While there are many books on stars, there is only one Celestial Handbook. Now completely revised through 1977, this unique and necessary reference is available once again to guide amateur and advanced astronomers in their knowledge and enjoyment of the stars. After an extensive introduction in Volume I, which gives the beginner enough information to follow about 80 percent of the body of the material, the author gives comprehensive coverage to the thousands of celestial objects outside our solar system that are within the range of telescopes in the two- to twelve-inch range. The objects are grouped according to the constellations in which they appear. Each constellation is divided into four subject sections: list of double and multiple stars; list of variable stars; list of star clusters, nebulae, and galaxies; and descriptive notes. For each object the author gives names, celestial coordinates, classification, and full physical description. These, together with a star atlas, will help you find and identify almost every object of interest. But the joy of the book is the descriptive notes that follow. They cover history, unusual movements or appearances, and currently accepted explanations of such visible phenomena as white dwarfs, novae and supernovae, cepheids, mira-type variables, dark nebulae, gaseous nebulae, eclipsing binary stars, the large Magellanic cloud, the evolution of a star cluster, and hundreds of other topics, many of which are difficult to find in one place. Hundreds of charts and other visual aids are included to help in identification. Over 300 photographs capture the objects and, in themselves, are works of beauty that reflect the enthusiasm that star gazers have for their subject.
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ALPHA Name- BETELGEUSE or BETELGEUX. Magnitude 0.70 (variable); Spectrum M2 Ia; position 05525n 0724. The name of the star is usually translated âThe Armpit of the Giantâ or the âArm of the Central Oneâ; it has also been called âThe Martial Starâ, evidently from its ruddy color. The tint is usually described as golden orange or deep topaz; although this is one of the most famous of the red giant stars, the color is actually more orange than truly âredâ. The exotic word padparadasohah, used in India to designate the rare orange sapphire, might be an appropriate name for Betelgeuse; the approximate meaning is something like âThe Royal Jewel of the Lotus Blossomâ. The star should be compared with the white blaze of Rigel in order to appreciate the color contrast. Betelgeuse is the 11th brightest star in the sky. Opposition date (midnight culmination) coincides closely with the date of the Solstice on December 21.
The âGiantâ referred to in the name is of course the Great Hunter or Celestial Warrior Orion, most brilliant of the constellations, and visible from every inhabited part of the Earth. As is also the case with Hercules, the figure of Orion has been associated in virtually all ancient cultures with great national heroes, warriors, or demigods. The origin of the name Orion is obscure, though some classical scholars have suggested a connection with the Greek Arion, or more probably the Greek word
which means simply âwarriorâ. Pindar calls the constellation Oarion. The British orientalist Robert Brown, Jr., thought to find its origin in the Akkadian Uru-Anna, the âLight of Heavenâ, though the title is also used in early Babylonian writings as a name of the Sun-god. According to R.H.Allen, the constellation was the âArmed Kingâ Caomai to the early Irish, Orwandil to the Norsemen, and Ebuorung to the ancient Saxon tribes. Ovid and Hyginus refer to it as Urion which might suggest that the mighty Hunter was regarded also as some variety of star-god. That foremost authority on Hobbit-lore, J.R.R.Tolkien, tells us that the constellation was known in the Third Age of Middle-earth as Menelvagor, âThe Swordsman of the Skyâ.
In contrast to Hercules, who has a very definite personality and is credited with a detailed series of exploits, Orion seems to us a vague and shadowy figure. In Greek myth he was simply a great and powerful hunter, a son of Neptune, and possibly of a somewhat boastful disposition, as he is said to have claimed dominion over every living creature. Homer refers to him as the tallest and most beautiful of men. He had come to love the divine huntress Diana, but was unintentionally slain by an arrow from her bow, at the instigation of her brother Apollo. In another version of the story, Orion was killed by the sting of the deadly scorpion sent by Juno to punish him for his arrogant pride, nevertheless he was honored by a place in the heavens, and the fatal scorpion was placed in the exact opposite part of the sky so that it could never threaten him again. Orion is the giant who is said to have pursued the Pleiades, particularly Merope, and was consequently blinded by the angry Oenopion, King of Chios. On the advice of Vulcan, however, Orion climbed to the top of a great mountain on or near the isle of Lemnos, where, as he faced the rising sun, his sight was restored. The Greek historian Diodorus, writing in the days of Julius Caesar, tells us that Orion was credited with having built the great harbor-dam at Messana, and the Promontory of Pelorum, in Sicily.
