ā¢ Toby Mundy at Atlantic Books for suggesting that there might be a book in my anorakdom, for ongoing encouragement and advice and for his liberal interpretation of the word ādeadlineā. Not to mention his colleagues Clara Farmer, Bonnie Chiang and Louisa Joyner for helping shape the whole thing into the form you see here. Thanks also to my copy-editor Rachel Leyshon for telling me when I was turning into Roger Irrelevant.
ā¢ Mike Ross-Trevor and the late Brian Masters for motivating me by both saying āWell, Iād read itā.
ā¢ Ruth Edge and Greg Burge, both formerly of the EMI archive at Hayes in Middlesex, without whom the early part of the book would have been very sketchy and their colleague, Chris Jones; John Warren at the Edison National Historic Monument in West Orange, New Jersey, for his time, enthusiasm and letting me make a tinfoil recording; Vince Giordano (ace tuba player) and Mike Panico at the RCA/BMG archive in New York; and to Maureen Fortey, who quite frankly is the Decca Record Company archive, for her help. Also, the staff who helped me at the British Library ā both at St Pancras and Colindale ā as well as their counterparts at the London Library and my local library in Lowestoft.
ā¢ The interviewees who, between January 2002 and May 2003, took the time to speak to me. In doing so, they made the story come alive: George Avakian, Jay Berman, Ed Bicknell, Rodney Burbeck (some of the interviewees were easier to locate than others. Rodney was my editor when I worked at Publishing News), Richard Elen, Ahmet Ertegun, Derek Everett, David Fine, Tony Hall, Ray Horricks, Alan Kayes, Charles Kennedy, Eddie Levy, Jimmy Lock, Bruce Lundvall, Hugh Mendl, Angela Morley, Mike Ross-Trevor, Tim Satchell, Adele Siegal, Mike Smith, Coen Solleveld, Clive Stanhope, Seymour Stein, Roger Watson, Diana Weller, Muff Winwood and Walter Woyda. Gratitude also to Tina Taylor for help with transcription as the deadline loomed. There are others who gave me more general pointers and contacts, including Elisabeth Iles and Adrian Strain at the IFPI, Stan Cornyn, Adam White, Irv Lichtman, Norman Lebrecht, Earl Okin, Arthur Zimmermann, Tim Blackmore, Demitri Coryton, Mike Richter, David Sarsner, Brian Southall, Stanley and Edna Black and others who wish to remain anonymous.
ā¢ The friends who helped immensely: Mike Brown, Martin Fenton, Nigel Hunter, Gavin Sutherland and John Warburton for reading the manuscript with expert eyes; Bill Kibby-Johnson for historical documents and illustrations; Richard Abram, Bob Flag, Kif Bowden-Smith and Patrick Humphries for clarifying certain details; Bob Baker, Tom Bircher, Mike Hamilton, Anne Hanlon, Beryl Jackson, Howard Turner, Steve Turner, Joost van Loon and Trevor Wallis for laying the foundations, perhaps unwittingly; Nixon Bardsley, Ralph Baxter, Adam Cumiskey, Allen Eyles, Stuart Farnden, Alex George, Geoff Hiscott, Sally Kennedy, Matt Levy, Richard Lewis, Hilary Lowinger, Andrew Malcolm, Steve Mann, James Masterton, Charlie Mounter, Nick Parker, Sue Roccelli, Kerry Swash, Roger Tagholm, Ben Tisdall, David Trevor-Jones, Francis Wheen and Alan Wood for general encouragement; and my childhood partner-in-crime, Stephen Gilchrist, who typed up the Tony Hall interview in exchange for my help with installing a bathroom sink. Who said barter was dead?
ā¢ The family: My mother, Maureen Barfe, not only for the obvious biological reasons, but also because she started the whole thing off when I was five, by giving me her Dansette and a bunch of 45s; my grandparents, Bob and Jean Murray, for making me listen to certain things, giving me a vast number of records and the funds to acquire yet more; and finally to my wife, Susannah, who puts up with me, and our own Nipper lookalike dog, Lyttelton, who puts up with us both. Naturally, any errors are my own stupid fault.