necessary to go right back to the production and preparation of the actual textile fibre in order to gain a real appreciation of what actually takes place before the length of calico, satin, serge, or lace is offered for sale.

Fibres used in textiles to-day can be divided into two general classes, vegetable and animal. There is a further section, necessitated by the introduction during the last fifty years of the artificial silks, but as they consist for the most part of a regenerated form of cellulose, a substance found in large quantities in cotton and wood pulp, they can quite justly be considered as an off-shoot of the class of vegetable fibres. The chemically produced fibre nylon, which is sometimes loosely described as being made from coal, air, and water, cannot be regarded as either animal or vegetable, and in view of its importance it is dealt with in a separate chapter. Two other less important classes are the mineral and metallic fibres, but as these are not used to any great extent in the production of modern textile fabrics it has been thought best to leave them out of this work. Asbestos is the only mineral fibre connected in any way with textiles and its only claim to recognition is the fact that it has the power to resist extreme heat. The metallic fibres are not really fibres at all, but finely drawn wires of gold or silver which are sometimes twisted with textile yarns to obtain some special effect.

The principal varieties of vegetable and animal fibres in use to-day are the following—

Vegetable—
Cotton	Gossypium
Flax	Linum usitatissimum
Ramie	Boehmeria
Jute	Corchorus
Hemp	Cannabis sativa
Kapok	Eriodendron anfractuosum
Artificial silk:
Viscose Acetate Cuprammonium Nitro-cellulose
Animal—
Silk, cultivated	Bombyx mori
Silk, wild	Tussuh
Wool	Ovis aries
Camel hair	Camelidae
Alpaca	Auchenia paco
Vicuna	Auchenia vicuna
Llama	Auchenia llama
Guanaco	Auchenia guanaco
Mohair	Capra hircus angorensis
Cashmere	Capra hircus laniger
Rabbit hair	Lepus

In addition there are one or two comparatively unimportant fibres which have been called into use from time to time, and these will be mentioned in the appropriate section.

In their raw state the natural fibres are quite unsuitable for immediate conversion into yarn. Cotton when it is picked still has the seeds adhering to the tiny fibres, flax exists as the inner bark of the stem of the flax plant, wool as a matted greasy mass of crimpy hairs, and they all contain impurities which must be first removed. Silk has to be wound off the hardened cocoon of a silk moth or chrysalis which must first be steamed or baked to prevent the moth eating its way out and spoiling the silk. The only fibres which in their raw state are practically ready for the weaver’s loom are the artificial silks and nylon, which are made in a continuous filament or thread. Even these are frequently cut into short staples of equal length and spun in a similar fashion to the natural fibres.

It will be seen, therefore, that quite a considerable amount of preparation is necessary before a yarn can be made from these raw materials. All dirt and other impurities or irregularities must be removed, the fibres must be thoroughly cleaned and separated, and the short fibres laid side by side in parallel form ready for the spinning, which is really a twisting of the fibres round each other so that they hold together and form a strong, compact yarn. The continuous fibres, silk and artificial silk, are not so difficult to manipulate, but even they require to be doubled, several filaments together, and twisted to give a strong thread of suitable thickness for the fabric into which they are to be made.

Although by twisting a number of fibres together it is possible to make a compact, strong yarn, it is obvious that the twisting alone is not sufficient to make a short fibre like cotton, for example, which has a staple length of not more than 2 in. and averages only about 1 in., hold together without some other aid. Actually each of the fibres has some natural characteristic which creates a sort of surface friction and so enables the fibres to interlock or hold together. In cotton this takes the form of a natural twist, the ribbon-like fibre turning first in one direction and then in the other. The flax fibre, which is rather longer than cotton, sometimes measuring as much as three feet, has swellings (nodes) at fairly regular intervals throughout its length. Wool and other animal hairs have an outer cuticle in the form of scales, which protrude for a fraction of an inch and, together with a crimpiness, help the fibres to interlock in the manner necessary for spinning. Silk has length, which is, of course, an asset in spinning, as well as a slightly irregular diameter and a natural gum on the surface.

Surface friction, then, is very necessary, especially in a short fibre. Other qualifications requisite in a good fibre are given below, and the reader is recommended to study these and by referring to them from time to time to judge for himself how many of them are possessed by each of the different fibres.

CHARACTERISTICS OF A GOOD TEXTILES FIBRE

1. Tensile strength and length of fibre.

2. Uniformity in length. This renders the spinning operations more easy.

3. A small and even diameter.

4. Flexibility and elasticity.

5. Power to absorb and retain liquids. Without this it would be impossible to produce a cloth in any other than the natural colour of the fibre. Wild silk, for example, is very difficult to dye owing to the presence of tannin, which resists the penetrating action of the dyestuffs.

6. Lustre. The natural lustre of silk gave it for a long time a distinct advantage over the other textile fibres, and experiments were constantly being made to improve the lustre of those fibres which were naturally dull. Mercerized cotton, for instance, is preferred to cotton which has not undergone this treatment, owing to the richer appearance of the finished cloth. Since the introduction of artificial silk, however, with its extremely high and almost metallic lustre, public taste has gone a little in the opposite direction, and many fabrics produced to-day are purposely dulled (de-lustred) in order to give the desired matt finish. Cloths of the suede type are well-known examples.

7. Resistance to decay. Flax and natural (unweighted) silk possess this characteristic in a marked degree, and linen mummy-cloths found in the tombs of the ancient Egyptians are in a remarkably good state of preservation.

8. Abundance in quantity. A fibre which cannot be produced in sufficient quantities to make the working of it a commercial proposition is obviously not worthy of consideration for the purpose of textiles.

9. Facility in obtaining a clean fibre. As already explained, all fibres require some preparation before they can be successfully turned into yarn, and a fibre which in its original state contains many impurities difficult of removal would not be so satisfactory as one which is easily separated and cleaned. Rami...

Table of contents

• Cover
• Title
• Preface to Second Edition
• Contents
• Illustrations
• Section I Textile Fibres and Yarns
• Section II Weaving
• Section III Bleaching, Dyeing, and Finishing
• Index