The Baron In The Trees

Italo Calvino

• Editore: Mariner Books Classics
• Anno: 2017
• ISBN:
  9780544959149
• Argomento: Literature
• Categoria: Classics

A landmark new translation of a Calvino classic, a whimsical, spirited novel that imagines a life lived entirely on its own terms Cosimo di Rondó, a young Italian nobleman of the eighteenth century, rebels against his parents by climbing into the trees and remaining there for the rest of his life. He adapts efficiently to an existence in the forest canopy—he hunts, sows crops, plays games with earth-bound friends, fights forest fires, solves engineering problems, and even manages to have love affairs. From his perch in the trees, Cosimo sees the Age of Enlightenment pass by and a new century dawn. The Baron in the Trees exemplifies Calvino's peerless ability to weave tales that sparkle with enchantment. This new English rendering by acclaimed translator Ann Goldstein breathes new life into one of Calvino's most beloved works.

1

It was the fifteenth of June in 1767 when Cosimo Piovasco di Rondò, my brother, sat among us for the last time. I remember as if it were today. We were in the dining room of our villa in Ombrosa, the windows framing the thick branches of the great holm oak in the park. It was midday, and our family, following the old custom, sat down to dinner at that hour, even though among the nobility it was now the fashion, inspired by the late-rising court of France, to dine in the middle of the afternoon. The wind was blowing in from the sea, I remember, and the leaves were stirring. Cosimo said, “I told you I don’t want it, and I don’t!” and he pushed away the plate of snails. Never had such grave disobedience been seen.

At the head of the table was the Baron Arminio Piovasco di Rondò, our father, wearing his wig long over his ears in the style of Louis XIV, out of fashion in this as in so many of his habits. Between me and my brother sat the Abbé Fauche­lafleur, our family’s almoner and the tutor of us boys. Across from us was the Generalessa Corradina di Rondò, our mother, and our sister, Battista, the house nun. At the other end of the table, opposite our father, sat, dressed in the Turkish style, the Cavalier Avvocato Enea Silvio Carrega, the administrator and hydraulic engineer of our estates, and, as the illegitimate brother of our father, our natural uncle.

Several months earlier, when Cosimo turned twelve and I eight, we had been admitted to our parents’ table, or, rather, I had benefited prematurely from my brother’s promotion, so that I wouldn’t be left to eat alone. I say benefited only as a manner of speaking: in reality for both Cosimo and me the happy times were over, and we felt regret for the meals in our little room, the two of us alone with the Abbé Fauchelafleur. The abbé was a withered, wrinkled old man, who had a reputation as a Jansenist and had in fact fled the Dauphiné, his native land, to avoid a trial by the Inquisition. But the strict character that was usually praised by everyone, the inward severity that he imposed on himself and others, constantly yielded to a fundamental inclination to apathy and indifference, as if his long meditations, eyes staring into emptiness, had led only to a great boredom and lethargy, and in even the least effort he saw the sign of a destiny that it was useless to oppose. Our meals in the company of the abbé began after long prayers, with orderly, decorous, silent movements of spoons, and woe to you if you raised your eyes from the plate or made even the slightest sucking sound as you sipped the broth. But by the end of the soup the abbé was tired, bored; he gazed into space and clicked his tongue at every swallow of wine, as if only the most superficial and transient sensations could reach him. By the main course we had already started eating with our fingers, and we finished our meal throwing pear cores at each other while the abbé every so often let out a lazy “Ooo bien! . . . Ooo alors!”

Now, instead, as we dined with the family, childhood’s sad chapter of daily grievances took shape. Our father and our mother were always right in front of us; we had to use knives and forks for the chicken, and sit up straight, and keep elbows off the table—endless!—and then there was our odious sister Battista. A succession of scoldings, spiteful acts, punishments, obstinacies began, until the day Cosimo refused the snails and decided to separate his lot from ours.

I became aware of this accumulation of family resentments only later; I was just eight then, everything seemed to me a game, the battle of us children against the adults was the battle that all children fight. I didn’t understand that my brother’s determination concealed something deeper.

Our father, the baron, was a dull man certainly, although not a bad one: dull because his life was dominated by thoughts that were out of step, as often happens in eras of transition. In many people the unrest of the age instills a need to become restless as well, but in the wrong direction, on the wrong track; so our father, despite what was brewing at the time, laid claim to the title of Duke of Ombrosa and thought only of genealogies and successions and rivalries and alliances with potentates near and far.

