Mimesis Journal vol. 13, n. 2
eBook - PDF

Mimesis Journal vol. 13, n. 2

Scritture della performance

  1. 694 pagine
  2. Italian
  3. PDF
  4. Disponibile su iOS e Android
eBook - PDF

Mimesis Journal vol. 13, n. 2

Scritture della performance

Informazioni su questo libro

Editor's Note
DRHA Conference in Turin
Gabriella Giannachi, Letizia Gioia Monda, Antonio Pizzo

The Documentation, Conservation, and Sharing of Cultural Heritage
The Documentation, Conservation, and Sharing of Cultural Heritage
Gabriella Giannachi

From Digital (Art) Curation to Networked Co-Curating
Annet Dekker

The Rumor Underneath: A Feminist Approach to Performance-Based Art
Conservation
Irene Pipicelli

Giacomo Verde's Archive
Annamaria Monteverdi

FORMA. Representing Space: Performance, Documentation, and Immersive Archive
Diego Schiavo

The Value of Choices: The DIAL Project
Raffaella Tartaglia

Digital Valorization of Cultural Memories: Three Case Studies in the
Emilia-Romagna Region
Federica Collina, Francesca Fabbri

Participatory Experiences as a New Way to Access Conservation Data in
Museum Contexts
Manuele Veggi, Sofia Pescarin

Digital Resources for Manuscripts: Between Fragmentation and Development Prospects
Chiara Senatore, Roberto Rosselli Del Turco, Paola Pisano

DARIAH.it: Data Integration Strategies and Solutions for Digital-Resources
Management and Research in the Arts and Humanities
Alessia Spadi, Emiliano Degl'Innocenti, Carmen Di Meo

Use, Reuse, and Valorization: A Web App for Italian Cultural Heritage
Giulia Fabbris, Alessandro Bertozzi

Grandmother, Mother, Daughter: A Nineteenth-Century Egyptian Inheritance. Exploring the Impact of Archival Storytelling through a Site-Specific Spatial Augmented-Reality Exhibit in a Private Historic House
Sally Ann Skerrett

The Distribution of the Sensible
Flavia Dalila D'Amico

Sensoriality, Art, and Scenographic Culture in the Sixteenth through
Eighteenth Centuries: An Interactive and Inclusive Online Exhibition
Carmen González-Román

Between Scenarios: Traces of Customs in Tullio Victorino's Paintings
Elaine Karla de Almeida

Challenges and Opportunities for the Digital Enhancement of Religious
Cultural Heritage: A Proposal for the Arca di San Domenico in Bologna
Melissa Macaluso

The Digital Content: An Opportunity to Enjoy Collections
Lara Corona

Integrating AI in Museums. A New Phase in the Museum's Transformation
Yael Eylat Van Essen

The Digital Performance of Cultural Heritage

Performance
Antonio Pizzo

The Reuse of the Classics As Intangible Cultural Heritage: The "Dead
Centre" Case
Andrea Malosio

Reinventing and Relocating Opera. Digital Creativity and Opera Heritage
in the Intermedia Project by Davide Livermore and D-Wok
Giulia Carluccio, Stefania Rimini

The Digital Upgrade of Opera Theater: Intermedial Dramaturgies and
Technological Visualities in Fanny and Alexander's Spectacles
Laura Pernice

The Dramaturgies of Volumetric Captur
Lee Miller, Joanne 'Bob' Whalley

Theatrical Characteristics behind Immersivity through the Idea of
Arche-Screen. A First Case Study
Francesco Melchiorri

Orchestra in Digital Transformation: Expanding Perceptual Possibilities of Classical Music with a Hybrid Performance Format
Lara Perski, Renate Buschmann

Virtual and Real: Ideas and Tools for an Enhanced Theater in an Empathic Direction
Giorgia Coco

Between the White Box and Ethics: Social Knowledge and Ecological
Communication in Three Participative Artworks by Salvatore Iaconesi and Oriana Persico
Luca Befera

