Satchmo Blows Up the World
eBook - PDF

Satchmo Blows Up the World

Jazz Ambassadors Play the Cold War

  1. English
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  3. Available on iOS & Android
eBook - PDF

Satchmo Blows Up the World

Jazz Ambassadors Play the Cold War

About this book

At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity.

Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.

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Yes, you can access Satchmo Blows Up the World by Penny M. Von Eschen,Penny VON ESCHEN in PDF and/or ePUB format, as well as other popular books in History & North American History. We have over one million books available in our catalogue for you to explore.
was
approved,
the
beginning
of
the
Montgomery
bus
boycott,
led
by
the
young
minister
Martin
Luther
King
Jr.,
inaugurated
a
new
phase
of
the
black
freedom
movement,
ensuring
that
the
jazz
tours
and
the
modern
civil
rights
movement
would
be
forever
joined.
This
unexpected
joining
of
fates
as
Gillespie
assumed
the
role
of
goodwill
ambassador
was
doubly
ironic.
For
with
the
stroke
of
a
pen,
this
hitherto
disreputable
music—routinely
associated
in
the
mass
media
with
drugs
and
crime—suddenly
became
America’s
music.
Why
did
American
policymakers
feel
for
the
first
time
in
history
that
the
country
should
be
represented
by
jazz?
With
America
in
the
throes
of
a
political
and
cultural
revolution
that
had
put
the
black
freedom
struggle
at
the
center
of
Ameri-
can
and
international
politics,
the
prominence
of
African
Ameri-
can
jazz
artists
was
critical
to
the
music’s
potential
as
a
Cold
War
weapon.
In
the
high-profile
tours
by
Gillespie,
Louis
Armstrong,
Ike
Gets
Dizzy
3
l.
Dizzy
Gillespie
at
Birdland,
New
York
City,Ā 1955
or
1956.
Courtesy
of
the
Institute
for
Jazz
Studies,Ā Rutgers
University.
[ToĀ 
viewĀ 
thisĀ 
image,Ā 
referĀ 
toĀ 
theĀ 
printĀ 
versionĀ 
ofĀ 
thisĀ 
title.]Ā 

Table of contents

  1. Contents
  2. 1. Ike Gets Dizzy
  3. 2. Swinging into Action: Jazz to the Rescue
  4. 3. The Real Ambassador
  5. 4. Getting the Soviets to Swing
  6. 5. Duke’s Diplomacy
  7. 6. Jazz, Gospel, and R&B: Black Power Abroad
  8. 7. Improvising DƩtente
  9. 8. Playing the International Changes
  10. 9. Epilogue
  11. Notes
  12. Acknowledgments
  13. Index