Thus at our house we always lived as if at the dress rehearsal of an invitation to court, I don’t know whether the Empress of Austria’s or King Louis’s, or maybe that of the mountain nobles of Turin. A turkey was served, and our father watched to see that we carved it and picked off the meat according to all the royal rules, while the abbé barely tasted it, in order not to be caught out, he who had to support our father’s reprimands. As for the Cavalier Avvocato Carrega, then, we had discovered the deceitful depths of his heart: into the folds of his Turkish robes entire thighs vanished, which he could take bites of later as he liked, hiding in the vineyard; and we would have sworn (although his movements were so swift that we never managed to catch him in the act) that he came to the table with a pocketful of bones already picked, to leave on his plate in place of the turkey quarters that had vanished whole. Our mother, the generalessa, didn’t count, because she had brusque military manners even when she helped herself at the table—“So, Noch ein wenig! Gut!”—and no one objected; but with us she insisted, if not on etiquette, on discipline, and backed up the baron with her parade-ground orders—“Sitz’ ruhig! And wipe your nose!” The only one who was at her ease was Battista, the house nun, who stripped the flesh off fowl with a minute persistence, fiber by fiber, using some sharp knives that only she had, something like a surgeon’s lancets. The baron, who should have held her up as an example, didn’t dare to look at her, because with those mad eyes under the wings of her starched cap, the teeth clenched in that yellow mouselike face, she frightened even him. So you can see how the table was the place where all the antagonisms emerged, the incompatibilities among us, along with all our follies and hypocrisies, and how it was at the table, precisely, that Cosimo’s rebellion was determined. That’s why I’m describing all this at length, since there will be no more elaborately laid tables in my brother’s life, you can be sure.

It was also the only place where we encountered the adults. For the rest of the day our mother withdrew into her rooms to make lace and embroidery and filet, because in truth the generalessa was able to attend only to this traditional women’s work, and only here could she vent her warrior passion. The lace and embroidery usually represented geographic maps, and having laid them out on pillows or tapestries, our mother dotted them with pins and little flags, marking the battlefields of the Wars of Succession, which she knew thoroughly. Or she embroidered cannons, with the various trajectories taking off from the gun, and the firing brackets, and the angles of projection, because she was an expert in ballistics, and further had at her disposal the entire library of her father the general, with treatises on the military art and shooting tables, and atlases. Our mother was a Von Kurtewitz: Konradine, the daughter of General Konrad von Kurtewitz, who, commanding the troops of Maria Theresa of Austria, had occupied our lands twenty years earlier. She was motherless, and the general brought her along to the camp; nothing adventurous—they traveled well equipped, lodged in the best castles, with a host of servants, and she spent the days making pillow lace. The stories told, that she, too, went into battle, on horseback, are all legends; she had always been a small woman with rosy skin and a turned-up nose, as we remember her, but that paternal military passion had stayed with her, maybe in protest against her husband.

Our father was among the few nobles in our area who had allied themselves with the empire in that war: he had welcomed General von Kurtewitz into his domain with open arms, had put his men at the general’s disposition, and, to better demonstrate his dedication to the imperial cause, had married Konradine, all in the eternal hope for the dukedom, and that went badly for him, too, as usual, because the Austrians soon moved out and the Genoese burdened him with taxes. But he had gained a fine spouse, the generalessa, as she was called after her father died on the expedition to Provence, and Maria Theresa sent her a gold choker on a damask pillow—a spouse with whom he almost always agreed, even if she, reared in military camps, dreamed only of armies and battles and reproached him for being nothing but an unsuccessful schemer.

But in essence they had both remained in the era of the Wars of Succession, she with artillery in her head, he with genealogical trees; she who dreamed for us children a rank in an army, it didn’t matter which, he who saw us instead married to some grand duchess elector of the empire . . . Despite all this, they were excellent parents, but so distracted that the two of us were left to grow up almost on our own. Was it a bad thing or good? Who can say? Cosimo’s life was so far out of the ordinary, mine so orderly and modest, and yet our childhood was spent together, both of us indifferent to the adults’ obsessions, as we sought pathways different from those trodden by other people.

We climbed the trees (these first innocent games are now charged in my memory with the light of initiation, of premonition; but who would have thought of it then?), we followed the streams, jumping from rock to rock, we explored caves on the seashore, we slid down the marble banisters of the staircases in the villa. One of Cosimo’s most serious reasons for clashing with our parents had its origin in one of these slides, because he was punished—unjustly, he thought—and from then on harbored a rancor against the family (or society? or the world in general?) that was later expressed in his decision of June fifteenth.

