A Dictionary of Theatre Anthropology
eBook - ePub

A Dictionary of Theatre Anthropology

The Secret Art of the Performer

Eugenio Barba

  1. 320 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

A Dictionary of Theatre Anthropology

The Secret Art of the Performer

Eugenio Barba

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About This Book

First Published in 2005. A Dictionary of Theatre Anthropology subtly juxtaposes visual demonstrations of the performer's craft, from a wealth of Eastern and Western sources. More than just a dictionary, this is a handbook for theatre practitioners and a guide for students and scholars of transcultural performance. It is the result of many years of research conducted by Eugenio Barba and the International School of Theatre Anthropology (ISTA) based in Denmark, and is now a classic foundational text. Whereas most Western research is concerned with naturalism and psychological realism in acting, the Dictionary focuses on the actor's arduous and eclectic craft. The Dictionary aims to expand our knowledge of the possibilities of the scenic body, and of the spectator's response to the dynamics of performance. The Dictionary has practical sections on balance, opposition and montage among other techniques, and discusses issues including The Text and the Stage, The Dilated Body and Energetic Language. This revised edition includes: three new chapters on Eurasian Theatre, Exercises and Organicity; 50 new photographs showing the performer's craft in black and white and colour; and, for the first time, a useful bibliography and index.

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Publisher
Routledge
Year
2011
ISBN
9781135176341
Index
Note: Page numbers in italics indicate an illustration and/or information in a caption.
abacus: digital numeration152
absence 8, 194, 194, 225
abstract mime 94
academic stage 271
AcadƩmie Royale de la Danse226
acculturation 219, 219, 220, 220
acrobatics 8, 9, 49, 168, 186; exercises114, 116ā€“117; training 282, 282, 284, 284, 285
acting: anatomy of23; and body 12ā€“13; and dance 168; ā€˜great actorsā€™ 208ā€“209; organicity 206; performerā€™s view 288ā€“299; rĆ“le types 274; Stanislavskyā€™s system 170ā€“173; technique 25, 219ā€“220; Western theatre 103; see also scenic presence
action rhetoric 282, 284
actions: braking the action 88ā€“90; and dramaturgy 66ā€“69; ā€˜physical actionsā€™ 112
Actorsā€™ Studio 280
Adam and Eve montage 180ā€“182, 181, 183, 184
Advayataraka Upanishad 28ā€“29
Ahasuerus 54
Ahistedt, Borge275
Aleksandr Nevskij (film)178, 179
alienation effect 108, 219ā€“220, 235
American Indians150, 151
amplification 268
anatomy 22ā€“23, 37
ancient Greece10, 106, 107, 185; dance186, 188; martial arts 230, 231; tragedy 66, 1...

Table of contents