CHAPTER 1
THE ESSENTIALS
You present more often than you think. It does not have to involve you standing up in front of a seated audience … although in business that is the scenario that causes the most anxiety for most people for most of the time. In fact, in the workplace and beyond, you present every time that you attempt to change someone’s viewpoint by using spoken words.
Presenting is an every day activity for everyone. Those that do it well are likely to get to the top of their chosen profession. It is such an important activity that it should not be left to chance. In the 2010 UK General Election, it was the unexpectedly brilliant presentation performance by Nick Clegg in the televised debates that propelled the Liberal Democrats from Oblivion to Government, as well as securing for himself the second most powerful job in the country. The techniques contained in this book can make excellent personal communication a certainty instead of a lottery, whether you are a Prime Minister, product director, preacher or primary school teacher.
This book deals with the wide variety of presentational scenarios. For some people, these situations may occur regularly. For others the invitation to speak may come unexpectedly and demand a huge amount of thought and care in preparation: for instance when asked to give a eulogy. However, I suspect that you are reading this book because you want to improve your performance in the ‘you-in-front-of-more-than-five-people-in-the-audience’ sort of situation. Accordingly, the first six chapters focus on this scenario, which I will from now on call the Formal Presentation. Once you’ve mastered this scenario, you can master any of the other situations that I cover in later chapters.
To help you achieve this success, the Bare Knuckle Method uses a Preparation Pipeline that you can walk through with the maximum of speed and the minimum of angst.
This step-by-step methodology is tried-and-tested and will allow you to get results you will be proud of every time you present. You may not always get a Knockout, but you can always win on points, facing every speaking challenge in the knowledge that Bare Knuckle techniques give you the best possible chance of success.
Why Bare Knuckle?
I use the term because you need to fight constantly for the privilege of your audience’s attention. You are not fighting against the people in front of you….but you are fighting against all the other facts, figures and opinions in their minds at any given moment. For a few minutes, it is your information and attitude that must gain the ascendancy.
The Bare Knuckle Fighter uses a vast range of unconventional combat techniques to get the results he needs, without being bound by a restrictive set of rules. In the same way, the Bare Knuckle Presenter is not confined by the stiff Marquess of Queensbury style of Death by Bullet Point.
This is why the central aspects of my coaching have always embodied a rather driven attitude. This idiosyncratically assertive approach involves asking you to go through a Preparation Pipeline every time you need to speak.
The key characteristic of the Pipeline is that it forces discipline on you without stifling your creativity.
The methodology may not be a total guarantee (I have to leave some of the responsibility with you!), but it will definitely take the pain out of the process and make you a real contender.
The Challenge
You may well dread giving presentations. But always bear in mind that audiences dread listening to them even more. They fear that their time is going to be wasted. They worry that they are going to hear material that they have heard many times before. More than anything else, they worry that they are going to be bored.
So, why bother with a presentation? Why not just send the information by e-mail?
The difference must come from you, the presenter: you must provide the reason why.
In a century where executives frequently receive more than 100 e-mails a day, information on a screen can never be totally compelling. A presentation is real communication, with life and breath and flesh and blood. It is the human element that makes the difference. Only a live presenter can provide information with inspiration and impact. The words are merely ammunition … you must be the weapon.
But there are too many presentations. Most of them are too long, whereas the human attention span has never been so short. I strongly believe that very few presentations should ever be longer than 20 minutes, no matter how brilliant the presenter. In fact, some of the most popular business presentations in the world are given at TED conferences (see www.TED.com). They have assembled dozens of the world leading thinkers in virtually every discipline to share their ideas, inventions and interpretations. The main reason that the presentations are so compelling is that they strictly enforce a time limit of 18 minutes.
Knowledge and intellect are useless without the power to communicate. There are certainly more communication tools available than ever before, ranging from PowerPoint to the marker pen. However, the best tool remains you. The main problem you face now is a lack of time: time to prepare and time to deliver.
A presentation is not about building a lifetime relationship. You should treat it like an affair that is short but memorable. It should have some great highlights, but be over quickly.
The prayer of the 21st Century audience is:
‘Let me hear something new that makes listening worth the effort. Please don’t let him make me yawn.’
The mantra of the 21st Century presenter should be:
‘Say it. Support it. Shut it.’
This book shows you how.
The Method
I can summarize the Bare Knuckle content preparation methodology very quickly. It is based on the conviction that every piece of spoken communication should have a Micro-Statement at its core. A Micro-Statement is what you would say to a given audience if you only had 10 seconds in which to say it. It is the shining jewel that you hope will dazzle and persuade them to think and do what you want them to do.
