Sincerity and Authenticity
Lionel Trilling
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Sincerity and Authenticity
Lionel Trilling
About This Book
"Now and then, " writes Lionel Trilling, "it is possible to observe the moral life in process of revising itself." In this new book he is concerned with such a mutation: the process by which the arduous enterprise of sincerity, of being true to one's self, came to occupy a place of supreme importance in the moral lifeâand the further shift which finds that place now usurped by the darker and still more strenuous modern ideal of authenticity. Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R. D. Laing, suggesting the contradictions and ironies to which the ideals of sincerity and authenticity give rise, most especially in contemporary life.Lucid, and brilliantly framed, its view of cultural history will give Sincerity and Authenticity an important place among the works of this distinguished critic.
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REFERENCE NOTES
I. SINCERITY: ITS ORIGIN AND RISE
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4 | âWhy is it . . . never made?â/The Letters of Charles Dickens, ed. W. Dexter (Nonesuch Press, London, 1938), vol. ii, pp. 620â1. |
5 | âBelow the surface-stream . . . feel indeedâ/The Poetical Works of Matthew Arnold, ed. C. B. Tinker and H. F. Lowry (O.U.P., London and New York, 1950), p. 483. |
âEvery individual human being . . . this idealâ/F. Schiller, On the Aesthetic Education of Man, ed. and trans. E. M. Wilkinson and L. A. Willoughby (Clarendon Press, Oxford, 1967), p. 17. | |
âBe true! . . . be inferredâ/Nathaniel Hawthorne, The Scarlet Letter, ch. XXIV, âConclusionâ. | |
7 | âThe aesthetic point of view . . . discussing my workâ/This statement, presumably quoted from a letter of Gideâs to the author, is the epigraph on the title-page of AndrĂ© Gide by Jean Hytier, trans. R. Howard (Doubteday Anchor, Garden City, N.Y., 1962; Constable, London, 1963). Eliotâs statement is made in âTradition and the Individual Talentâ and Joyceâs in ch. v of A Portrait of the Artist as a Young Man. |
âNo literature . . . concerned with salvationâ/L. Trilling, âOn the Teaching of Modern Literatureâ, Beyond Culture (Viking, New York; Secker, London, 1965), p. 8. | |
8 | âA poem in which . . . a persona of the authorâsâ/D. Davie, âOn Sincerity: From Wordsworth to Ginsbergâ, Encounter, Oct. 1968, pp. 61â6. |
10 | The Presentation of Self in Everyday Life/ By Erving Goffman (New York, 1959; London, 1969). |
11 | âThose masterful images . . . the heartâ/W. B. Yeats, âThe Circus Animalsâ Desertionâ, Collected Poems (Macmillan, London and New York, 1956), p. 336. Copyright 1940 by Georgie Yeats, renewed 1968 by Bertha Georgie Yeats, Michael Yeats, and Anne Yeats. Quoted by permission of Mr. M. B. Yeats, Macmillan & Co. Ltd., The Macmillan Company, New York, and the Macmillan Company of Canada Ltd. |
17â18 | Of this Rousseau . . . âvice and virtueâ/J.-J. Rousseauâs Lettre Ă M. dâAlembert sur les spectacles (1758) has been translated by Allan Bloom as Politics and the Arts: Letter to M. dâ Alembert on the Theatre (Free Press, Glencoe, Ill., 1960), and is quoted here by permission of The Macmillan Company. For Rousseauâs discussion of MoliĂšre, see pp. 34â47. |
19 | Culture and Society/ By Raymond Williams (London and New York, 1958). |
19â20 | Frances Yates . . . Zevedei Barbu . . . Paul Delany . . . the new genre/F. Yates, âBacon and the Menace of English Lit.â, New York Review of Books, 27 March 1969, p. 37; Z. Barbu, Problems of Historical Psychology (Routledge, London; Grove Press, New York, 1960), p. 146; P. Delany, British Autobiography in the Seventeenth Century (Routledge, London; Columbia Univ. Press, New York, 1969), p. 19. |
20 | âthe idiocy of village lifeâ/K. Marx and F. Engels, The Communist Manifesto, in A Handbook of Marxism, ed. E. Burns (Random House, New York; Martin Lawrence, London, 1935), p. 27. |
21 | Michael Walzer . . . ââadvancedâ intellectuals . . .â/M. Walzer, The Revolution of the Saints (Harvard Univ. Press, Cambridge, Mass., 1965; Weidenfeld, London, 1966), p. 121. |
22 | Castiglioneâs Courtier . . . not what it should be/B. Castiglione, The Book of the Courtier, trans. C. S. Singleton (Doubleday Anchor, New York, 1959), pp. 287â95. |
23 | the writer cannot . . . as he was and is/See, passim, Delanyâs admirable work previously cited. |
24 | Georges Gusdorf . . . internal space/G. Gusdorf, âConditions et limites de lâautobiographieâ, in Formen der Selbstdarstellung, ed. Reichenkron and Haase (Berlin, 1956), p. 108. |
He did not . . . as an individual he was of consequence/Delany, p. 11. | |
25 | Jacques Lacan . . . the manufacture of mirrors/J. Lacan, âLe stade du miroir comme formateur de la fonction du Je, telle quâelle nous est rĂ©vĂ©lĂ©e dans lâexpĂ©rience psychanalytiqueâ, Revue française de psychanalyse, vol. xiii (1949), pp. 449â55. The influence of mirrors in the development of the sense of individuality is touched on by Gusdorf, pp. 108â9, and by C. Hill, The Century of Revolution, p. 253. |
If he is an artist . . . threescore of them/The correlation of mirrors, self-portraiture, and autobiography is made by Delany, pp. 12â14. |
II. THE HONEST SOUL AND THE DISINTEGRATED CONSCIOUSNESS
28 | Karl Marx . . . âunique masterpieceâ will give him/Selected Correspondence [of] Karl Marx and Friedrich Engels, trans. D. Torr (International Publishers, New York, 1942), pp. 259â61. For the original letter, with its amusing âIch finde heute by accident, dass zwei âNeveu de Rameauâ. . .â and â. . . sagt old Hegel darĂŒber . . .â. See Karl Marx-Friedrich Engels Werke (Dietz, Berlin, 1965), vol. xxxii, pp. 303â4. |
âIf your little savage . . . sleep with his motherâ/I quote from the translation by Jacques... |