âOver the edge of the world now comes forth
Great Orion.... Hunter of the Stars.
Behold the gleaming star-fire of his sword! â
According to Thomas Hyde in the 17th century, a very popular Arabian name for Orion was Al Bahadur, âThe Strong Oneâ; better known is the Arabian name Al Jabbar, âThe Giantâ, obviously derived from the older Syriac Gabbara, the Jewish Gibbor. These names, in turn, are the source of another name, which appears in Longfellowâs âOccultation of Orionâ:
âBegirt with many a blazing star,
Stood the great giant Algebar,
Orion, hunter of the beast!
His sword hung gleaming by his side,
And on his arm, the lionâs hide
Scattered across the midnight air
The golden radiance of its hair..â
Equally well known is Tennysonâs allusion to the glittering constellation in the opening passages of the prophetic Locksley Hall, a poem famous also for containing one of the most exquisite tributes to the Pleiades to be found in English literature:
THE CONSTELLATION OF ORION as photographed with a wide- angle Tessar lens of 10-inch focus. Rigel and the stars of the Belt appear prominently.
Mt.Wilson Observatory.
âMany a night from yonder ivied casement, ere I went to rest,
Did I look on great Orion, sloping slowlyto the west.
Many a night I saw the Pleiads,rising throâ the mellow shade,
Glitter like a swarm of firefliestangled in a silver braid.â
Orion in classical times was associated with wintry storms, a tradition mentioned in Babylonian myths, and in still older Hindu legend. Polybius, in the 2nd century BC, attributes the destruction of the Roman squadron during the First Punic War to the fact that the fleet unwisely sailed with the rising of Orion. Hesiod, in the same vein, speaks of the appearance of the Great Hunter as a turbulent time when the winds battle with thunderous sound.... and the sullen sea lies hidden in sable cloud... Virgil, Pliny, and Horace all speak of Orion with adjectives that may be translated âThe Bringer of Cloudsâ, the âStormy Oneâ, or âHe Who Brings Peril to the Seasâ. Even Milton, in the 17th century, continues the ancient tradition when he writes in Paradise Lost of the time
âwhen with fierce winds Orion armâd
Hath vexed the Red-sea coast, whose waves
oâerthrew Busiris and his Memphian chivalry...â
The familiar reference to Orion and the Pleiades in the Book of Job (Ch. XXXVIII) has generated much debate, and it is not at all certain that the popular King James translation is the correct one:
31. Canst thou bind the sweet influence of the Pleiades, or loose the bands of Orion?
32. Canst thou bring forth Mazzaroth in his season? Or canst thou guide Arcturus with his sons?
In the New English Bible, the âBands of Orionâ appear simply as âOrionâs Beltâ, the enigmatic Mazzaroth is now interpretated as a reference to the whole cycle of the Zodiac, while the translation âArcturus with his sonsâ may be an outright error, and is replaced by âAldebaran and its trainâ. Other authorities have suggested that the passage actually refers to the Great Bear, which in some ancient writings is regarded as being under the guardianship of Arcturus.
