Thirteen

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• Publisher: The Floating Press
• Year: 2014
• eBook ISBN: 9781776538379

This series of three novellas is unified by an overarching motif: in all three tales, a mysterious secret society known as The Thirteen is at work behind the scenes. The men in the group have pledged eternal loyalty to each other, and if any member ever finds himself in peril, it is the sworn duty of the others to come to his aid. Honore de Balzac uses this premise as a device to explore a wide range of topics, including clashes between different classes of society, doomed romances, and intrigue driven by greed.

Chapter I - Madame Jules

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Certain streets in Paris are as degraded as a man covered with infamy; also, there are noble streets, streets simply respectable, young streets on the morality of which the public has not yet formed an opinion; also cut-throat streets, streets older than the age of the oldest dowagers, estimable streets, streets always clean, streets always dirty, working, laboring, and mercantile streets. In short, the streets of Paris have every human quality, and impress us, by what we must call their physiognomy, with certain ideas against which we are defenceless. There are, for instance, streets of a bad neighborhood in which you could not be induced to live, and streets where you would willingly take up your abode. Some streets, like the rue Montmartre, have a charming head, and end in a fish's tail. The rue de la Paix is a wide street, a fine street, yet it wakens none of those gracefully noble thoughts which come to an impressible mind in the middle of the rue Royale, and it certainly lacks the majesty which reigns in the Place Vendome.

If you walk the streets of the Ile Saint-Louis, do not seek the reason of the nervous sadness that lays hold upon you save in the solitude of the spot, the gloomy look of the houses, and the great deserted mansions. This island, the ghost of fermiers-generaux, is the Venice of Paris. The Place de la Bourse is voluble, busy, degraded; it is never fine except by moonlight at two in the morning. By day it is Paris epitomized; by night it is a dream of Greece. The rue Traversiere-Saint-Honore—is not that a villainous street? Look at the wretched little houses with two windows on a floor, where vice, crime, and misery abound. The narrow streets exposed to the north, where the sun never comes more than three or four times a year, are the cut-throat streets which murder with impunity; the authorities of the present day do not meddle with them; but in former times the Parliament might perhaps have summoned the lieutenant of police and reprimanded him for the state of things; and it would, at least, have issued some decree against such streets, as it once did against the wigs of the Chapter of Beauvais. And yet Monsieur Benoiston de Chateauneuf has proved that the mortality of these streets is double that of others! To sum up such theories by a single example: is not the rue Fromentin both murderous and profligate!

These observations, incomprehensible out of Paris, will doubtless be understood by musing men of thought and poesy and pleasure, who know, while rambling about Paris, how to harvest the mass of floating interests which may be gathered at all hours within her walls; to them Paris is the most delightful and varied of monsters: here, a pretty woman; farther on, a haggard pauper; here, new as the coinage of a new reign; there, in this corner, elegant as a fashionable woman. A monster, moreover, complete! Its garrets, as it were, a head full of knowledge and genius; its first storeys stomachs repleted; its shops, actual feet, where the busy ambulating crowds are moving. Ah! what an ever-active life the monster leads! Hardly has the last vibration of the last carriage coming from a ball ceased at its heart before its arms are moving at the barriers and it shakes itself slowly into motion. Doors open; turning on their hinges like the membrane of some huge lobster, invisibly manipulated by thirty thousand men or women, of whom each individual occupies a space of six square feet, but has a kitchen, a workshop, a bed, children, a garden, little light to see by, but must see all. Imperceptibly, the articulations begin to crack; motion communicates itself; the street speaks. By mid-day, all is alive; the chimneys smoke, the monster eats; then he roars, and his thousand paws begin to ramp. Splendid spectacle! But, O Paris! he who has not admired your gloomy passages, your gleams and flashes of light, your deep and silent cul-de-sacs, who has not listened to your murmurings between midnight and two in the morning, knows nothing as yet of your true poesy, nor of your broad and fantastic contrasts.