We had already been warned against sliding down the marble banister, to tell the truth, not out of fear that we would break a leg or an arm, because our parents never worried about that, and that’s why—I think—we never broke anything, but because as we got bigger and heavier, we might knock down the statues of our ancestors that our father had had placed on the bottom pilasters of the banisters on every flight of stairs. In fact, Cosimo had already caused a great-great-grandfather bishop to tumble, miter and all; he was punished, and from then on he learned to brake a moment before reaching the bottom of the stairs and jump down, a hairsbreadth from crashing into the statue. I, too, learned, because I followed him in everything, except that I, always more modest and prudent, jumped off halfway down the staircase, or slid down bit by bit, braking constantly. One day he went down the banister like an arrow, and who was coming up the stairs! The Abbé Fauchelafleur, strolling with his breviary open before him but with his gaze fixed on nothing, like a hen. If only he had been half asleep as usual! No, it was one of those moments that came even to him, of extreme attention, of alarm at all things. He sees Cosimo, he thinks, “Banister, statue, now he’ll bang into it, now they’ll scold me, too” (because for every one of our pranks he, too, was scolded, as not knowing how to monitor us), and he flings himself on the banister to stop my brother. Cosimo collides with the abbé, sweeps him down the banister (he was a tiny old man, all skin and bones), can’t brake, crashes into the statue of our ancestor Cacciaguerra Piovasco, a Crusader in the Holy Land, and they all collapse at the foot of the stairs, the Crusader in fragments (he was of plaster), the abbé, and him. There were endless reprimands, whippings, extra exercises, confinement with bread and cold soup. And Cosimo, who felt innocent because the fault was not his but the abbé’s, came out with that fierce invective: “I don’t care a bit about your ancestors, Father, sir!” The announcement of his vocation as a rebel.

Our sister did the same, in essence. Even though the isolation in which she lived had been imposed by our father after the affair of the young Marquis della Mela, she had always been a rebellious and solitary soul. How that business of the young marquis had happened we never knew. How had the son of a family hostile to us sneaked into the house? And why? To seduce, in fact to assault, our sister, it was said, in the long fight between the families that ensued. In fact, we could never imagine that freckled simpleton as a seducer, and still less of our sister, who was certainly stronger than him, and famous for arm wrestling even with the stable boys. And then, why was it he who cried out? And how in the world did the servants, hurrying, along with our father, find him with his pants in shreds, ripped as if by the claws of a female tiger? The Della Melas would never admit that their son had made an attempt on Battista’s honor and agree to marriage. So our sister ended up buried at home, in a nun’s habit, without having taken the vows even of a tertiary, given her dubious vocation.

Her unhappy soul revealed itself above all in the kitchen. She was a really skilled cook, because she had both diligence and imagination, prime talents of every cook, but when she put her hands to something you never knew what surprises might arrive at the table: once she had prepared some crostini, very refined, in fact, with pâté of mouse liver, and she told us only when we had eaten them and found them good; not to mention the locusts’ legs, the hard, serrated back ones, set like a mosaic on a cake, and the pig tails roasted as if they were ring cakes, and the time she cooked a whole porcupine, with all its spines, who knows why, surely just to shock us when she raised the cover of the dish, because while she always ate whatever type of thing she prepared, not even she wanted to taste this, despite its being a young porcupine, pink and certainly tender. In fact, much of this horrible cooking was attempted only for show rather than for the pleasure of making us taste, along with her, foods with ghastly flavors. These dishes of Battista’s were products of the finest animal or vegetable filigree work: heads of cauliflower with rabbit ears set on a collar of rabbit skin, or the head of a pig from whose mouth a red lobster emerged, as if the pig were expelling the tongue, and the lobster held the pig’s tongue in its claws as if it had torn it out. Then the snails: she had managed to decapitate I don’t know how many snails and had stuck each of the heads—those very soft little horses’ heads—on a cream puff, I think with a toothpick, and when they came to the table they looked like a flock of tiny swans. And even more shocking than the sight of those delicacies was the thought of the zealous persistence that Battista certainly had put into preparing them, and the image of her slender hands as they dismembered those small animal bodies.

The way the snails excited the macabre imagination of our sister drove us, my brother and me, to a rebellion, made up of solidarity with the poor tortured beasts, disgust for the taste of the cooked snails, and impatience with everything and everyone, and so it’s not surprising if, starting there, Cosimo developed his act and what followed from it.

We had made a plan. When the cavalier avvocato brought home a basketful of edible snails, they were put in a barrel in the cellar so that they would fast, eating only bran, and would be purged. If you shifted the wooden cover of this barrel a kind of inferno appeared, where the snails were moving up the staves at a slow pace that was a premonition of their death agony, among bits of bran, stripes of clotted opaque slime, and colored snail excrement, memory of the good times of open air and grasses. Some of the snails were outside their shells, heads extended and horns spread, some huddled up in themselves, with only distrustful antennae sticking out; others were in small groups like neighbors, others asleep and closed up, others dead, with the shell upturned. To save them from encountering that sinister cook and to save us from her banquets, we made a hole in the bottom of the barrel and from there, using crushed blades of grass and honey, marked out a route, as hidden as possible behind casks and tools in the cellar, to draw the snails along the pathway of flight, up to a window that opened onto an untended and scrubby flower bed.