This is the five-step
Preparation Pipeline I mentioned earlier that you must hard-wire into your psyche:
1. Know your audience (through thorough analysis)
2. Decide where you want to take them (by getting to understand what they really need to hear)
3. Create a Micro-Statement (which will propel your audience along your chosen path)
4. Support the Micro-Statement (to provide the evidence for the case you are arguing)
5. Spike your beginning and your ending (so that the words with which you started and finished will still be going through their head long after you left the room)
At the start of the next six chapters, you will find a sequence of headings which makes up the detailed sections of the Pipeline, so that you always have a clear idea of exactly where you are in the process.
I am sure that you are looking forward to finding out what a Knockout Result is, but I am going to leave that until the next chapter. You are probably less excited at the prospect of Audience Analysis, because it does sound as if it might be rather … anal. But it does not have to involve a spreadsheet or a tedious computer programme. For the largest conference audiences, you may have rather too much information potentially available from the organizer about every single individual. You cannot hope to cater exhaustively for every audience member.
But when you are talking to three people around a table, personal information is much more desirable for you.
Even audiences at weddings and funerals can be effectively analyzed, so that your speech contains the most compelling material from the life of the groom or the deceased.
Remember that, for the audience, the prevailing atmosphere is one of sickly dread, not just dislike. You need to constantly fight against this negative mindset. But you strike the first effective blow in this struggle when you overcome the overwhelming desire to tell everybody everything.
A presentation that includes everything usually achieves nothing.
An audience is only interested in the part of your presentation that makes their lives easier, so brutal editing is a fundamental courtesy. They will always be grateful for the time you have spent cutting out the stuff that they don’t need to hear. If you want to speak for an hour, you could probably start now. If you want to speak for a minute you may need an hour just to edit. Audience Analysis and its role in deciding exactly where the audience should be taken is covered in detail in Chapter 2.
The encapsulation of presentation content in a relevant, concise and compelling sentence dramatically increases a key possibility: that the audience will remember what you want them to remember.
Everything in the presentation must relate back to the Micro-Statement. If a piece of content does not support it, then that material must be summarily culled. The Micro-Statement is both the transport and the guidance mechanism that will take the audience to where you need them to go. It is also the highly valuable gift that you want your audience to take away with them. How to create this legacy will be dealt with in detail in Chapter 3.
Although the Micro-Statement is crucial, it rarely thrives on its own … hence the need to support it.
Just because you have said a particular thing does not mean that the audience will remember it. A presentation should not be a sequence of lists for memorization, like a conveyor belt of prizes in a game show: if they remember three key points that support the message from a 20 minute presentation, then you have done very well indeed. If you are absolutely determined to include 17 key points, then you have a problem: the audience may have stopped listening before you have stopped talking. It is your duty to edit for impact. You will find guidance on structure and editing in Chapters 4 and 5.
Many times I have heard a client utter this heartfelt cry:
‘I’m alright once I get going, but I just don’t know how to start.’
Imagine that a presentation is like your steamiest love affair. The moment when it began should be unforgettable. I am sure that you didn’t waste any time with pleasantries like
‘It really is a great pleasure to meet someone as attractive as you, and I look forward to the opportunity of getting to know you better, but before we start, let me show you this organizational chart so that you can see where I fit into the Davies family….’
Or maybe you did and you still find the Internet a more forgiving place to conduct romance. Nobody has time for fluffy pleasantries.
How to Spike the beginning and end of your brief encounter with the audience is passionately described in Chapter 6.
The Preparation Pipeline described in the first seven chapters is the paramount source of comfort that you will find in this book. I urge you to get into the habit of using it to decide on what to say in every speaking situation. It is vital that you absorb the concepts in the Preparation Pipeline so at the end of Chapters 2 to 5, you will find a list of Action Steps which summarize how to use the Pipeline to create your Core Content.
When you learned how to drive, the sequence of steps in a hill start probably seemed awkward at first. But now it is a manoeuvre that you can do almost sub-consciously. In the same way, the first few occasions that you walk through the pipeline, it may feel a bit awkward … but the way will become smoother and more lubricated each time, so that it eventually becomes an automatic thought sequence whenever it needs to be.
Chapters 8 to 10 deal with both the high-tech and low tech tools that can be used to back up the gorgeous content you have forged. Very few ‘normal’ people have the inclination or ability to be actors. Attemp...