New Music Theatre in Europe
eBook - ePub

New Music Theatre in Europe

Transformations between 1955-1975

  1. 332 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

New Music Theatre in Europe

Transformations between 1955-1975

About this book

Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The 'new music theatre' wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer's relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms, across national borders, and with diverse mediating institutions.

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Yes, you can access New Music Theatre in Europe by Robert Adlington in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2019
Print ISBN
9780367730949
eBook ISBN
9780429837371
Edition
1
Subtopic
Music

Table of contents

  1. Cover Page
  2. Half Title
  3. Series Page
  4. Title Page
  5. Copyright Page
  6. Table of Contents
  7. List of Figures, Tables, and Music Examples
  8. Notes on Contributors
  9. Acknowledgements
  10. Introduction: Why ‘New Music Theatre’ Now?
  11. Part I Between the Avant-Gardes: New Music theatre and New Conceptions of Drama
  12. Part II Expansions of Technology
  13. Part III The Critique of Established Power
  14. Part IV New Venues and Environments
  15. Part V Reconceiving the Performer
  16. Part VI Analysing New Music Theatre
  17. Index