Three Guineas
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Three Guineas

Virginia Woolf

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Three Guineas

Virginia Woolf

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"Three Guineas" is a 1938 extended essay by Virginia Woolf that deals with the subjects of fascism, feminism, and war. The book was written in response to three requests for donations by three different feminist organisations and contains a statement on feminine purpose. Not to be missed by fans and collectors of Feminist literature. Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. Contents include: "Virginia Woolf", "One", "Notes and References", "Two", "Notes and References", "Three", "Notes and References". Other notable works by this author include: "To the Lighthouse" (1927), "Orlando" (1928), and "A Room of One's Own" (1929). Read & Co. Great Essays is proudly republishing this classic essay now complete with a specially-commissioned new biography of the author.

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THREE

Here then is your own letter. In that, as we have seen, after asking for an opinion as to how to prevent war, you go on to suggest certain practical measures by which we can help you to prevent it. These are it appears that we should sign a manifesto, pledging ourselves 'to protect culture and intellectual liberty';[1] that we should join a certain society, devoted to certain measures whose aim is to preserve peace; and, finally, that we should subscribe to that society which like the others is in need of funds.
First, then, let us consider how we can help you to prevent war by protecting culture and intellectual liberty, since you assure us that there is a connection between those rather abstract words and these very positive photographs—the photographs of dead bodies and ruined houses.
But if it was surprising to be asked for an opinion how to prevent war, it is still more surprising to be asked to help you in the rather abstract terms of your manifesto to protect culture and intellectual liberty. Consider, Sir, in the light of the facts given above, what this request of yours means. It means that in the year 1938 the sons of educated men are asking the daughters to help them to protect culture and intellectual liberty. And why, you may ask, is that so surprising? Suppose that the Duke of Devonshire, in his star and garter, stepped down into the kitchen and said to the maid who was peeling potatoes with a smudge on her cheek: 'Stop your potato peeling, Mary, and help me to construe this rather difficult passage in Pindar,' would not Mary be surprised and run screaming to Louisa the cook, 'Lawks, Louie, Master must be mad!' That, or something like it, is the cry that rises to our lips when the sons of educated men ask us, their sisters, to protect intellectual liberty and culture. But let us try to translate the kitchen-maid's cry into the language of educated people.
Once more we must beg you, Sir, to look from our angle, from our point of view, at Arthur's Education Fund. Try once more, difficult though it is to twist your head in that direction, to understand what it has meant to us to keep that receptacle filled all these centuries so that some 10,000 of our brothers may be educated every year at Oxford and Cambridge. It has meant that we have already contributed to the cause of culture and intellectual liberty more than any other class in the community. For have not the daughters of educated men paid into Arthur's Education Fund from the year 1262 to the year 1870 all the money that was needed to educate themselves, bating such miserable sums as went to pay the governess, the German teacher, and the dancing master? Have they not paid with their own education for Eton and Harrow, Oxford and Cambridge, and all the great schools and universities on the continent—the Sorbonne and Heidelberg, Salamanca and Padua and Rome? Have they not paid so generously and lavishly if so indirectly, that when at last, in the nineteenth century, they won the right to some paid-for education for themselves, there was not a single woman who had received enough paid-for education to be able to teach them?[2] And now, out of the blue, just as they were hoping that they might filch not only a little of that same university education for themselves but some of the trimmings—travel, pleasure, liberty—for themselves, here is your letter informing them that the whole of that vast, that fabulous sum—for whether counted directly in cash, or indirectly in things done without, the sum that filled Arthur's Education Fund is vast—has been wasted or wrongly applied. With what other purpose were the universities of Oxford and Cambridge founded, save to protect culture and intellectual liberty? For what other object did your sisters go without teaching or travel or luxuries themselves except that with the money so saved their brothers should go to schools and universities and there learn to protect culture and intellectual liberty? But now since you proclaim them in danger and ask us to add our voice to yours, and our sixpence to your guinea, we must assume that the money so spent was wasted and that those societies have failed. Yet, the reflection must intrude, if the public schools and universities with their elaborate machinery for mind-training and body-training have failed, what reason is there to think that your society, sponsored though it is by distinguished names, is going to succeed, or that your manifesto, signed though it is by still more distinguished names, is going to convert? Ought you not, before you lease an office, hire a secretary, elect a committee and appeal for funds, to consider why those schools and universities have failed?