Orion, under the name of Sahu, was one of the most important sky figures to the ancient Egyptians, and was regarded as the soul or incarnation of the great god of the afterworld, Osiris. On wall reliefs at the Temple of Denderah, he is shown journeying through the heavens in his celestial boat, followed by Sothis (Sirius) who is identified as the Soul of Isis, and is shown as a kneeling cow with a star between her horns. In some of the oldest writings which have come down to us from ancient Egypt, the Pyramid Texts of the late 5th Dynasty, the King is promised a celestial journey to the realms of Orion:
âThe Great One has fallen.... His head is taken by Re,his head is lifted up.... Behold, he has come as Orion..... Behold, Osiris has come as Orion, Lord of Wine in the festival.... he who the sky conceived and the dawn-light bore. 0 king, the sky conceives you with Orion; the dawn-light bears you with Orion.... by the command of the gods do you live.... with Orion you shall ascend from the eastern regioni of the sky; with Orion you shall descend into the western\region of the sky.....Sothis, pure of thrones, shall guideyou on the goodly roads which are in the sky in the Field of Rushes.....â
References to Orion occur also in the famous Book of the Coming Forth by Day, or Book of the Dead, which dates back to the very earliest period of Egyptian history. In a late version, the Papyrus of Ani, which is at least 3000 years old, the text promises the scribe Ani that he shall enter the heavenly regions, and become one with Orion. Sir W.M.Flinders Petrie, in his contribution to that monumental archeological compendium Wonders of the Past, refers to Orion (or Sahu) as âa star god of the myth-strewn firmamentâ; the accompanying photograph shows Orion as a tall and stately figure whose headdress features a five-pointed star. In the Denderah reliefs, Orion more closely resembles the traditional portrayals of Osiris.
In the sky, Orion appears as the legendary Warrior or Hunter, with his shoulders marked by Alpha and Gamma, his knees by Beta (Rigel) and Kappa, and his great jeweled Belt by the striking row of three bright stars Delta, Epsilon, and Zeta. Below the Belt, the nebulous gleam of Theta and Iota Orionis outline the great Sword of Orion. Beneath his feet crouches Lepus, the Hare; following him are his two dogs, Canis Major and Canis Minor. Orion, like Hercules, is usually depicted with a lion-skin shield, held high on one arm as Orion faces the thundering charge of Taurus, the Bull, whose baleful red eye, Aldebaran, glares down from the V-shaped Hyades group, the Bullâs Head. The significance of the Orion-Taurus combat does not appear to be made clear in any ancient legend; the purely symbolic interpretation is the obvious one, that the two constellations represent the eternal conflict of good and evil. But this interpretation, aside from its triteness, does not seem supported by any of the ancient myths; the Bull was never regarded as a symbol of evil anywhere in the classical world; on the contrary it was venerated as the embodiment of strength, power, and virility, and was an object of worship in more than one ancient cult. Picasso uses the figure of the Bull in a painting which has become perhaps one of the best known classics of modern art, Guernica, but even here the Bull appears as the incarnation of blind, destructive, crushing force, rather than deliberate evil.
ORION and SIRIUS appear (top) on the ancient Egyptian wall reliefs at Denderah. Below: A section of the Vth Dynasty I Pyramid Texts from the tomb of King Unas at Sakkara.
BETELGEUSE. A âclose-upâ photograph of one of the largest known stars. The original plate, in red light, was made with the 13-inch camera at Lowell Observatory.
The name Betelgeuse is from the Arabic Beit Algueze or Bed Elgueze, very corrupted forms of Ibt al Jauzah, the âArmpit of the Giantâ or âArm of the Central Oneâ. R.H. Allen lists a variety of other Arabic names as Al Mankib, âThe Shoulderâ, Al Dhira, the âArmâ, and Al Yad al Yamna, âThe Right Handâ. Students of Arabic, however, believe that the original name, Al Jauzah, or Yad al Jawza, did not refer to a âgiantâ but was a term used for a sheep marked with a central spot or belt; a fair translation might then be âThe Front Leg of the White-belted Sheepâ. The present author believes, however, that star-watchers will continue to see a celestial giant in the great figure of Orion; the sheep unfortunately lacks heroic grandeur. The Alfonsine Tables call the star Beldengenze, while Riccioli has it labeled Bectelgeuze. The Sanskrit name, Bahu,simply means âThe Armâ, and the Coptic Klaria signifies âThe Armletâ. The Hobbits of Middle-earth, according to Tolkien, knew it as âBorgilâ ...