
- 200 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Lipsynching
About this book
What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.
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Information
Table of contents
- Cover
- Half-Title
- Series
- Dedication
- Title
- Contents
- List of figures
- Acknowledgements
- Introduction
- 1 Locating the disembodied voice
- 2 Lipsynching to conceal
- 3 Lipsynching to express
- 4 Lipsynching to start your day: The soundtracked life
- Final reflections and participant observation: Or, I was a middle-aged lipsynching star
- Notes
- Bibliography
- Index
- Copyright
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