Domande frequenti

Sì, puoi annullare l'abbonamento in qualsiasi momento dalla sezione Abbonamento nelle impostazioni del tuo account sul sito web di Perlego. L'abbonamento rimarrà attivo fino alla fine del periodo di fatturazione in corso. Scopri come annullare l'abbonamento.
Al momento è possibile scaricare tramite l'app tutti i nostri libri ePub mobile-friendly. Anche la maggior parte dei nostri PDF è scaricabile e stiamo lavorando per rendere disponibile quanto prima il download di tutti gli altri file. Per maggiori informazioni, clicca qui.
Perlego offre due piani: Base e Completo
  • Base è ideale per studenti e professionisti che amano esplorare un’ampia varietà di argomenti. Accedi alla Biblioteca Base con oltre 800.000 titoli affidabili e best-seller in business, crescita personale e discipline umanistiche. Include tempo di lettura illimitato e voce Read Aloud standard.
  • Completo: Perfetto per studenti avanzati e ricercatori che necessitano di accesso completo e senza restrizioni. Sblocca oltre 1,4 milioni di libri in centinaia di argomenti, inclusi titoli accademici e specializzati. Il piano Completo include anche funzionalità avanzate come Premium Read Aloud e Research Assistant.
Entrambi i piani sono disponibili con cicli di fatturazione mensili, ogni 4 mesi o annuali.
Perlego è un servizio di abbonamento a testi accademici, che ti permette di accedere a un'intera libreria online a un prezzo inferiore rispetto a quello che pagheresti per acquistare un singolo libro al mese. Con oltre 1 milione di testi suddivisi in più di 1.000 categorie, troverai sicuramente ciò che fa per te! Per maggiori informazioni, clicca qui.
Cerca l'icona Sintesi vocale nel prossimo libro che leggerai per verificare se è possibile riprodurre l'audio. Questo strumento permette di leggere il testo a voce alta, evidenziandolo man mano che la lettura procede. Puoi aumentare o diminuire la velocità della sintesi vocale, oppure sospendere la riproduzione. Per maggiori informazioni, clicca qui.
Sì! Puoi usare l’app Perlego sia su dispositivi iOS che Android per leggere in qualsiasi momento, in qualsiasi luogo — anche offline. Perfetta per i tragitti o quando sei in movimento.
Nota che non possiamo supportare dispositivi con iOS 13 o Android 7 o versioni precedenti. Scopri di più sull’utilizzo dell’app.
Sì, puoi accedere a Mimesis Journal vol. 13, n. 2 di AA.VV. in formato PDF e/o ePub, così come ad altri libri molto apprezzati nelle sezioni relative a Mezzi di comunicazione e arti performative e Storia e critica del teatro. Scopri oltre 1 milione di libri disponibili nel nostro catalogo.

