El primer nĆŗmero de la revista se publicó en 1990 en el marco de la serie Studi di letteratura Ispanoamericana dirigida por el Prof. Giuseppe Bellini de la UniversitĆ degli Studi di Milano. Desde el fasciculo n.9/2000 se convirtió en revista del Departamento de Ciencias LingüĆsticas de la UniversitĆ Cattolica del Sacro Cuore bajo la dirección del Prof. Dante Liano, CatedrĆ”tico de Lengua y Literatura Hispanoamericana de dicha universidad.
La temĆ”tica de Ā«CentroamericanaĀ» se centra en problemas lingüĆsticos, literarios y culturales de los paĆses de CentroamĆ©rica y de las Antillas. Se publica en dos fascĆculos anuales.
Desde el duodĆ©cimo volumen la revista se publica a travĆ©s del Servizio Editoriale de EDUCatt ā Ente per il diritto allo studio dell'UniversitĆ Cattolica.
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Centroamericana 28.1
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Note
- [ā1]
- R. DarĆo, Azul... / Cantos de vida y esperanza, edición de JosĆ© MarĆa MartĆnez, CĆ”tedra, Madrid 2010, pp. 339-343.
S. MallarmĆ©, LāaprĆØs-midi dāun faune, Alphonse Derenne, Paris 1876, con illustrazioni boschive di Ćdouard Manet. Nel 1894 il poema fu musicato Claude Debussy con il titolo PrĆ©lude Ć lāaprĆØs-midi dāun faune.
J.C. Rovira, āRubĆ©n DarĆo: geografĆa, pintura y paisajeā, Centroamericana, 2016, 26.2, p. 138.
DarĆo, Azul... / Cantos de vida y esperanza, pp. 124-125.
Ivi, p. 101.
Ivi, p. 108.
Il giardino modernista di cui parliamo ĆØ molto diverso dalla mitica valle dove vivevano le muse della mitologia greca: lāArcadia. Questa ĆØ una natura amena non creata dallāuomo, il giardino invece ĆØ sempre una costruzione umana. Bisogna inoltre ricordare che il modernismo creò numerosi locus amoenus: giardini, lāisola dei centauri, palazzi sontuosamente arredati, libri impreziositi da decorazioni, torri dāavorio, ecc.
Creature nate nei giardini furono Peter Pan che viveva nei giardini di Kensingthon a Londra (James M. Barrie, Peter Pan, 1912) ed il vampiro Dracula che viveva nei giardini senza tempo che sono i cimiteri (Bram Stoker, Dracula, 1897). Una riflessione sulle profonde analogie fra le due figure dellāimmaginario anglosassone, cfr. N. Bottiglieri, āLa isla de la inocencia: de Colon a Peter Panā, Casa de Las AmĆ©ricas, 2001, 223, pp. 113-131.
La descrizione Ć© tratta da R. Llopesa, El ojo del sol, Insituto de Estudios Modernista, Valencia 2004, p. 17. Viene riportata da Arturo Ramoneda in: R. DarĆo, Azul..., edición de Arturo Ramoneda, Alianza, Madrid 2008, p. 9.
A. Rama, RubĆ©n DarĆo y el modernismo, Alfadil Ediciones, Caracas/Barcelona 1985, pp. 81-104.
R. DarĆo, AutobiografĆa, Ediciones Distribuidora Cultural, Managua 2006, p. 20.
Id.,āCarta del paĆs azulā, in Azul..., edición deArturo Ramoneda, p. 11.
J.M. MartĆnez, āIntroducciónā, in DarĆo, Azul... / Cantos de vida y esperanza, Madrid 2010, p. 21 s.
Le suggestioni legate agli odori dellāIndia ricordano il nostro poeta crepuscolare Guido Gozzano, morto nello stesso anno di DarĆo (1916) ed il suo viaggio in India. Scrisse Verso la cuna del mondo. Lettere dallāIndia (1912-1913), pubblicate nel 1917. Tuttavia non vi ĆØ certezza circa lāattendibilitĆ del viaggio, se esso sia stato immaginato o compiuto davvero.
DarĆo, Azul... / Cantos de vida y esperanza, p. 178.
DarĆo, Autobiografia, p. 22.
Ivi, p. 10.
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