
Women in the Studio
Creativity, Control and Gender in Popular Music Sound Production
- 224 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women's work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women's achievements that is still in evidence in music marketing practices and media representation in the digital era.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Half Title
- Series
- Title
- Copyright
- Contents
- Acknowledgements
- Introduction
- 1 ‘We remain one of the most white, male-dominated industries in the world’ (Wenham 2009): The music industry and gender
- 2 ‘I don’t buy expensive clothes, I don’t have a particularly great car but I do have some beautiful microphones which I’m really proud of and they sound fantastic and that’s so exciting’ (Isobel Clarke 2010): Music production and gender
- 3 ‘A studio of one’s own’ (Wolfe 2012): Self-production, music technology and gender
- 4 ‘I’ve got to trust myself because there’s no A&R dad who’s gonna take the rap for me’ (Little Boots 2013): New industry and gender
- 5 ‘If I was Queen, I would ban the use of gender before the job title, I would ban female singer-songwriter’ (Pallo 2015): Media representation and gender
- Conclusion
- Appendices
- Bibliography
- Index