The subject that I am ⌠is inseparable from this particular body and from this particular world. The ontological world and body that we uncover at the core of the subject are not the world and the body as ideas; rather, they are the world itself condensed into a comprehensive hold and the body itself as a knowing-body.
p. 431
To encounter, then, is to âlive curriculumâ (Grumet, 1999, p. 24); to become aware, as body-subject, of feeling alive, immediate, in-the-moment. An encounter marks an opening toward a pre-reflective time and space of possibility: of consciousness of someone or something that is not ourselves. Encounters are structured, then, by interruption: by alterity or non-coincidence. âWhen the âIâ coincides with itself, it contracts,â Pinar (2015d) says (p. 196); rather, â[i]t is the structural non-coincidence of the alive bodyâthe time and space of subjectivityâthat invites us to experience experienceâ (Pinar, 2015a, p. 113). To unsettle what would otherwise operate âunnoticed,â Gadamer (1998) observes, we need to be âprovokedâ or âaddressedâ by encounters (p. 299). Becoming more âpresent to ourselvesâ (Greene, 1978, p. 199) is also accompanied by âdisquietudeâ with any notion of curriculum as script (Greene, 1967, p. 5). Such âmoment[s] of encounterâ (Pinar, 2011, p. 103), marked by âmontage of âunlike thingsââ (Greene, 2001, p. 118), stretch âme to the limits of my consciousnessâ and compel me to think (Block cited in Pinar, 2014, p. 175).
In the present time especially, amidst the relentless pressures of testing and credentialing, to encounter is to refuse to be defined by others: it is to resist the numbness and inertia associated with reification of the curriculum tale of teacher and student subjectivities amenable to being encapsulated by test outcomes or school rankings (Au, 2011; Cochran-Smith, Piazza, & Power, 2013). Currere, with its âtriple telling,â has always been about âsplinter[ing] the dogmatism of a single taleâ (Grumet, 1987, p. 324). Exemplary of this resistance is Mrs. Brown. In Pinarâs opening essay in Toward a Poor Curriculum, he invokes Virginia Woolfâs story of Mrs. Brown as a metaphor for the ongoing crisis in curriculumâone that continues to hold, this despite rumblings of other crises within contemporary curriculum theorizing (Deng, 2018). The story Pinar tells (with Virginia Woolfâs help) points to the importance of encounters in understanding curriculum. Implacable, Mrs. Brown sits in the train carriage. She is studied in turn by each of three passengers who enter the car and seem to encounter her: Mr. Bennet, Mr. Galsworthy and Mr. Wells. Their encounters are not with her, per se. Each focuses on a point external to Mrs. Brown: the state of Englandâs primary schools; the exploitation of the working classes; particulars of the train carriage itself. None focuses on Mrs. Brown herself: what she thinks and feels. âTo get underneath the old words we need to abandon them,â Pinar (2015b, p. 4) advises. We need to understand anew what it means to truly encounter Mrs. Brown, for âMrs. Brown is ourselvesâ (p. 4). This freeing and abandoning activity is central to encounters which, even as they take their initial cue from the moment, bring us back to a pre-reflective openness to what matters. Why a âpoorâ curriculum, Doll (2016) asks, posing a question that has dogged him for years, this given all of the negative ascriptions that might be attached to the word but where he reaches the conclusion that â[w]hat Pinar and Grumet ask us to see, many have missedâ (p. 59). âA poor curriculum is one stripped of its distractions ⌠naked,â Pinar (2015c) explains (p. xiii). Currere has always âreach[ed]â toward a poor curriculum, toward âpre-conceptual encounters that are their foundationâ (Grumet, 2015a, p. 53): a foundation that for the body-subject keeps moving, keeps encountering. âI am experience. With each breath. Experienceâ (Pinar, 2015d, p. xiii).
In moving beyond words that masquerade as curriculum, beyond a return to basics and standards, beyond online learning as reproducible box-ticking templates, and beyond content divorced from the person/subject, we open ourselves in this edited volume to provoking curriculum encounters and being provoked. The encounters described, discussed and theorized provoke editors and authors to feel alive in and to the moment, to âlived theoriesâ (Grumet, 2015b, p. 86) and living theories, in short, to encounters of a potentially explosive and âcatastrophicâ kind akin to Taubmanâs (2004) conceptualization of jouissanceâto moments of âvulnerability and ambiguityâ which are âsensuous [and] embodiedâ and that can help us better understand and connect with the social and ideological affects of othersâ lifeworlds (Grumet, 2015b, p. 238), even as they open spaces into our own worlds as scholars, teachers, teacher-educators, leaders and practitioners.
A living, encountering curriculum is very different from prevailing conceptualizations of curriculum as âmanagement categoryâ preoccupied with generating a âlanguage of input and output within a production systemâ (Aoki, 2005, p. 271)âand where the emphasis in education is once again skewed toward output (Cochran-Smith et al., 2013). In this volume, we especially want to turn inward, listening for the deeper resonances of curriculum âbeyond the reach of the eyeâ (Aoki, 2005, p. 375), including this surveillance (eye) of accountability. Encounters are plural, occurring in different spaces and modalities; they are made of materialities, felt and psychic intensities, and arrangements of bodies (and minds) moving through time and space. We want to acknowledge how curriculum encounters may exceed our capacities to represent them (Massumi, 2016); that no language may be adequate to articulate their unpredictable and myriad movements. In moving in this direction, the volume joins with a theoretic impetus currently informing education research (e.g., Lesko & Niccolini, 2017), the humanities (e.g., Gregg & Seigworth, 2009) and the social sciences (e.g., Clough & Halley, 2007) that is generating new questions about how concepts come to matter imminently in emergent presents. At a time when top-down regulatory measures are placing exorbitant pressure on educators and researchers to focus all of their attention on abstractions (measures, outcomes, best practices), our attention to provoking curriculum encounters affecting minds and bodies (human and non-human) sounds a deep, resonant chord that brings us back to educational experience as moving, lived and living. As Latour (2004) puts it: âTo have a body is to learn to be affected, meaning âeffectuated,â moved, put into motion by other entities, humans or non-humans. If you are not engaged in this learning you become insensitive, dumb, you drop deadâ (p. 205).