That, however, is a question for you to answer. The question which concerns us is what possible help we can give you in protecting culture and intellectual liberty—we, who have been shut out from the universities so repeatedly, and are only now admitted so restrictedly; we who have received no paid-for education whatsoever, or so little that we can only read our own tongue and write our own language, we who are, in fact, members not of the intelligentsia but of the ignorantsia? To confirm us in our modest estimate of our own culture and to prove that you in fact share it there is Whitaker with his facts. Not a single educated man's daughter, Whitaker says, is thought capable of teaching the literature of her own language at either university. Nor is her opinion worth asking, Whitaker informs us, when it comes to buying a picture for the National Gallery, a portrait for the Portrait Gallery, or a mummy for the British Museum. How then can it be worth your while to ask us to protect culture and intellectual liberty when, as Whitaker proves with his cold facts, you have no belief that our advice is worth having when it comes to spending the money, to which we have contributed, in buying culture and intellectual liberty for the State? Do you wonder that the unexpected compliment takes us by surprise? Still, there is your letter. There are facts in that letter, too. In it you say that war is imminent; and you go on to say, in more languages than one—here is the French version:[3] Seule la culture désintéressée peut garder le monde de sa ruine—you go on to say that by protecting intellectual liberty and our inheritance of culture we can help you to prevent war. And since the first statement at least is indisputable and any kitchenmaid even if her French is defective can read and understand the meaning of 'Air Raid Precautions' when written in large letters upon a blank wall, we cannot ignore your request on the plea of ignorance or remain silent on the plea of modesty. Just as any kitchen-maid would attempt to construe a passage in Pindar if told that her life depended on it, so the daughters of educated men, however little their training qualifies them, must consider what they can do to protect culture and intellectual liberty if by so doing they can help you to prevent war. So let us by all means in our power examine this further method of helping you, and see, before we consider your request that we should join your society, whether we can sign this manifesto in favour of culture and intellectual liberty with some intention of keeping our word.
What, then, is the meaning of those rather abstract words? If we are to help you to protect them it would be well to define them in the first place. But like all honorary treasurers you are pressed for time, and to ramble through English literature in search of a definition, though a delightful pastime in its way, might well lead us far. Let us agree, then, for the present, that we know what they are, and concentrate upon the practical question how we can help you to protect them. Now the daily paper with its provision of facts lies on the table; and a single quotation from it may save time and limit our inquiry. 'It was decided yesterday at a conference of head masters that women were not fit teachers for boys over the age of fourteen.' That fact is of instant help to us here, for it proves that certain kinds of help are beyond our reach. For us to attempt to reform the education of our brothers at public schools and universities would be to invite a shower of dead cats, rotten eggs and broken gates from which only street scavengers and locksmiths would benefit, while the gentlemen in authority, history assures us, would survey the tumult from their study windows without taking the cigars from their lips or ceasing to sip, slowly as its bouquet deserves, their admirable claret.[4] The teaching of history, then, reinforced by the teaching of the daily paper, drives us to a more restricted position. We can only help you to defend culture and intellectual liberty by defending our own culture and our own intellectual liberty. That is to say, we can hint, if the treasurer of one of the women's colleges asks us for a subscription, that some change might be made in that satellite body when it ceases to be satellite; or again, if the treasurer of some society for obtaining professional employment for women asks us for a subscription, suggest that some change might be desirable, in the interests of culture and intellectual liberty, in the practice of the professions. But as paid-for education is still raw and young, and as the number of those allowed to enjoy it at Oxford and Cambridge is still strictly limited, culture for the great majority of educated men's daughters must still be that which is acquired outside the sacred gates, in public libraries or in private libraries, whose doors by some unaccountable oversight have been left unlocked. It must still, in the year 1938, largely consist in reading and writing our own tongue. The question thus becomes more manageable. Shorn of its glory it is easier to deal with. What we have to do now, then, Sir, is to lay your request before the daughters of educated men and to ask them to help you to prevent war, not by advising their brothers how they shall protect culture and intellectual liberty, but simply by reading and writing their own tongue in such a way as to protect those rather abstract goddesses themselves.
