eBook - ePub
The Influence of Bones and Muscles on Form
Walter T. Foster
This is a test
- 64 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
The Influence of Bones and Muscles on Form
Walter T. Foster
Book details
Book preview
Table of contents
Citations
About This Book
A thorough acquaintance with human anatomy is a valuable asset for artists wishing to master figure drawing. This single-volume treatment combines two separate treatises on drawing muscles and bones to create an invaluable reference work.. Each page features multiple illustrations, accompanied by extensive commentary. The text describes the placement and function of bones and muscles and offers lucid explanations of their artistic renderings.
Artist and teacher Walter T. Foster self-published many world-renowned art instruction books. Students of figure drawing and anatomy will appreciate his well-illustrated discourses on the realistic portrayal of the human body and his head-to-toe depictions of individual bones and muscles and their collective action.
Artist and teacher Walter T. Foster self-published many world-renowned art instruction books. Students of figure drawing and anatomy will appreciate his well-illustrated discourses on the realistic portrayal of the human body and his head-to-toe depictions of individual bones and muscles and their collective action.
Frequently asked questions
How do I cancel my subscription?
Can/how do I download books?
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
What is the difference between the pricing plans?
Both plans give you full access to the library and all of Perlegoâs features. The only differences are the price and subscription period: With the annual plan youâll save around 30% compared to 12 months on the monthly plan.
What is Perlego?
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, weâve got you covered! Learn more here.
Do you support text-to-speech?
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Is The Influence of Bones and Muscles on Form an online PDF/ePUB?
Yes, you can access The Influence of Bones and Muscles on Form by Walter T. Foster in PDF and/or ePUB format, as well as other popular books in Art & Teaching Art. We have over one million books available in our catalogue for you to explore.
Information
Topic
ArtSubtopic
Teaching ArtThe Muscles
THE MUSCULAR SYSTEM IN THE MALE.
THE VALUE of a knowledge of anatomy on the part of an artist, may be over-rated; from insufficiency, rather than proficiency of acquirement, it has sometimes been a snare; to some, it has proved absolutely hurtful. But it need not be paraded, obtruded, or misemployed. It should be the artistâs help, not his hindrance. It must not be allowed to become the trick of a school, the basis of a conventional method, or the substitute for a knowledge of the living figure. A placid generalisation of form, a smooth negation of underlying structural details, are compatible with a certain amount of beauty, sentiment and grace, and are prĂ©ferable to bringing such details too near to the surface represented, and too plainly into view. The eye of the educated observer should not be offended by an absence of the living and the substitution of the dead form, by the appearance of action, where there should be repose, or of spasm, where there should be action. There must be no substitution, by the aid of mechanical methods and rules, of conventional lines and masses, for a perfect harmony of form and action, in every part, with the conception of the artist, which must itself be subordinated to, and compatible with, the true purposes of art. A defective acquaintance with anatomical facts, or still worse, with their relation to the outward surface, is even more dangerous than an absolute ignorance of anatomy; for, in the former case, errors are sure to be committed, whilst in the latter, the artist must rely entirely on what he sees in his model,âno unsafe guide.
THE CORONOID process is removed, to show the external petrogoid muscle with some of its fibres attached to the cartilage.
The two joints of the lower jaw represent a double hinge, which acts with great security up and down; it also permits direct backward and forward movements, and lateral horizontal ones of the whole bone, the latter being dependent on alternate oblique forward and backward movements of one or the other condyle. All these movements are employed during mastication, providing not merely for the closure of the jaws, but also for the rotation of the lower teeth beneath the upper ones. It is important to note that, in opening the mouth, which occurs not only in eating, but in oratory, in singing, in yawning, and in the expression of certain strong or startling emotions, the condyles, and with them the whole lower jaw, move a little forwards, and yet the chin and the angle are carried backwards; at the same time, both the body and rami change their direction in regard to neighboring parts, though not to each other. In closing the mouth, the condyles again move backwards, but the angle and the chin are carried forwards, the rami and body recovering their respective positions in reference to adjacent parts. The backward and forward movements of the jaw are employed in grimacing, and so, in fact, are the side to side motions of the Chin, in making âwryâ faces.
BELOW THE larynx, the thyroid body, T, which is covered by the depressor muscles of the hyoid bone, nevertheless, chiefly determines the general surface-forms of the throat. In the shorter and thicker neck of the male, this body, the function of which is not determined, sinks backwards, and retires even beneath the top of the sternum; whereas, in the longer, and more slender âswan-likeâ, female neck, it is longer and relatively fuller, especially below, where it gives rise to the peculiar smooth contour of the lower part of the female throat, and produces a rounded fulness on either side of the middle line, a beauty sufficiently appreciated by artists. Between the Pomum Adami and the supra-sternal notch, the outline of the male throat sometimes shows a second smaller eminence, due to the cricoid cartilage, c; but, in the female, this cartilage is not perceptible on the surface, and the profile line pursues a long, gentle and uninterrupted curve, from the thyroid eminence down to the root of the neck. The great difference in the size, shape and proportions of the cranium and face, in the two sexes, are illustrated in these two heads.
Table of contents
Citation styles for The Influence of Bones and Muscles on Form
APA 6 Citation
Foster, W. (2013). The Influence of Bones and Muscles on Form ([edition unavailable]). Dover Publications. Retrieved from https://www.perlego.com/book/112835/the-influence-of-bones-and-muscles-on-form-pdf (Original work published 2013)
Chicago Citation
Foster, Walter. (2013) 2013. The Influence of Bones and Muscles on Form. [Edition unavailable]. Dover Publications. https://www.perlego.com/book/112835/the-influence-of-bones-and-muscles-on-form-pdf.
Harvard Citation
Foster, W. (2013) The Influence of Bones and Muscles on Form. [edition unavailable]. Dover Publications. Available at: https://www.perlego.com/book/112835/the-influence-of-bones-and-muscles-on-form-pdf (Accessed: 14 October 2022).
MLA 7 Citation
Foster, Walter. The Influence of Bones and Muscles on Form. [edition unavailable]. Dover Publications, 2013. Web. 14 Oct. 2022.