- 190 páginas
- ePUB (apto para móviles)
- Disponible en iOS y Android
Información del libro
This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini's rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini's regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.
If a general discourse of “restoration” circulated throughout Europe, the figurative re-articulations that occurred—beginning with those in Italy—not infrequently avoided the most regressive impulses of that environment to reveal in one way or another significant facts about the human condition in the modern world.6