The Filmmaker's Eye: The Language of the Lens
eBook - PDF

The Filmmaker's Eye: The Language of the Lens

The Power of Lenses and the Expressive Cinematic Image

Gustavo Mercado

Share book
  1. 196 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

The Filmmaker's Eye: The Language of the Lens

The Power of Lenses and the Expressive Cinematic Image

Gustavo Mercado

Book details
Book preview
Table of contents
Citations

About This Book

The Language of the Lens explores the expressive power of the camera lens and the storytelling contributions that this critical tool can make to a film project. This book offers a unique approach to learning how lenses can produce aesthetically and narratively compelling images in movies, through a close examination of the various ways lens techniques control the look of space, movement, focus, flares, distortion, and the "optical personality" of your story's visual landscape. Loaded with vivid examples from commercial, independent, and world cinema, The Language of the Lens presents dozens of insightful case studies examining their conceptual, narrative, and technical approaches to reveal how master filmmakers have harnessed the power of lenses to express the entire range of emotions, themes, tone, atmosphere, subtexts, moods, and abstract concepts. The Language of the Lens provides filmmakers, at any level or experience, with a wealth of knowledge to unleash the full expressive power of any lens at their disposal, whether they are shooting with state-of-the-art cinema lenses or a smartphone, and everything in between.

Frequently asked questions

How do I cancel my subscription?
Simply head over to the account section in settings and click on “Cancel Subscription” - it’s as simple as that. After you cancel, your membership will stay active for the remainder of the time you’ve paid for. Learn more here.
Can/how do I download books?
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
What is the difference between the pricing plans?
Both plans give you full access to the library and all of Perlego’s features. The only differences are the price and subscription period: With the annual plan you’ll save around 30% compared to 12 months on the monthly plan.
What is Perlego?
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Do you support text-to-speech?
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Is The Filmmaker's Eye: The Language of the Lens an online PDF/ePUB?
Yes, you can access The Filmmaker's Eye: The Language of the Lens by Gustavo Mercado in PDF and/or ePUB format, as well as other popular books in Medios de comunicación y artes escénicas & Películas y vídeos. We have over one million books available in our catalogue for you to explore.

Information

INDEX 
195
U
Ueda, 
Shôji 
78
ultra 
high 
definition 
(UHD) 
3
ultra 
wide-angle 
lenses 
28, 
42,
43
52, 
151, 
159
uniqueness 
176
177
Unsworth, 
Geoffrey 
150
Upstream 
Color
XII
3
urgency 
83, 
84
85, 
93, 
105
V
Van 
Rooijen, 
Diederik 
2
Van 
Sant, 
Gus 
124
125
variable 
focal 
length 
lenses 
see
zoom 
lenses
varifocal 
lenses 
34–35
vastness 
58
59, 
75
Verbinski, 
Gore 
136
137
vignetting 
4, 
31, 
46, 
51–52, 
52
151, 
159, 
165, 
171
Villeneuve, 
Denis 
118
119
Vinterberg, 
Thomas 
148
149
vision 
126
127
visual 
tropes 
10, 
13, 
14, 
119, 
141, 
143
W
We 
Need 
to 
Talk 
About 
Kevin
26, 
27
Welles, 
Orson 
40, 
111
whimsy 
154
155
wide-angle 
lenses 
10, 
18,
22–23, 
125, 
127, 
151, 
153, 
155, 
157, 
163
barrel 
distortion 
in 
42, 
67, 
117, 
159
and 
chromatic 
aberrations 
52, 
53
close 
up 
shots 
with 
117
curvilinear 
42, 
43
and 
deep 
focus 
111
and 
depth 
of 
field 
38, 
40
establishing 
shots 
with 
58
59
extreme 
long 
shots 
with 
15, 
18
and 
facial 
distortion 
19, 
41
42, 
42
44, 
65, 
155, 
157, 
159
and 
field 
of 
view 
24, 
25
26, 
44, 
159
medium 
shots 
with 
173
and 
minimum 
focusing 
distance 
33, 
117
moustache 
distortion 
42
and 
movement 
83,
87, 
91
and 
optical 
distortion 
42, 
55, 
67, 
151, 
153, 
155, 
157, 
159, 
163
and 
perspective 
expansion 
19, 
44, 
45, 
55, 
59, 
61, 
63, 
65, 
68
69, 
87
rectilinear 
42, 
43
and 
vignetting 
51
wide 
shots 
with 
15, 
153
zoom 
shift 
to 
61, 
71, 
75
zoom 
shift 
from 
73
see 
also
fisheye 
lenses; 
ultra 
wide-
angle 
lenses
widescreen 
aspect 
ratio 
47, 
177
Wilson, 
Erik 
Alexander 
100
Winding 
Refn, 
Nicolas 
174
175
wistfulness 
130
131
Wyler, 
William 
40
X
x-axis: 
and 
movement 
83,
85,
91, 
93, 
95
and 
anamorphic 
distortion 
47, 
161 
Xiaonin 
Chi 
56
Xiaoquin 
Yu 
56
Y
y-axis: 
and 
field 
of 
view 
26
and 
movement 
87
and 
shot 
composition 
79
Young, 
Freddie 
88
Z
z-axis: 
compression 
23, 
44–45, 
44, 
57, 
63, 
65, 
67, 
77
expansion 
23, 
44–45, 
44
59, 
63, 
65 
and 
focal 
length 
42, 
44, 
67 
and 
focusing 
34, 
101
and 
movement 
83,
87,
89,
91, 
93, 
161
and 
perspective 
distortion 
42, 
44, 
63, 
151
Zeiss 
T2.8 
21mm 
prime 
lenses 
21, 
22
Zhang, 
Yimou 
56
57
zoom 
lenses 
1, 
28, 
30,
45–46, 
46
75, 
143
and 
chromatic 
aberrations 
52
and 
directing 
style 
173
and 
dolly 
zooms 
71, 
73 
and 
flares 
135
and 
moustache 
distortion 
42
parfocal 
34–35
speed 
46
and 
subject 
movement 
83
varifocal 
34–35
zoom 
ratios 
45–46,
71, 
75
zoom 
ring 
45, 
46
47
zoom 
shift/zooming 
61, 
71, 
73, 
75, 
139, 
161
Zsigmond, 
Vilmos 
144
Zvyagintsev, 
Andrey 
66
67

Table of contents