There are a few amateurs who never go their way heedlessly; who savor their Paris, so to speak; who know its physiognomy so well that they see every wart, and pimple, and redness. To others, Paris is always that monstrous marvel, that amazing assemblage of activities, of schemes, of thoughts; the city of a hundred thousand tales, the head of the universe. But to those few, Paris is sad or gay, ugly or beautiful, living or dead; to them Paris is a creature; every man, every fraction of a house is a lobe of the cellular tissue of that great courtesan whose head and heart and fantastic customs they know so well. These men are lovers of Paris; they lift their noses at such or such a corner of a street, certain that they can see the face of a clock; they tell a friend whose tobacco-pouch is empty, "Go down that passage and turn to the left; there's a tobacconist next door to a confectioner, where there's a pretty girl." Rambling about Paris is, to these poets, a costly luxury. How can they help spending precious minutes before the dramas, disasters, faces, and picturesque events which meet us everywhere amid this heaving queen of cities, clothed in posters,—who has, nevertheless, not a single clean corner, so complying is she to the vices of the French nation! Who has not chanced to leave his home early in the morning, intending to go to some extremity of Paris, and found himself unable to get away from the centre of it by the dinner-hour? Such a man will know how to excuse this vagabondizing start upon our tale; which, however, we here sum up in an observation both useful and novel, as far as any observation can be novel in Paris, where there is nothing new,—not even the statue erected yesterday, on which some young gamin has already scribbled his name.

Well, then! there are streets, or ends of streets, there are houses, unknown for the most part to persons of social distinction, to which a woman of that class cannot go without causing cruel and very wounding things to be thought of her. Whether the woman be rich and has a carriage, whether she is on foot, or is disguised, if she enters one of these Parisian defiles at any hour of the day, she compromises her reputation as a virtuous woman. If, by chance, she is there at nine in the evening the conjectures that an observer permits himself to make upon her may prove fearful in their consequences. But if the woman is young and pretty, if she enters a house in one of those streets, if the house has a long, dark, damp, and evil-smelling passage-way, at the end of which flickers the pallid gleam of an oil lamp, and if beneath that gleam appears the horrid face of a withered old woman with fleshless fingers, ah, then! and we say it in the interests of young and pretty women, that woman is lost. She is at the mercy of the first man of her acquaintance who sees her in that Parisian slough. There is more than one street in Paris where such a meeting may lead to a frightful drama, a bloody drama of death and love, a drama of the modern school.

Unhappily, this scene, this modern drama itself, will be comprehended by only a small number of persons; and it is a pity to tell the tale to a public which cannot enter into its local merit. But who can flatter himself that he will ever be understood? We all die unknown—'tis the saying of women and of authors.

At half-past eight o'clock one evening, in the rue Pagevin, in the days when that street had no wall which did not echo some infamous word, and was, in the direction of the rue Soly, the narrowest and most impassable street in Paris (not excepting the least frequented corner of the most deserted street),—at the beginning of the month of February about thirteen years ago, a young man, by one of those chances which come but once in life, turned the corner of the rue Pagevin to enter the rue des Vieux-Augustins, close to the rue Soly. There, this young man, who lived himself in the rue de Bourbon, saw in a woman near whom he had been unconsciously walking, a vague resemblance to the prettiest woman in Paris; a chaste and delightful person, with whom he was secretly and passionately in love,—a love without hope; she was married. In a moment his heart leaped, an intolerable heat surged from his centre and flowed through all his veins; his back turned cold, the skin of his head crept. He loved, he was young, he knew Paris; and his knowledge did not permit him to be ignorant of all there was of possible infamy in an elegant, rich, young, and beautiful woman walking there, alone, with a furtively criminal step. She in that mud! at that hour!

The love that this young man felt for that woman may seem romantic, and all the more so because he was an officer in the Royal Guard. If he had been in the infantry, the affair might have seemed more likely; but, as an officer of rank in the cavalry, he belonged to that French arm which demands rapidity in its conquests and derives as much vanity from its amorous exploits as from its dashing uniform. But the passion of this officer was a true love, and many young hearts will think it noble. He loved this woman because she was virtuous; he loved her virtue, her modest grace, her imposing saintliness, as the dearest treasures of his hidden passion. This woman was indeed worthy to inspire one of those platonic loves which are found, like flowers amid bloody ruins, in the history of the middle-ages; worthy to be the hidden principle of all the actions of a young man's life; a love as high, as pure as the skies when blue; a love without hope and to which men bind themselves because it can never deceive; a love that is prodigal of unchecked enjoyment, especially at an age when the heart is ardent, the imagination keen, and the eyes of a man see very clearly.

