
- 142 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This book offers an innovative and interdisciplinary approach to Pop art scholarship through a recuperation of popular music into art historical understandings of the movement. Jukebox modernism is a procedure by which Pop artists used popular music within their works to disrupt decorous modernism during the sixties. Artists, including Peter Blake, Pauline Boty, James Rosenquist, and Andy Warhol, respond to popular music for reasons such as its emotional connectivity, issues of fandom and identity, and the pleasures and problems of looking and listening to an artwork. When we both look at and listen to Pop art, essential aspects of Pop's history that have been neglectedâits sounds, its women, its queerness, and its black subjectsâcome into focus.
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Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- Figures
- Acknowledgments
- Introduction: Towards a Definition of Jukebox Modernism
- 1 How to Hear a Painting: Jukebox Modernism and Elvis Presley in Pop
- 2 Pink, White, and Black: The Strange Case of James Rosenquistâs Big Bo
- 3 The Sound and Look of Melodrama in Pauline Botyâs Pop Paintings
- 4 Soundtrack Not Included: Andy Warholâs Sleep
- 5 Sounding Pop Art: An Exhibition History
- Conclusion: Contemporary Jukebox Modernism
- Bibliography
- Index