- 128 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
100 Drawings
About this book
Gustav Glück, director of Vienna's Kunsthistorisches Museum, wrote as early as 1922 of Gustav Klimt (1862–1918) that his drawings were perhaps his ultimate artistic achievement. This founder of Secessionsstil and leader of the revolt against the Viennese academies was able to achieve greater freedom in his drawings than in his more laboriously executed paintings. While there are only about two hundred completed oils, the drawings number in the thousands, and are reported to have at times quite littered his studio. He himself considered them finished works, and often exhibited them alongside his paintings.
Klimt's subject matter is almost exclusively the female body, naked or half clothed. For this he earned the reputation of erotic artist, and while he did not suffer the outright persecutions of his successors Schiele and Kokoschka, he was nevertheless subjected to the trials that a frankly erotic artist had to undergo in Vienna, where the everyday subject of conversation was the current love affairs of celebrities but where audiences were shocked by the sight of a dancer's naked legs. An issue of Ver Sacrum which reproduced one of his drawings was confiscated by the authorities.
The drawings reveal above all that concern of great draughtsmen from Michelangelo through Blake the marriage of subtle grace and expressive dynamism that is the human body. Like that of these two past masters, Klimt's method is essentially linear. He knew, as they did, that line, rather than shading, the creation of volume or the use of color, is the natural medium for expressing the freedom of the living human form. As he matured as an artist there was an increasing awareness of this and a greater and greater spontaneity that approached, finally, "the lightness of a net of gauze."
Klimt's subject matter is almost exclusively the female body, naked or half clothed. For this he earned the reputation of erotic artist, and while he did not suffer the outright persecutions of his successors Schiele and Kokoschka, he was nevertheless subjected to the trials that a frankly erotic artist had to undergo in Vienna, where the everyday subject of conversation was the current love affairs of celebrities but where audiences were shocked by the sight of a dancer's naked legs. An issue of Ver Sacrum which reproduced one of his drawings was confiscated by the authorities.
The drawings reveal above all that concern of great draughtsmen from Michelangelo through Blake the marriage of subtle grace and expressive dynamism that is the human body. Like that of these two past masters, Klimt's method is essentially linear. He knew, as they did, that line, rather than shading, the creation of volume or the use of color, is the natural medium for expressing the freedom of the living human form. As he matured as an artist there was an increasing awareness of this and a greater and greater spontaneity that approached, finally, "the lightness of a net of gauze."
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Yes, you can access 100 Drawings by Gustav Klimt in PDF and/or ePUB format, as well as other popular books in Art & Artist Monographs. We have over one million books available in our catalogue for you to explore.
Information
The Drawings
1. Male figure study; 1876/80.
2. Pair of boots; 1876/82.
3. Reclining nude; c. 1888.
4. Study for the floating nude in Medicine; c. 1897.
5. Study for the drawing “The Witch”; 1898.
6. Standing woman in classical drapery; c. 1898.
7. Man’s head and baby; studies for Philosophy; 1898/9.
8. Fat standing nude; c. 1900.
9. Study for the first portrait of Adele Bloch-Bauer; c. 1900.
10. Nude young girl in profile; c. 1901.
11. Study for the young girl in Longing for Happiness (1902).
12. Seated nude leaning forward; 1902.
13. Standing nude with long hair; c. 1902.
14. Study for Hope I; 1902/03.
15. Nude with shoulders turned to the left; 1902/05.
16. Study for the first portrait of Adele Bloch-Bauer; 1902/07.
17. Study for the first portrait of Adele Bloch-Bauer; 1902/07.
18. Standing nude with hands lifted to her cheek; 1905.
19...
Table of contents
- Cover Page
- Title Page
- Copyright Page
- Introduction
- List of Illustration
- The Drawings
- Back Cover