Strange, weird, inconceivable effects may be met with at night in Paris. Only those who have amused themselves by watching those effects have any idea how fantastic a woman may appear there at dusk. At times the creature whom you are following, by accident or design, seems to you light and slender; the stockings, if they are white, make you fancy that the legs must be slim and elegant; the figure though wrapped in a shawl, or concealed by a pelisse, defines itself gracefully and seductively among the shadows; anon, the uncertain gleam thrown from a shop-window or a street lamp bestows a fleeting lustre, nearly always deceptive, on the unknown woman, and fires the imagination, carrying it far beyond the truth. The senses then bestir themselves; everything takes color and animation; the woman appears in an altogether novel aspect; her person becomes beautiful. Behold! she is not a woman, she is a demon, a siren, who is drawing you by magnetic attraction to some respectable house, where the worthy bourgeoise, frightened by your threatening step and the clack of your boots, shuts the door in your face without looking at you.

A vacillating gleam, thrown from the shop-window of a shoemaker, suddenly illuminated from the waist down the figure of the woman who was before the young man. Ah! surely, she alone had that swaying figure; she alone knew the secret of that chaste gait which innocently set into relief the many beauties of that attractive form. Yes, that was the shawl, and that the velvet bonnet which she wore in the mornings. On her gray silk stockings not a spot, on her shoes not a splash. The shawl held tightly round the bust disclosed, vaguely, its charming lines; and the young man, who had often seen those shoulders at a ball, knew well the treasures that the shawl concealed. By the way a Parisian woman wraps a shawl around her, and the way she lifts her feet in the street, a man of intelligence in such studies can divine the secret of her mysterious errand. There is something, I know not what, of quivering buoyancy in the person, in the gait; the woman seems to weigh less; she steps, or rather, she glides like a star, and floats onward led by a thought which exhales from the folds and motion of her dress. The young man hastened his step, passed the woman, and then turned back to look at her. Pst! she had disappeared into a passage-way, the grated door of which and its bell still rattled and sounded. The young man walked back to the alley and saw the woman reach the farther end, where she began to mount—not without receiving the obsequious bow of an old portress—a winding staircase, the lower steps of which were strongly lighted; she went up buoyantly, eagerly, as though impatient.

"Impatient for what?" said the young man to himself, drawing back to lean against a wooden railing on the other side of the street. He gazed, unhappy man, at the different storeys of the house, with the keen attention of a detective searching for a conspirator.

It was one of those houses of which there are thousands in Paris, ignoble, vulgar, narrow, yellowish in tone, with four storeys and three windows on each floor. The outer blinds of the first floor were closed. Where was she going? The young man fancied he heard the tinkle of a bell on the second floor. As if in answer to it, a light began to move in a room with two windows strongly illuminated, which presently lit up the third window, evidently that of a first room, either the salon or the dining-room of the apartment. Instantly the outline of a woman's bonnet showed vaguely on the window, and a door between the two rooms must have closed, for the first was dark again, while the two other windows resumed their ruddy glow. At this moment a voice said, "Hi, there!" and the young man was conscious of a blow on his shoulder.

"Why don't you pay attention?" said the rough voice of a workman, carrying a plank on his shoulder. The man passed on. He was the voice of Providence saying to the watcher: "What are you meddling with? Think of your own duty; and leave these Parisians to their own affairs."

The young man crossed his arms; then, as no one beheld him, he suffered tears of rage to flow down his cheeks unchecked. At last the sight of the shadows moving behind the lighted windows gave him such pain that he looked elsewhere and noticed a hackney-coach, standing against a wall in the upper part of the rue des Vieux-Augustins, at a place where there was neither the door of a house, nor the light of a shop-window.

Was it she? Was it not she? Life or death to a lover! This lover waited. He stood there during a century of twenty minutes. After that the woman came down, and he then recognized her as the one whom he secretly loved. Nevertheless, he wanted still to doubt. She went to the hackney-coach, and got into it.

"The house will always be there and I can search it later," thought the young man, following the carriage at a run, to solve his last doubts; and soon he did so.

