The Spell of the Yukon and Other Poems

Robert Service

• Publisher: Dover Publications
• Year: 2012
• eBook ISBN: 9780486310732
• Topic: Literatur
• Subtopic: Kanadische Poesie

"There are strange things done in the midnight sun," declared Robert Service as he related the fulfillment of a dying prospector's request. "The Cremation of Sam McGee" was based on one of many peculiar tales he heard upon his 1904 arrival in the Canadian frontier town of Whitehorse. Less than a decade after the Klondike gold rush, many natives and transplants remained to tell stories of the boom towns that sprang up with the sudden influx of miners, gamblers, barflies, and other fortune-seekers. Service's compelling verses — populated by One-Eyed Mike, Dangerous Dan McGrew, and other colorful characters — recapture the era's venturesome spirit and vitality.
In this, his best-remembered work, the "common man's poet" and "Canadian Kipling" presents thirty-four verses that celebrate the rugged natural beauty of the frozen North and the warm humanity of its denizens. Verses include "The Shooting of Dan McGrew" ("A bunch of the boys were whooping it up in the Malamute saloon"), "The Heart of the Sourdough" ("There where the mighty mountains bare their fangs unto the moon"), and "The Call of the Wild" (Have you gazed on naked grandeur where there's nothing else to gaze on"). Generations have fallen under the spell of these poems, which continue to enchant readers of all ages.

THE CREMATION OF SAM McGEE

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

 

 

Now Sam McGee was from Tennessee, where
the cotton blooms and blows.
Why he left his home in the South to roam
’round the Pole, God only knows.
He was always cold, but the land of gold seemed
to hold him like a spell;
Though he’d often say in his homely way that
“he’d sooner live in hell.”

 

 

On a Christmas Day we were mushing our way
over the Dawson trail.
Talk of your cold! through the parka’s fold it
stabbed like a driven nail.
If our eyes we’d close, then the lashes froze till
sometimes we couldn’t see;
It wasn’t much fun, but the only one to whimper
was Sam McGee.

 

 

And that very night, as we lay packed tight in
our robes beneath the snow,
And the dogs were fed, and the stars o’erhead
were dancing heel and toe,
He turned to me, and “Cap,” says he, “I’ll cash
in this trip, I guess;
And if I do, I’m asking that you won’t refuse my
last request.”

 

 

Well, he seemed so low that I couldn’t say no;
then he says with a sort of moan:
“It’s the cursed cold, and it’s got right hold till
I’m chilled clean through to the bone.

 

 

Yet ’tain’t being dead — it’s my awful dread of
the icy grave that pains;
So I want you to swear that, foul or fair, you’ll
cremate my last remains.”

 

 

A pal’s last need is a thing to heed, so I swore
I would not fail;
And we started on at the streak of dawn; but
God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day
of his home in Tennessee;
And before nightfall a corpse was all that was
left of Sam McGee.

 

 

There wasn’t a breath in that land of death, and
I hurried, horror-driven,
With a corpse half hid that I couldn’t get rid,
because of a promise given;
It was lashed to the sleigh, and it seemed to say:
“You may tax your brawn and brains,
But you promised true, and it’s up to you to
cremate those last remains.”

 

 

Now a promise made is a debt unpaid, and the
trail has its own stern code.
In the days to come, though my lips were dumb,
in my heart how I cursed that load.
In the long, long night, by the lone firelight,
while the huskies, round in a ring,
Howled out their woes to the homeless snows
— O God! how I loathed the thing.

 

 

And every day that quiet clay seemed to heavy
and heavier grow;
And on I went, though the dogs were spent and
the grub was getting low;
The trail was bad, and I felt half mad, but I
swore I would not give in ;
And I’d often sing to the hateful thing, and it
hearkened with a grin.

 

 

Till I came to the marge of Lake Lebarge, and
a derelict there lay;
It was jammed in the ice, but I saw in a trice it
was called the “Alice May.”
And I looked at it, and I thought a bit, and I
looked at my frozen chum;
Then “Here,” said I, with a sudden cry, “is
my cre-ma-tor-eum.”

 

 

Some planks I tore from the cabin floor, and I
lit the boiler fire;
Some coal I found that was lying around, and I
heaped the fuel higher;
The flames just soared, and the furnace roared
— such a blaze you seldom see;
And I burrowed a hole in the glowing coal, and
I stuffed in Sam McGee.

 

 

Then I made a hike, for I didn’t like to hear him
sizzle so;
And the heavens scowled, and the huskies
howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my
cheeks, and I don’t know why;
And the greasy smoke in an inky cloak went
streaking down the sky.

 

 

I do not know how long in the snow I wrestled
with grisly fear;
But the stars came out and they danced about
ere again I ventured near;
I was sick with dread, but I bravely said: “I’ll
just take a peep inside.
I guess he’s cooked, and it’s time I looked ”; . . .
then the door I opened wide.

 

 

And there sat Sam, looking cool and calm, in the
heart of the furnace roar;
And he wore a smile you could see a mile, and
he said: “Please close that door.
It’s fine in here, but I greatly fear you’ll let in
the cold and storm —
Since I left Plumtree, down in Tennessee, it’s
the first time I’ve been warm.”

 

 

There are strange things done in the midnight sun

By the men who moil for gold;

The Arctic trails have their secret tales

That would make your blood run cold;

The Northern Lights have seen queer sights,

But the queerest they ever did see

Was that night on the marge of Lake Lebarge

I cremated Sam McGee.

MY MADONNA

I haled me a woman from the street,

Shameless, but, oh, so fair!

I bade her sit in the model’s seat

And I painted her sitting there.

I hid all trace of her heart unclean;

I painted a babe at her breast;

I painted her as she might have been

If the Worst had been the Best.

She laughed at my picture and went away.

Then came, with a knowing nod,

A connoisseur, and I heard him s...

Table of contents

• Title Page
• Copyright Page
• Dedication
• Table of Contents
• THE LAND GOD FORGOT
• THE SPELL OF THE YUKON
• THE HEART OF THE SOURDOUGH
• THE THREE VOICES
• THE LAW OF THE YUKON
• THE PARSON’S SON
• THE CALL OF THE WILD
• THE LONE TRAIL
• THE PINES
• THE LURE OF LITTLE VOICES
• THE SONG OF THE WAGE-SLAVE
• GRIN
• THE SHOOTING OF DAN McGREW
• THE CREMATION OF SAM McGEE
• MY MADONNA
• UNFORGOTTEN
• THE RECKONING
• QUATRAINS
• THE MEN THAT DON’T FIT IN
• MUSIC IN THE BUSH
• THE RHYME OF THE REMITTANCE MAN
• THE LOW-DOWN WHITE
• THE LITTLE OLD LOG CABIN
• THE YOUNGER SON
• THE MARCH OF THE DEAD
• “FIGHTING MAC” - A LIFE TRAGEDY
• THE WOMAN AND THE ANGEL
• THE RHYME OF THE RESTLESS ONES
• NEW YEAR’S EVE
• COMFORT
• THE HARPY
• PREMONITION
• THE TRAMPS
• L’ENVOI