Way to Water

A Theopoetics Primer

L. Callid Keefe-Perry

• Editore: Cascade Books
• Anno: 2014
• ISBN:
  9781630874438
• Argomento: Teologia e religione
• Categoria: Letteratura e arti nel cristianesimo

Way to Water has two primary intentions: to trace the development of the nascent field of theological inquiry known as theopoetics and to make an argument that theopoetics provides both theological and practical resources for contemporary people of faith who seek to maintain a confessional Christian life that is also intellectually critical. Beginning with the work of Stanley Hopper in the late 1960s, and addressing the early scholarship of key theopoetics authors like Rubem Alves and Amos Wilder, this text explores how theopoetics was originally developed as a response to the American death-of-God movement, and has since grown into a method for engaging in theological thought in a way that more fully honors embodiment and aesthetic dimensions of human experience. Most of the extant literature in the field is addressed to allow for a cumulative and comprehensive articulation of the nature and function of theopoetics. The text includes an exploration of how theopoetic insights might aid in the development of tangible church practices, and concludes with a series of theopoetic reflections.

part one

Early Articulations

1

Orbits and the Ineffable

An Investigation of Stanley Hopper

The primary calling of the theologian is to name God, and to name that God who can actually be named by us.

—Thomas J. J. Altizer18

While the first published mention of “theopoetics” as such is in Stanley Hopper’s 1971 American Academy of Religion address “The Literary Imagination and the Doing of Theology,”19 the phrase did not spring forth from nothing. Given this, prior to exploring Hopper’s explicit reference to the word, and so as to contextualize the environment in which Hopper was writing, I will address three circles of dialogue in which Hopper was a participant, tracing his thought as a trajectory around these significant pulls: The Society for the Arts, Religion, and Contemporary Culture; Drew University’s Consultations on Hermeneutics; and The Radical Theology movement. Once these orbits have been traced, I will follow Hopper’s path as influenced by these conversations, concluding with perspectives from his own writing in which theopoetics is either discussed explicitly or alluded to by means of suggested method.

Three Circles

The Society for the Arts, Religion and Contemporary Culture (SARCC), was founded in late 1961 by three men: Alfred Barr Jr., the art critic and founder of the Museum of Modern Art, and the theologians Paul Tillich and Marvin Halverson. Its first board of directors included these three as well as Unitarian Universalist theologian and parish minister James Luther Adams; mythologist Joseph Campbell; principle developer of the merger forming the United Church of Christ, Truman B. Douglass; Congregationalist parish minister and theologian, Amos Wilder; and Stanley Hopper.20 It was a predominantly left-leaning organization, with aims “based on the deep and complex relationship between religion and the arts.”21 SARCC board members and fellows were engaged in a variety of professions, spanning from theology to law, with poets, architects, clergy, therapists, and violinists in the midst as well.22

Throughout the 1960s, SARCC sponsored numerous gatherings focused around the intersection of faith and art, with a greater emphasis being placed on the art than on any particular religion or creed. Bill Conklin, an early member of SARCC’s board, recalls that all three founders “thought that the religions of the world were noble in intentions, but were far out of touch with the current world.”23 As a consequence of this position, the primary thrust of the organization was not to be theological, but toward the artistic, which could more powerfully “address the Universal in contemporary society.”24 Indeed, although Tillich was one of the founding members, and his significant influence was already beginning to be noted, both he and fellow theologian Halverson mutually agreed that Barr ought to serve as SARCC’s first President, believing that “the artists should be in charge.”25

As Hopper came to serve on SARCC’s board, they were in the midst of developing plans for SARCC centers in the major cities of the world, “devoted to their common hopes concerning the coalescing and penetrating capabilities of religious thought, of great art, and of the immense importance of human conversation.”26 For Hopper, this would have all been familiar and well within his areas of interest.

From 1948 to 1950 Hopper chaired the Commission on Literature at the National Council of Churches, and was the sole delegate from the United States at the First Conference on Religion and the Arts at the Ecumenical Institute in Celigny, Switzerland. In 1958, at Drew University, he founded the first graduate program in Theology and Literature in the United States. Throughout his life he had a profound personal predilection toward the arts, was a published poet himself, and was close friends with both Cleanth Brooks and T. S. Eliot.27 Hopper’s interest in art was paralleled by an interest in interpretation, which is exemplified by his work with Drew University’s Consultations on Hermeneutics.

According to David Miller, a student of Hopper’s, the “consultations were located intellectually at the intersection of left-wing Bultmannian Biblical interpretation, the thought of the late period of Heidegger’s existential philosophy, and the Religion and Literature movement.”28 As the “Religion and Literature movement” was closely associated with the work of SARCC, the following sections will clarify “the late period of Heidegger’s existential philosophy,” and “left-wing Bultmannian Biblical interpretation.”

Broadly speaking, hermeneutics is the study of interpretation, the study of how humanity makes sense out of things, most often texts. The Drew Consultations were interested in this same type of investigation, and were particularly interested in the work of Martin Heidegger, a twentieth-century German philosopher whose work in the philosophical sub-discipline of “phenomenology” is relevant to nearly all work done today in that field. At its most basic, phenomenology focuses on the study of experience, or how things are experienced by people, rather than the study of metaphysics, or the attempt to study the essential nature of things and being. Heidegger’s position, as pertains to the Consultations, is well-framed by the three questions he asked to be considered29 at the Third Consultation in 1966. These questions—and my explanatory commentary—are as follows.

What is the nature of the referent of theological utterance?

That is, when we make theological assertions (about the nature of God, salvation, end times, etc.), what are we actually talking about? Presuming—for the sake of this philosophical line of questioning—that there is a God, is there a know-able, grasp-able nature to that God, or is it beyond our human capacity to understand?

What is the nature of thinking that is objectifying?

That is, Heidegger presumed that there was some quality of thinking—thinking here means using language, even if it is not spoken—that somehow could diminish the totality of that which was spoken of. By naming something, or thinking about it in such a way that it becomes readily categorized and able to be discussed, we are setting ourselves up for the possibility that we would not actually talk about the thing itself, but only about our thoughts/words for the thing. Put another way, the target of our interest becomes objectified so that when believe we are speaking/thinking of it, we a...