This edited volume has allowed us to explore the provoking of curriculum encounters in breadth and depth through essays that we propose lie on the cutting edge of curriculum theory. The volume opens with the present short introduction, collectively written by the co-editors, which sets the stage for provoking through the prisms of pluralities, spaces, intensities and charges. Each strand is elaborated further in its own corresponding introduction. We open ourselves and others to: (1) spaces that may be disciplinary, interdisciplinary or transitional/in-between, constituted by various modalities and inhabited by (2) a plurality of voices, beings and bodies, involved in ceaseless relational movement (3) that through our encounters in such spaces and with such pluralities, affective intensities may be produced which hold the potential to (4) inspire new ethical charges. These four strands, around which the volume has been conceptualized and organized, help orient the reader. The strands map loosely onto a currere process (plurality and spaces with regression and progression; intensities and charges with analysis and synthesis) and are intended to be theoretically generative in helping think through curriculum encounters. With the three chapters in spaces (Chapters 3 to 5), we ask: how are we affected and directedâinescapably provokedâby the larger spaces in which our encounters are embedded? To keep curriculum spaces moving, we seek out productive emergent potentials for difference-making. Toward such creative ends, and drawing inspiration from Indigenous epistemologies of interconnection and embodiment, Macdonald reconsiders the grids that nurture her everyday experiences with urban life. Provoking the relation between technology and theology, Lee turns to three distinct architectural examples of curricular transcendence, and asks how built environments might also contribute to the decentering impulses of poetic experience. Honeyford explores a collaborative, experimental space of intergenerational curriculum making, and considers the value of the unexpected as a way to wonder/wander along with curriculumâs interminable potential. With pluralities, we consider which and whose voices, beings or bodies need to be considered in our curriculum encounters? Which and whose do we need to remember, understand, seek out relation with? Chapters 6 to 9 indicate possible directions (among many that might be considered): Richardsonâs evocative encounters with the human and more than human, Deerâs spiritual encounters with her ancestors and ancestral world, Starrâs otherworldly experience of GAD (generalized anxiety disorder) and Abdul-Jabbarâs with medieval Islamic thinker Al-Farabiâs theory and practice. With the three chapters in intensities (Chapters 10 to 12), we ask what it means for the body-subject/the body alive to be alive and present, to confront experiences of ambiguity, incongruity and vulnerability, including instances âwhere the body takes over from ⌠wordsâ (Phillips in Lewkowich, 2015, p. 46)? How may we work with feelings of unease to provoke thinking and expand our curriculum understandings? Bausell addresses these points through reflecting on her memories of lynching photographs found amongst her grandmotherâs odds-and-ends; Beierâs provokes the reader through a science fiction rewriting of Mrs. Brownâs train encounter; and Rotasâs analyzes childrenâs intensity of experiences through their co-use digital cameras. With the three chapters in charges (Chapters 13 to 15), we ask: what kinds of curricular charges (e.g., responsibilities, commitments, projects, movements) might catalyze consciousness and desire? How do we keep transforming and charging, and how might charges that may initially be perceived as depleting, return to us in unanticipated and unpredictable ways? These questions are explored through Balzer and Heidebrechtâs use of postcolonial literature with Indigenous students; Nellisâs analysis of stories of loss, love and mourning; and Ohito and Nyachaeâs inquiry of an extracurricular program for working-class black girls.
As already mentioned, it was in the wake of the recent re-publication of Pinar and Grumetâs seminal work that the call for papers for this edited volume invited our return to encounter the curriculum theory archive. In being provoked and provoking others to re-encounter an archive (specifically Toward a Poor Curriculum but any curriculum text, widely conceived), we were also echoing the title and call of the biennial 2017 Provoking Curriculum conference. A volatile unpredictability attaches itself to the word âprovokingâ and also, as we have conceived it in this volume, to âencounter.â So too does it adhere to the word âarchive.â The book has been framed by two chapters concerned with the curriculum archive, which lie outside of the strands but that are tied to them as well as to the book as a whole. In an opening piece (Chapter 2), we situate the book within curriculum pilgrimsâ passionate âperipheral, joyful, intimate, and productiveâ (Robertson & Radford, 2009, p. 203) encounters with the curriculum an/archiveâas we imagine the authors in this book (and potentially, readers coming to this book) to be. While the word archive can âevoke the sturdy furniture of locked cabinetsâ (Strong-Wilson, Yoder, Aitken, Chang-Kredl, & Radford), in curriculum theory this archive has always been understood as living, as involving âongoing ethical engagement with alterityâ (Pinar, 2015a, p. xi). The forward-looking proposition of an an archive (SenseLab, n.d.), or living archive, in which always-emergent encounters derive their meaning from embodied and relational practices in-the-moment, thus also animates this volume (Ehret...