This would seem, on the face of it, a simple matter, and one that needs neither argument nor rhetoric. But we are met at the outset by a new difficulty. We have already noted the fact that the profession of literature, to give it a simple name, is the only profession which did not fight a series of battles in the nineteenth century. There has been no battle of Grub Street. That profession has never been shut to the daughters of educated men. This was due of course to the extreme cheapness of its professional requirements. Books, pens and paper are so cheap, reading and writing have been, since the eighteenth century at least, so universally taught in our class, that it was impossible for any body of men to corner the necessary knowledge or to refuse admittance, except on their own terms, to those who wished to read books or to write them. But it follows, since the profession of literature is open to the daughters of educated men, that there is no honorary treasurer of the profession in such need of a guinea with which to prosecute her battle that she will listen to our terms, and promise to do what she can to observe them. This places us, you will agree, in an awkward predicament. For how then can we bring pressure upon them—what can we do to persuade them to help us? The profession of literature differs, it would seem, from all the other professions. There is no head of the profession; no Lord Chancellor as in your own case: no official body with the power to lay down rules and enforce them.[5] We cannot debar women from the use of libraries;[6] or forbid them to buy ink and paper; or rule that metaphors shall only be used by one sex, as the male only in art schools was allowed to study from the nude; or rule that rhyme shall be used by one sex only as the male only in Academies of music was allowed to play in orchestras. Such is the inconceivable licence of the profession of letters that any daughter of an educated man may use a man's name—say George Eliot or George Sand—with the result that an editor or a publisher, unlike the authorities in Whitehall, can detect no difference in the scent or savour of a manuscript, or even know for certain whether the writer is married or not.
Thus, since we have very little power over those who earn their livings by reading and writing, we must go to them humbly without bribes or penalties. We must go to them cap in hand, like beggars, and ask them of their goodness to spare time to listen to our request that they shall practise the profession of reading and writing in the interests of culture and intellectual liberty.
And now, clearly, some further definition of 'culture and intellectual liberty' would be useful. Fortunately, it need not be, for our purposes, exhaustive or elaborate. We need not consult Milton, Goethe, or Matthew Arnold; for their definition would apply to paid-for culture—the culture which, in Miss Weeton's definition, includes physics, divinity, astronomy, chemistry, botany, logic and mathematics, as well as Latin, Greek and French. We are appealing in the main to those whose culture is the unpaid-for culture, that which consists in being able to read and write their own tongue. Happily your manifesto is at hand to help us to define the terms further; 'disinterested' is the word you use. Therefore let us define culture for our purposes as the disinterested pursuit of reading and writing the English language. And intellectual liberty may be defined for our purposes as the right to say or write what you think in your own words, and in your own way. These are very crude definitions, but they must serve. Our appeal then might begin: 'Oh, daughters of educated men, this gentleman, whom we all respect, says that war is imminent; by protecting culture and intellectual liberty he says that we can help him to prevent war. We entreat you, therefore, who earn your livings by reading and writing . . .' But here the words falter on our lips, and the prayer peters out into three separate dots because of facts again—because of facts in books, facts in biographies, facts which make it difficult, perhaps impossible, to go on.
What are those facts then? Once more we must interrupt our appeal in order to examine them. And there is no difficulty in finding them. Here, for example, is an illuminating document before us, a most genuine and indeed moving piece of work, the autobiography of Mrs Oliphant, which is full of facts. She was an educated man's daughter who earned her living by reading and writing. She wrote books of all kinds. Novels, biographies, histories, handbooks of Florence and Rome, reviews, newspaper articles innumerable came from her pen. With the proceeds she earned her living and educated her children. But how far did she protect culture and intellectual liberty? That you can judge for yourself by reading first a few of her novels; The Duke's Daughter, Diana Trelawny, Harry Joscelyn, say; continue with the lives of Sheridan and Cervantes; go on to the Makers of Florence and Rome; conclude by sousing yourself in the innumerable faded articles, reviews, sketches of one kind and another which she contributed to literary papers. When you have done, examine the state of your own mind, and ask yourself whether that reading has led you to respect disinterested culture and intellectual liberty. Has it not on the contrary smeared your mind and dejected your imagination, and led you to deplore the fact that Mrs Oliphant sold her brain, her very admirable brain, prostituted her culture and enslaved her intellectual liberty in order that she might earn her living and educate her children?[7] Inevitably, considering the damage that poverty inflicts upon mind and body, the necessity that is laid upon those who have children to see that they are fed and clothed, nursed and educated, we have to applaud her choice and to admire her courage. But if we applaud the choice and admire the courage of those who do what she did, we can spare ourselves the trouble of addressing our appeal to them, for they will no more be able to protect disinterested culture and intellectual liberty than she was. To ask them to sign your manifesto would be to ask a publican to sign a manifesto in favour of temperance. He may himself be a total abstainer; but since his wife and children depend upon the sale of beer, he must continue to sell beer, and his signature to the manifesto would be of no value to the cause of temperance because directly he had signed it he must be at the counter inducing his customers to drink more beer. So to ask the daughters of educated men who have t...

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