Outre-Mer - A Pilgrimage Beyond The Sea
Henry Wadsworth Longfellow
Contents:
Henry Wadsworth Longfellow â A Primer
Introductory Note To Outre-Mer
Outre-Mer - A Pilgrimage Beyond The Sea
No I.
The Epistle Dedicatory.
1. The Pilgrim Of Outre-Mer.
2. The Norman Diligence.
3. The Golden Lion Inn, At Rouen.
4. Martin Franc And The Monk Of Saint Anthony.
5. The Village Of Auteuil.
6. Jacqueline.
7. The Sexagenarian, A Sketch Of Character.
8. Père La Chaise.
No. Ii.
1. The Valley Of The Loire.
2. The Ancient Lyric Poetry Of The North Of France.
3. The Baptism Of Fire.
4. Coq-A-L' Ane.
5. The Journey Into Spain.
Outre-Mer - A Pilgrimage Beyond The Sea, H. W.Longfellow
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Henry Wadsworth Longfellow â A Primer
By Thomas Davidson
H. W. Longfellow was an American poet, born on the 27th of February 1807, at Portland, Maine. His ancestor, William Longfellow, had immigrated to Newbury, Massachusetts, in 1676, from Yorkshire, England. His father was Stephen Longfellow, a lawyer and United States congressman, and his mother, Zilpha Wadsworth, a descendant of John Alden and of âPriscilla, the Puritan maiden.â
Longfellow's external life presents little that is of stirring interest. It is the life of a modest, deep-hearted gentleman, whose highest ambition was to be a perfect man, and, through sympathy and love, to help others to be the same. His boyhood was spent mostly in his native town, which he never ceased to love, and whose beautiful surroundings and quiet, pure life he has described in his poem âMy Lost Youth.â Here he grew up in the midst of majestic peace, which was but once broken, and that by an event which made a deep impression on him â the War of 1812. He never forgot
âthe sea-fight far away,
How it thundered o'er the tide,
And the dead captains as they lay
In their graves o'erlooking the tranquil bay,
Where they in battle died.â
The âtranquil bayâ is Casco Bay, one of the most beautiful in the world, studded with bold, green islands, well fitted to be the Hesperides of a poet's boyish dreams. At the age of fifteen Longfellow entered Bowdoin College at Brunswick, a town situated near the romantic falls of the Androscoggin river, about 25 m. from Portland, and in a region full of Indian scenery and legend. Here he had among his classfellows Nathaniel Hawthorne, George B. Cheever and J. S. C. Abbott. During the latter years of his college life he contributed to the United States Literary Gazette some half-dozen poems, which are interesting for two reasons â (1) as showing the poet's early, book-mediated sympathy with nature and legendary heroisms, and (2) as being almost entirely free from that supernatural view of nature which his subsequent residence in Europe imparted to him. He graduated in 1825, at the age of eighteen, with honours, among others that of writing the âclass poemâ â taking the fourth place in a class of thirty-eight. He then entered his father's law office, without intending, however, it would appear, to devote himself to the study of the law. For this profession he was, both by capacity and tastes, utterly unfitted, and it was fortunate that, shortly after his graduation, he received an offer of a professorship of modern languages at Bowdoin College. In order the better to qualify himself for this appointment, he went to Europe (May 15th, 1826) and spent three years and a half travelling in France, Italy, Spain, Germany, Holland and England, learning languages, for which he had unusual talent, and drinking in the spirit of the history and life of these countries. The effect of Longfellow's visit was twofold. On the one hand, it widened his sympathies, gave him confidence in himself and supplied him with many poetical themes; on the other, it traditionalized his mind, coloured for him the pure light of nature and rendered him in some measure unfit to feel or express the spirit of American nature and life. His sojourn in Europe fell exactly in the time when, in England, the reaction against the sentimental atheism of Shelley, the pagan sensitivity of Keats, and the sublime, Satanic outcastness of Byron was at its height; when, in the Catholic countries, the negative exaggerations of the French Revolution were inducing a counter current of positive faith, which threw men into the arms of a half-sentimental, half-aesthetic medievalism; and when, in Germany, the aristocratic paganism of Goethe was being swept aside by that tide of dutiful, romantic patriotism which flooded the country, as soon as it began to feel that it still existed after being run over by Napoleon's war-chariot. He returned to America in 1829, and remained six years at Bowdoin College (1829-1835), during which he published various text-books for the study of modern languages. In his twenty-fourth year (1831) he married Miss Mary Story Potter, one of his âearly loves.â In 1833 he made a series of translations from the Spanish, with an essay on the moral and devotional poetry of Spain, and these were incorporated in 1835 in Outre-mer: a Pilgrimage beyond the Sea.
In 1835 Longfellow was chosen to succeed George Ticknor as professor of modern languages and belles-lettres in Harvard. On receiving this appointment, he paid a second visit of some fifteen months to Europe, this time devoting special attention to the Scandinavian countries and Switzerland. During this visit he lost his wife, who died at Rotterdam, on the 29th of November 1835.
On his return to America in December 1836, Longfellow took up his residence in Cambridge, and began to lecture at Harvard and to write. In his new home he found himself amid surroundings entirely congenial to him. Its spaciousness and free rural aspect, its old graveyards and towering elms, its great university, its cultivated society and its vicinity to humane, substantial, busy Boston, were all attractions for such a man. In 1837-1838 several essays of Longfellow's appeared in the North American Review, and in 1839 he published Hyperion: a Romance, and his first volume of original poetry, entitled Voices of the Night. Hyperion, a poetical account of his travels, had, at the time of its publication, an immense popularity, due mainly to its sentimental romanticism. At present few persons beyond their teens would care to read it through, so unnatural and stilted is its language, so thin its material and so consciously mediated its sentiment. Nevertheless it has a certain historical importance, for two reasons â (1) because it marks that period in Longfellow's career when, though he had left nature, he had not yet found art, and (2) because it opened the sluices through which the flood of German sentimental poetry flowed into the United States. The Voices of the Night contains some of his best minor poems, e.g. âThe Psalm of Lifeâ and âFootsteps of Angels.â In 1842 Longfellow published a small volume of Ballads...