Doña Perfecta

Benito Pérez Galdós

• Editorial: Librofilio
• Año: 2025
• ISBN del libro electrónico: 9782384611577
• Categoría: Literatura
• Categoría: Clásicos

Benito Pérez Galdós' Doña Perfecta stands as one of the finest examples of Spanish realism, offering a devastating critique of religious fanaticism and social intolerance in 19th-century Spain. The novel tells the story of Pepe Rey, a young liberal engineer who arrives in the fictional city of Orbajosa to marry his cousin Rosario, only to encounter the iron will of her mother, Doña Perfecta. Through this family conflict, Galdós masterfully exposes the deep divisions between progressive and conservative forces in Spanish society. The character of Doña Perfecta embodies religious extremism and resistance to modernity, while Pepe represents scientific rationalism and social progress. The novel's tragic conclusion reflects the author's pessimistic view of Spain's ability to embrace change and modernization. Galdós' psychological insight, social observation, and narrative skill make this work a cornerstone of Spanish literature and a powerful indictment of bigotry and narrow-mindedness.

Índice

• Section 1
• I
• II. Un viaje por el corazón de España
• III. Pepe Rey
• IV. La llegada del primo
• V. ¿Habrá desavenencia?
• VI
• VII. La desavenencia crece
• VIII. A toda prisa
• IX. La desavenencia sigue creciendoy amenaza convertirse en discordia
• X. La existencia de la discordia es evidente
• XI. La discordia crece
• XII. Aquí fué Troya
• XIII. Un casus belli
• XIV. La discordia sigue creciendo
• XV. Sigue creciendo, hasta que se declara la guerra
• XVI. Noche
• XVII. Luz a obscuras
• XVIII. Tropa
• XIX. Combate terrible.—Estrategia
• XX. Rumores.—Temores
• XXI. Desperta, ferro
• XXII. ¡Desperta!
• XXIII. Misterio
• XXIV. La confesión
• XXV. Sucesos imprevistos.—Pasajero desconcierto
• XXVI. María Remedios
• XXVII. El tormento de un canónigo
• XXVIII. De Pepe Rey a D. Juan Rey
• XXIX. De Pepe Rey a Rosarito Polentinos
• XXX. El ojeo
• XXXI. Doña Perfecta
• XXXII. FINAL
• XXXIII