The carriage stopped in the rue de Richelieu before a shop for artificial flowers, close to the rue de Menars. The lady got out, entered the shop, sent out the money to pay the coachman, and presently left the shop herself, on foot, after buying a bunch of marabouts. Marabouts for her black hair! The officer beheld her, through the window-panes, placing the feathers to her head to see the effect, and he fancied he could hear the conversation between herself and the shop-woman.

"Oh! madame, nothing is more suitable for brunettes: brunettes have something a little too strongly marked in their lines, and marabouts give them just that flow which they lack. Madame la Duchesse de Langeais says they give a woman something vague, Ossianic, and very high-bred."

"Very good; send them to me at once."

Then the lady turned quickly toward the rue de Menars, and entered her own house. When the door closed on her, the young lover, having lost his hopes, and worse, far worse, his dearest beliefs, walked through the streets like a drunken man, and presently found himself in his own room without knowing how he came there. He flung himself into an arm-chair, put his head in his hands and his feet on the andirons, drying his boots until he burned them. It was an awful moment,—one of those moments in human life when the character is moulded, and the future conduct of the best of men depends on the good or evil fortune of his first action. Providence or fatality?—choose which you will.

This young man belonged to a good family, whose nobility was not very ancient; but there are so few really old families in these days, that all men of rank are ancient without dispute. His grandfather had bought the office of counsellor to the Parliament of Paris, where he afterwards became president. His sons, each provided with a handsome fortune, entered the army, and through their marriages became attached to the court. The Revolution swept the family away; but one old dowager, too obstinate to emigrate, was left; she was put in prison, threatened with death, but was saved by the 9th Thermidor and recovered her property. When the proper time came, about the year 1804, she recalled her grandson to France. Auguste de Maulincour, the only scion of the Carbonnon de Maulincour, was brought up by the good dowager with the triple care of a mother, a woman of rank, and an obstinate dowager. When the Restoration came, the young man, then eighteen years of age, entered the Maison-Rouge, followed the princes to Ghent, was made an officer in the body-guard, left it to serve in the line, but was recalled later to the Royal Guard, where, at twenty-three years of age, he found himself major of a cavalry regiment,—a splendid position, due to his grandmother, who had played her cards well to obtain it, in spite of his youth. This double biography is a compendium of the general and special history, barring variations, of all the noble families who emigrated having debts and property, dowagers and tact.

Madame la Baronne de Maulincour had a friend in the old Vidame de Pamiers, formerly a commander of the Knights of Malta. This was one of those undying friendships founded on sexagenary ties which nothing can weaken, because at the bottom of such intimacies there are certain secrets of the human heart, delightful to guess at when we have the time, insipid to explain in twenty words, and which might make the text of a work in four volumes as amusing as the Doyen de Killerine,—a work about which young men talk and judge without having read it.

Auguste de Maulincour belonged therefore to the faubourg Saint-Germain through his grandmother and the vidame, and it sufficed him to date back two centuries to take the tone and opinions of those who assume to go back to Clovis. This young man, pale, slender, and delicate in appearance, a man of honor and true courage, who would fight a duel for a yes or a no, had never yet fought upon a battle-field, though he wore in his button-hole the cross of the Legion of honor. He was, as you perceive, one of the blunders of the Restoration, perhaps the most excusable of them. The youth of those days was the youth of no epoch. It came between the memories of the Empire and those of the Emigration, between the old traditions of the court and the conscientious education of the bourgeoisie; between religion and fancy-balls; between two political faiths, between Louis XVIII., who saw only the present, and Charles X., who looked too far into the future; it was moreover bound to accept the will of the king, though the king was deceiving and tricking it. This unfortunate youth, blind and yet clear-sighted, was counted as nothing by old men jealousl...

Table of contents

• THE THIRTEEN
• Contents
• Introduction
• Author's Preface
• I - FERRAGUS, CHIEF OF THE DEVORANTS
• Chapter I - Madame Jules
• Chapter II - Ferragus
• Chapter III - The Wife Accused
• Chapter IV - Where Go to Die?
• Chapter V - Conclusion
• Addendum
• II - THE DUCHESSE OF LANGEAIS
• Addendum
• III - THE GIRL WITH THE GOLDEN EYES
• Addendum
• Endnotes