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My Art, My Life
An Autobiography
Diego Rivera, with Gladys March
- 224 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
My Art, My Life
An Autobiography
Diego Rivera, with Gladys March
About This Book
`Engrossing as a novel … throws a clear white light on one of the most spectacular artists of our time.` — Chicago Sunday Tribune
This remarkable autobiography began with a newspaper interview the artist gave journalist Gladys March in 1944. From then until the artist's death in 1957, she spent several months each year with Rivera, eventually filling 2,000 pages with his recollections and interpretations of his art and life. Written in the first person, this book is a richly revealing document of the painter who revolutionized modern mural painting, was a principal figure in launching the `Mexican Renaissance,` and is ranked among the most influential artists of the twentieth century.
As the colorful narrative unfolds, Diego Rivera seems always to be in the midst of political, artistic, and romantic turmoil. As the reviewer for The New Republic observed, `Rivera reveals a keen appreciation of this prowess in art, sex, and politics, and the record seems to be complete on the series of spectacular rows he got into over all three.`
The book details his bold confrontations with dictators and presidents, the battles that erupted over his murals in Rockefeller Center and the Hotel del Prado, his tempestuous marriages to Lupe Marin and artist Frida Kahlo, and much, much more. `There is no lack of exciting material. A lover at nine, a cannibal at 18, by his own account, Rivera was prodigiously productive of art and controversy.` — San Francisco Chronicle. 21 halftones.
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Table of contents
- Title Page
- IN GRATITUDE
- Copyright Page
- Table of Contents
- Foreword
- GEOGRAPHICAL, GENEALOGICAL
- TALE OF A GOAT AND A MOUSE
- THE THREE OLD GENTLEMEN WELCOME THE NEW ICONOCLAST
- MY THREE AMBITIONS
- I BEGIN TO DRAW
- WE MOVE TO MEXICO CITY
- SCHOOLS
- MY FIRST EXPERIENCE OF LOVE
- THE BEGINNING AND END OF A MILITARY CAREER
- AT THE SAN CARLOS SCHOOL OF FINE ARTS
- THREE EARLY MASTERS
- POSADA
- PRE-CONQUEST ART
- AN EXPERIMENT IN CANNIBALISM
- MY FIRST GRANT
- MURILLO ATL
- PASSAGE OF ANGER
- MY SPANISH FRIENDS
- DESOLATE LANDSCAPES
- CHECKBOOKS IN MY FINGERS
- ART STUDENT IN PARIS
- PRIVATE PROPERTY
- NO MORE CÉZANNES
- THE SUN WORSHIPPERS OF BRUGES
- BEGGARS IN TOP HATS
- A QUALIFIED SUCCESS
- WHERE I WAS IN 1910
- HOMECOMING!
- A WITCHCRAFT CURE
- REVOLUTIONARY WITH A PAINTBOX
- A PLOT TO KILL DIAZ
- DEHESA
- SEA DUTY
- REUNION WITH ANGELINE
- PICASSO
- WAR
- YOUR PAINTING IS LIKE THE OTHERS’!
- MARIEVNA
- AN END AND A BEGINNING
- IN ITALY
- I AM REBORN: 1921
- LUPE
- AN APPARITION OF FRIDA
- THE MEXICAN RENAISSANCE
- THE MINISTRY OF EDUCATION AND CHAPINGO
- HITLER
- STALIN
- MOSCOW SKETCHES
- AN INSPIRATION
- H. P.
- THE ASSASSINATION OF JULIO MELLA
- I AM EXPELLED FROM THE PARTY
- CUERNAVACA
- FRIDA BECOMES MY WIFE
- A BID TO PAINT IN THE SAN FRANCISCO STOCK EXCHANGE
- ONE-MAN SHOW IN THE MUSEUM OF MODERN ART
- A VISIT WITH HENRY FORD
- THE BATTLE OF DETROIT
- FRIDA’S TRAGEDY
- HOLOCAUST IN ROCKEFELLER CENTER
- RECONSTRUCTION
- THE NAZIS LEARN HOW TO DEAL WITH ME
- PANI LOSES AN EYE
- AN INVITATION FROM MUSSOLINI
- FRIDA: TRIUMPH AND ANGUISH
- TROTSKY
- THE ENORMOUS NECKTIE
- A VISIT WITH CHARLIE CHAPLIN
- A SALUTE BY THE U. S. NAVY
- TROTSKY AGAIN––DEAD
- A SECOND TIME WITH FRIDA
- MORE POPULAR THAN WENDELL WILLKIE
- PIN-UPS, SALOON STYLE
- A HOME FOR MY IDOLS
- A SUNDAY IN ALAMEDA PARK
- CARDINAL DOUGHERTY DEFENDS
- AFTERMATHS
- UNDERWATER
- ANOTHER STORM
- CANCER
- YET ANOTHER STORM
- FRIDA DIES
- EMMA—I AM HERE STILL
- APPENDIX
- INDEX
- A CATALOG OF SELECTED DOVER BOOKS IN ALL FIELDS OF INTEREST
- DOVER BOOKS ON ART, ART HISTORY