Indice dei contenuti

  1. DRHA Conference in Turin
  2. The Documentation, Conservation, and Sharing of Cultural Heritage Gabriella Giannachi
  3. From Digital (Art) Curation to NetworkedCo-Curating - Annet Dekker
  4. The Rumor Underneath:A Feminist Approach to Performance-Based Art - ConservationIrene Pipicelli
  5. Giacomo Verde’s Archive - Anna Maria Monteverdi
  6. FORMA. Representing Space:Performance, Documentation, and Immersive Archive - Diego Schiavo
  7. The Value of Choices:The DIAL Project - Raffaella Tartaglia
  8. Digital Valorization of Cultural Memories:Three Case Studies in the Emilia-Romagna Region- Francesca Fabbri, Federica Collina
  9. Participatory Experiences as a New Wayto Access Conservation Data in Museum - ContextsManuele Veggi, Sofia Pescarin
  10. Digital Resources for Manuscripts:Between Fragmentation and DevelopmentProspects - Chiara Senatore, Roberto Rosselli Del Turco, Paola Pisano
  11. DARIAH.it: Data Integration Strategiesand Solutions for Digital-ResourcesManagement and Research in the Arts andHumanities - Emiliano Degl’Innocenti, Carmen Di Meo, Alessia Spadi
  12. Use, Reuse, and Valorization:A Web App for Italian Cultural Heritage - Giulia Fabbris, Alessandro Bertozzi
  13. Grandmother, Mother, Daughter:A Nineteenth-Century EgyptianInheritanceExploring the Impact of Archival Storytelling througha Site-Specific Spatial Augmented-Reality Exhibit in a Private Historic House - Sally Ann Skerrett
  14. The Distribution of the Sensible- Flavia Dalila D’Amico
  15. Sensoriality, Art, and ScenographicCulture in the Sixteenth throughEighteenth Centuries:An Interactive and Inclusive Online Exhibition - Carmen González-Román
  16. Between Scenarios:Traces of Customs in Tullio Victorino’s Paintings - Elaine Karla de Almeida
  17. Challenges and Opportunities for theDigital Enhancement of Religious CulturalHeritage:A Proposal for the Arca di San Domenico in Bologna - Melissa Macaluso
  18. The Digital Content:An Opportunity to Enjoy Collections - Lara Corona
  19. Integrating AI in MuseumsA New Phase in the Museum’s Transformation - Yael Eylat Van Essen
  20. Performance - Antonio Pizzo
  21. The Reuse of the Classics As IntangibleCultural Heritage:The “Dead Centre” Case - Andrea Malosio
  22. Reinventing and Relocating OperaDigital Creativity and Opera Heritage in theIntermedia Project by Davide Livermore and D-Wok- Giulia Carluccio, Stefania Rimini
  23. The Digital Upgrade of Opera Theater:Intermedial Dramaturgies and Technological Visualities in Fanny and Alexander’s Spectacles - Laura Pernice
  24. The Dramaturgies of Volumetric Capture- Joanne “Bob” Whalley, Lee Miller
  25. Theatrical Characteristics behindImmersivity through the Idea of Arche-ScreenA First Case Study - Francesco Melchiorri
  26. Orchestra in Digital Transformation:Expanding Perceptual Possibilities of Classical Musicwith a Hybrid Performance Format - Renate Buschmann, Lara Perski
  27. Virtual and Real:Ideas and Tools for an Enhanced Theater in an Empathic Direction - Giorgia Coco
  28. Between the White Box and Ethics:Social Knowledge and EcologicalCommunication in Three ParticipativeArtworks by Salvatore Iaconesi and OrianaPersico - Luca Befera
  29. Inês de Castro in Scenic and PerformativeVisions:Studies on the Digital Collection of the MuseuNacional do Teatro e da Dança of Portugal - Michele Augusto
  30. Digital and/or Analogue?From Post Zang Tumb Tuum. Art Life Politics: Italy1918-1943 to 1923: Past Futures, Notes on ExhibitionDisplay - Massimo Maiorino
  31. Art through Wikidata:A Digital-Curation Perspective-Toni Sant, Enrique Tabone
  32. Sounding the Museum- David Prior
  33. & I, the Moment of Being Dis-StanceTogether:Research into Online Performance Design for theInterplay between Intangible and Tangible CulturalHeritage - Yi-Chen Wu
  34. Tradition Upgraded, Intangible CulturalHeritage Redefined through Innovation:The Case of a Kunqu Opera Costume Redesigned withKinetic Functionalities - Ivan Parati
  35. Digital Engagement: An Approach toDesigning the Ecology of Post-DigitalPerformances - Letizia Gioia Monda
  36. New Frontiers for Museum Spaces in thePhygital Dimension:What Digital Technology Can Do - Alessandra Miano
  37. Cultural Heritage and Mediation:The Use of ICT in the Communication of the ArtisticLayers of the Church of Saint John the Baptist of Fozdo Douro - Tiago Cruz, Marisa Santos
  38. Visiting a Neighborhood of MedievalSilves Using Virtual Realityand Non-Player Characters- Rui Filipe Antunes
  39. Digital Heritage and Its Implications forGlobal Citizenship Education - Amira Mahmoud Shaban Ahmed, Aleksandra Dulic
  40. Archeologies of Future Heritage:Cultural Heritage, Research Creations, and Youth - Susanne Adahl, Tomas Träskman
  41. Exploring Symbolic Narratives in VirtualSpaces:Leveraging Curiosity-Driven Design and theAttention-Value Model for Educational VR MuseumExperiences - Shirin Hajahmadi, Seyedali Ghasempouri, Gustavo Marfia
  42. Digital Fabrication for Cultural-HeritageEnhancement:A Tale of Three ProjectsQuang Huy Nguyen, Marialetizia Tramontin, Marianna Belvedere
  43. Authenticity, Risk, and Co-Production:Immersive Digital Media in Decolonial HeritagePractice - Dominique Bouchard
  44. Bathing in Glitter, Swimming in NeonLights, Dipping in Cloudlike Ball Pits:Three Case Studies to Delve into the Era of InstagramMuseums - Carola del Pizzo
  45. Should Holograms Be Displayed Next toPapier-Mâché Models?Reflections on the Conflict of the Pre-Digital and thePost-Digital Museum - Argenis Ramirez Gomez, Claire Bailey-Ross
  46. Physical Spaces for Virtual Realities:Forging Legitimacy of Immersive SocialDocumentaries- Anja Boato
  47. Coming (Out) the Museum:Cinematographic Engagements through the Outfest’sLGBTQI+ Arts and Media Virtual Museum - Giovanna Santaera
  48. Toward a New Culture for Immersive andParticipatory Projects - Pedro Medina
  49. Digital Curatorship Practices for Fashion-Heritage Experiences - Federica Vacca, Angelica Vandi
  50. Participation and Inclusion with DigitalNational Collections:Co-Designing the Sloane Lab - Alda Terracciano, Andrew Flinn, Julianne Nyhan
  51. Seeking Attention:Exhibition Related Practices As Sites of Attention Carein the Context of Digital Attention Economies - Renata Pękowska
  52. Engaged or Not Engaged, That Is theQuestion: The Impact of Duality on theParticipatory Experience of Augmented-Reality Interventions in Cultural Spaces - Liam Noah Jeffries
  53. Liveness in the Metaverse:The Dramaturgical Role of User-Experience Design inOnline Digital Performance - Federica Patti
  54. My Father’s Song: Interaction DesignInstallation - Joan Karlen
  55. Guiding the “Authentic” Storytelling ofCultural Heritage in Virtual Reality andExtended Reality: A Trust FrameworkKe Zhao, Xiaoguang Wang, Yi Zhang, Qiyun Zhang
  56. Peaceful Places:An Immersive, Participatory Performance -Margherita Landi
  57. Abstracts
  58. Biographies