The next day, when we went down to the cellar to check the effects of our plan and in the light of a candle inspected the walls and the passageways—“One here! And another here!” “And see where this one got to!”—already a line of snails was moving at small intervals from the barrel to the window along the floor and the walls, following our track. “Quick, snails! Hurry up, escape!” we couldn’t keep ourselves from saying to them, seeing the creatures going so slowly, and not without detouring in idle circles on the cellar’s rough walls, attracted by occasional deposits and molds and encrustations. But the cellar was dark, cluttered, uneven; we hoped that no one would discover them, that they would all have time to escape.

Instead, that restless soul our sister Battista used to spend the night hunting mice throughout the house, holding a candlestick and with a gun under her arm. That night she passed through the cellar, and the light of the candle illumined a straggler snail on the ceiling, with its trail of silver slime. A gunshot echoed. We all started in our beds, but immediately our heads sank back into the pillows, accustomed as we were to the house nun’s nighttime hunting. But with the snail destroyed and a piece of plaster knocked down by that unreasonable shot, Battista began shouting in her shrill voice, “Help! They’re all escaping! Help!” The servants, half dressed, hurried to her aid, along with our father, armed with a saber, and the abbé without his wig, while the cavalier avvocato, before he could understand a thing and fearing trouble, fled into the fields and went to sleep in a hayloft.

In the light of the torches they all began to chase the snails through the cellar. No one really cared, but by now they were awake and, out of the usual egotism, didn’t want to admit that they had been disturbed for nothing. They discovered the hole in the barrel and immediately knew it was us. Our father seized us in bed, with the coachman’s whip. We ended up with purple stripes on our backs, our buttocks, and our legs, locked in the dirty storeroom that served as our prison.

They kept us there for three days, on bread, water, salad, pork rind, and cold minestrone (which, fortunately, we liked). Then the first meal with the family, as if nothing had happened, everything in order, that midday on June fifteenth—and what had our sister Battista, superintendent of the kitchen, prepared? Snail soup and snails for the main course. Cosimo wouldn’t touch even a shell. “Eat or we’ll lock you in the storeroom again!” I gave in and began to swallow the mollusks. (It was a bit of cowardice on my part, and made my brother feel even more alone, so that in his leaving us there was also a protest against me, who had disappointed him; but I was only eight, and then what’s the point of comparing my force of will, or rather, what I could have had as a child, with the superhuman obstinacy that marked the life of my brother?)

“And so?” our father said to Cosimo.

“No, and no!” said Cosimo, and pushed away the plate.

“Away from this table!”

But Cosimo had already turned his back on us and was leaving the room.

“Where are you going?”

Through the glass door we saw him in the hall, picking up his three-cornered hat and his small sword.

“I know!” He ran into the garden.

Shortly afterward, through the windows, we saw him climbing up the holm oak. He was dressed and coiffed with great propriety, as our father wanted him to come to the table, though he was only twelve: hair powdered and ponytail tied with a ribbon, three-cornered hat, lace tie, green tailcoat, tight mauve trousers, sword, and long white leather gaiters that came to midthigh, the only concession to a way of dressing more suited to our country life. (I, being only eight, was exempted from the powder in my hair, except on gala occasions, and from the sword, which, however, I would have liked to carry.) So he climbed up into the gnarled tree, arms and legs moving through the branches with the assurance and speed gained from the long practice we’d done together.

I’ve already said that we spent hours and hours in the trees, and not for utilitarian reasons, like many boys, who climb up just to look for fruit or birds’ nests, but for the pleasure of overcoming difficult protuberances and forks, and getting as high as possible, and finding beautiful places to stop and look at the world below, to make jokes and shout at those who passed under us. So I found it natural that Cosimo’s first thought at that unjust anger against him was to climb the holm oak, a tree familiar to us, which, spreading its branches at the height of the dining-room windows, imposed his contemptuous and insulted behavior on the sight of the whole family.

“Vorsicht! Vorsicht! Now he’ll fall, poor thing!” exclaimed our mother anxiously, who would have happily seen us charging under cannon fire but meanwhile was in agony at every one of our games.

Cosimo climbed up to the fork of a large branch where he could sit comfortably, and there he sat, legs dangling, arms crossed, with his hands in his armpits, his head pulled down between his shoulders, the hat low on his forehead.

Our father leaned out the window. “When you’re tired of sitting there you’ll change your mind!” he shouted.

“I’ll never change my mind,” said my brother from the branch.

“I’ll show you, as soon as you come down!”

“I’m never coming down again!”...