Theatre History & Criticism

Nautanki

Performing Violence

Made Up: A History of Identity and Gender Expression Through Makeup and Style

Atrocity and Early Modern Drama

Women Experimenting in Theatre

Theatre and Class

Performing the Nonhuman

Memory

Experiments in Immersive, One-to-One Performance

Living Death in Early Modern Drama

Thomas Nashe and literary performance

Secret Shakespeare

The Routledge Companion to Absurdist Literature

Imagining Bodies and Performer Training

Theatre and the Threshold of Death

Stanislavsky and Race

Space, Drama, and Empire

The Development of African Drama

Emilia

The Drama and Theatre of Annie Baker

Livecasting in Twenty-First-Century British Theatre

The aesthetic exception

Girl Culture in the Middle Ages and Renaissance

Sarah Kane’s Theatre of Psychic Life

Contemporary Performance Lighting

The Musical Theatre Composer as Dramatist

Badhai

Corrosive Solace

The Incorporeal Corpse

Scripts of Blackness

Anxious Masculinity in the Drama of Arthur Miller and Beyond

Routledge Companion to Audiences and the Performing Arts

The Post/Colonial Museum

Processing Choreography

Modernists and the Theatre

Collusions of Fact and Fiction

The Great European Stage Directors Volume 8

Affair of the Heart

Shakespeare's Others in 21st-century European Performance

Neoliberalism, Theatre and Performance

Rising Star

Theatre Studios

Stanislavsky in Focus

Shakespeare’s Auditory Worlds

Victorian Comedy and Laughter

Staging and Re-cycling

Victorian touring actresses

After In-Yer-Face Theatre

Shakespeare in the Theatre: Yukio Ninagawa

The Methuen Drama Companion to Performance Art

Sound Effect

Foucault's theatres

Theatricality in the Horror Film

Unruly Audiences and the Theater of Control in Early Modern London

Death in modern theatre

Social Housing in Performance

Performing Psychologies

Poetics of History

The Rise of the Modern Yiddish Theater

Beijing Opera Costumes