
- 80 pages
- English
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The Rape of the Lock
About this book
Only rarely in publishing history has the ideal edition of a literary work been created, where text, typography, and illustrations complement one another perfectly. Among the few examples are the Kelmscott Chaucer, Baskerville's Milton, and Beardsley's Salome. Another such book is the 1896 edition of Pope's The Rape of the Lock, illustrated by Aubrey Beardsley.
Beardsley's elaborate drawings for The Rape of the Lock were created during the last phase of his brief career. This nearly Romantic period, characterized by rich, brilliantly imagined decoration and ornamentation and by high textual contrasts, was perfectly suited to the blend of mock-heroic, satire, and delicate fancy of Pope's poems. As Beardsley's biographer R. A. Walker wrote, "These drawings show a verve, a wit and appreciation of the poem than can scarcely be matched in English literature." Using his unique line and "black blot" technique, Beardsley created a masterpiece of design and mood.
This Dover edition reproduces the first edition: the complete text of the five-canto poem, notes, seven full-page drawings, two half-page drawings, and the original cover design by Beardsley.
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Information

THE RAPE OF THE LOCK
CANTO I
Slight is the Subject, but not so the Praise,
If She inspire, and He approve, my Lays.
A well-bred Lord tâ assault a gentle Belle?
Oh say what stranger Cause, yet unexplorâd,
Couâd make a gentle Belle reject a Lord ?
In tasks so bold, can little Men engage,
And in soft Bosoms, dwell such mighty Rage ?
And opeâd those Eyes that must eclipse the Day :
Now Lap-dogs give themselves the rouzing Shake,
And sleepless Lovers, just at Twelve, awake :
Thrice rung the Bell, the Slipper knockâd the Ground,
And the pressâd Watch returnâd a silver sound,
Belinda still her downy Pillow prest,
Her guardian Sylph prolongâd the balmy rest.
âTwas he had summonâd to her silent Bed
The Morning Dream that hoverâd oâer her Head.
A Youth more glittâring than a Birth-night Beau
(That evân in slumber causâd her Cheek to glow)
Seemâd to her Ear his winning Lips to lay,
And thus in Whispers said, or seemed to say.
Of thousand bright Inhabitants of Air!
If eâer one Vision touchâd thy infant Thought,
Of all the Nurse and all the Priest have taught,
Of airy Elves by Moonlight Shadows seen,
The silver Token, and the Circled Green,
Or Virgins visited by Angel-powârs
With Golden Crowns and Wreaths of heavânly Flowârs ;
Hear and believe! thy own Importance know,
Nor bound thy narrow Views to things below.
To Maids alone and Children are revealâd :
What thoâ no Credit doubting Wits may give ?
The Fair and Innocent shall still believe.
Know then, unnumberâd Spirits round thee fly,
The light Militia of the lower sky :
These, thoâ unseen, are ever on the Wing,
Hang oâer the Box, and hover round the Ring.
And view with scorn Two Pages and a Chair.
As now your own, our Beings were of old,
And once inclosâd in Womanâs beauteous Mold ;
Thence, by a soft Transition, we repair
From earthly Vehicles to these of Air.
Think not, when Womanâs transient Breath is fled,
That all her Vanities at once are dead.
And thoâ she plays no more, oâerlooks the Cards.
Her Joy in gilded Chariots, when alive,
And love of Ombre, after Death survive.
For when the Fair in all their Pride expire,
To their first Elements the Souls retire :
The Sprites of fiery Termagants in Flame
Mount up, and take a Salamanderâs name.
Soft yielding Minds to Water glide away,
And sip, with Nymphs, their elemental Tea.
The graver Prude sinks downward to a Gnome,
In search of Mischief still on Earth to roam.
The light Coquettes in Sylphs aloft repair,
And sport and flutter in the Fields of Air.
Rejects Mankind, is by some Sylph embracâd :
For Spirits, freed from mortal Laws, with ease
Assume what Sexes and what Shapes they please.
What guards the Purity of melting Maids,
In Courtly Balls, and Midnight Masquerades,
Safe from the treachârous Friend, the daring Spark,
The Glance by Day, the Whisper in the Dark ;
When kind Occasion prompts their warm Desires,
When Music softens, and when Dancing fires ?
Thoâ Honour is the Word with Men below.
For Life predestinâd to the Gnomesâ Embrace.
Who swell their Prospects and exalt their Pride,
When Offers are disdainâd, and Love denyâd.
Then gay Ideas crowd the vacant Brain,
While Peers and Dukes, and all their sweeping Train,
And Garters, Stars, and Coronets appear,
And in soft sounds, Your Grace salutes their Ear.
âTis these that early taint the Female Soul,
Instruct the eyes of young Coquettes to roll,
Teach Infant Cheeks a bidden Blush to know,
And little Hearts to flutter at a Beau.
The Sylphs through Mystic mazes guide their Way.
Throâ all the giddy Circle they pursue,
And old Impertinence expel by new.
What tender Maid but must a Victim fall
To one Manâs Treat, but for anotherâs Ball ?
When Florio speaks, what Virgin could withstand,
If gentle Damon did not squeeze her Hand ?
With varying Vanities, from evâry Part,
Where Wigs with Wigs, with Sword-knots Sword-knots strive,
Beaux banish Beaux, and Coaches Coaches drive.
This erring Mortals Levity may call,
Oh blind to Truth ! the Sylphs contrive it all.
A watchful Sprite, and Ariel is my Name.
Late, as I rangâd the crystal Wilds of Air,
In the clear Mirror of thy ruling Star
I saw, alas ! some dread Event impend,
Ere to the Main this morningâs Sun descend,
But Heavân reveals not what, or how, or where:
Warnâd by thy Sylph, oh pious Maid beware!
This to disclose is all thy Guardian can.
Beware of all, but most beware of Man !
Leapâd up, and wakâd his Mistress with his Tongue.
âTwas then, Belinda! if Report say true,
Thy Eyes first openâd on a Billet-doux;
Wounds, Charms, and Ardors, were no sooner read,
But all the Vision vanishâd from thy Head.
Each Silver Vase in mystic Order laid.

With Head uncoverâd, the Cosmetic Powârs.
A heavânly Image in the Glass appears,
To that she bends, to that her Eyes she rears ;
Thâ inferior Priestess, at her Altarâs side,
Trembling, begins the sacred Rites of Pride.
Unnumberâd Treasures ope at once, and here
Th...
Table of contents
- DOVER BOOKS ON LITERATURE AND DRAMA
- Title Page
- Copyright Page
- Table of Contents
- Dedication
- ADVERTISEMENT
- To MRS. ARABELLA FERMOR
- THE RAPE OF THE LOCK
- Notes