Contemporary Indigenous theatre in Canada is only thirty-three years old, if one begins counting from the premiere of Maria Campbell's Jessica in Saskatoon and the establishment of Native Earth Performing Arts in Toronto. Since those contemporaneous events in 1982, the Canadian community of Indigenous theatre artists has grown and inspired one another. Medicine Shows: Indigenous Performance Culture traces the work of a host of these artists over the past three decades, illuminating the connections, the artistic genealogy, and the development of a contemporary Indigenous theatre practice. Neither a history nor a chronicle, Medicine Shows examines how theatre has been used to make medicine, reconnecting individuals and communities, giving voice to the silenced and disappeared, staging ceremony, and honouring the ancestors.

- 179 pages
- English
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- Available on iOS & Android
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139
APPENDIX
1:
ROME,
ONTARIO
During
the
rehearsal
process
for
Death
of
a
Chief
,
between
January
and
March
of
2008,
the
company
discussed
the
future
of
the
fic-
tional
Rome,
Ontario,
and
imagined
the
community
that
they
wanted.
At
the
top
of
a
sheet
of
paper
taped
to
the
wall,
they
wrote,
“What
will
we
look
like
in
a
different
light?”
Below
are
the
responses
they
came
up
with,
prescriptions
for
healthy
Indigenous
communities
everywhere.
What
will
we
look
like
in
a
different
light?
reclaim
languages
autonomous
landbase
500
missing
women
return
respectful
of
each
other
/
themselves
rediscover
traditions
no
more
rape
of
our
children
by
us
traditional
self-government
harmonious
living
with
animals
and
nature
no
need
for
status
cards
visibility
awesome
powwows!
Table of contents
- OLE_LINK1
- Medicine Shows
- Poison Exposed
- Survivance
- Remembrance
- Ceremony
- The Drum
- Making Community
- Trickster, Rougarou, Mahigan, and the Weeping Forest
- Bad Medicine
- The Eighth Fire
- This Is How We Go Forward
- Meegwetch x 4
- Appendix 1: Rome, Ontario
- Appendix 2: The Summit List, April 26, 2014
- Works Cited
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