The Potter's Thumb

Flora Annie Steel

• Publisher: Read & Co. Classics
• Year: 2020
• Print ISBN: 9781528714792
• eBook ISBN: 9781528788908
• Subtopic: Classics

"The Potter's Thumb" is a 1900 historical novel by Flora Annie Steel. Flora Annie Steel (1847 – 1929) was an English writer who notably lived in British India for 22 years and is best remembered for her books set or related to the sub-continent. This fascinating novel offers the reader a glimpse into colonial India that is typical of Steel's fiction, weaving a delicate story to the backdrop of British imperialism in an exotic land. An entertaining and insightful novel, "The Potter's Thumb" is highly recommended for those with an interest in India's history and will not disappoint those who have read and enjoyed other works by this author. Also by this author: "Tales of the Punjab" (1894) and "The Flower of Forgiveness" (1894). Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with the original text and artwork.

CHAPTER I

'Tis only the potter's thumb, Huzoor.'

As she raised the parti-coloured rag covering the child's body, the noonday sun streamed down upon a pitiful sight. Yet her eyes, despite the motherhood which lay in them, accepted it, as the sun did, calmly. Emotion, such as it was, being reserved for the couple of Englishmen who stood by: and even there curiosity and repulsion froze the surface of pity, especially in the younger of the two faces.

In good sooth, not a pleasant sight for mankind, to whom sickness does not as a rule bring that quick interest born of a desire to aid which it does to most women. The brown skin was fair with the pallor of disease, and the fine, sparse, black hair showed the contour of the skull. The unnatural hollows of the temples emphasised the unnatural prominence of the closed eyelids, round whose ragged margin of clogged lashes the flies settled in clusters. Below this death's-head was an over-large body, where, despite its full curves, each rib stood sharply defined, and whence the thin limbs angled themselves in spidery fashion.

'The potter's thumb?' echoed Dan Fitzgerald interrogatively. He was a tall man, broad in the shoulders, lean in the flank, and extraordinarily handsome; yet the most noticeable quality in the face looking down at the very ordinary woman squatting upon a very ordinary dust-heap, was not its beauty, but its vitality. 'Is that a disease?' he added, almost sharply.

She gave the native cluck of emphatic denial. 'No! Huzoor. The child dies because it does not drink milk properly; yet is it the potter's thumb in the beginning. Lo! many are born so in this place. The doctor-sahib who put the tikka on the arms for smallpox said Hodinuggur was too old for birth—that it was a graveyard. I know not. Only this is true; many are born with this; many die of it.'

'Die of the potter's thumb—what potter?'

Her broad face broadened still more into a smile. 'The Huzoor doth not understand! Lo! when the potter works on the clay, his hand slips sometimes in the moulding. It leaves a furrow, so,'—her brown finger, set with tarnished silver rings, traced a girdle round the baby's naked breast—'then in the firing the pot cracks. Cracks like these,'—here the finger pointed to the sherds among which she sate,—'so when children are born as this one, we say 'tis the potter's thumb. Sometimes there is a mark,'—again the finger softly followed the line it had traced before—'this one had it clear when he came; sometimes none can see it, but 'tis there all the same, all the same. The potter's thumb has slipped; the pot will crack in the firing.'

Her voice took a cadence as if accustomed to the words.

'What is she saying?' interrupted George Keene impatiently. He was a middle-sized lad of twenty or thereabouts, powerfully made, with grey eyes and white teeth gleaming in an aquiline, sunburnt face.

'Something ghastly,' replied Dan. 'It always is so, you'll find, my dear boy, when you dip below the indifferent calm of these people. It's like deciphering a tombstone. But come on. We are due already at the World, the Flesh, and the Devil's.' Then he paused, gave a short laugh, and flung out his hands in an impulsive gesture. 'By the Powers!' he went on, his face seeming to kindle with the fuel of his own fancy, 'it's gruesome entirely. This heap of dust they call Hodinuggur, as they call thousands of such human ant-hills all over India; for wherever when you dig, the bricks grow bigger and bigger till, hocus pocus! they vanish in the dust from which God made man—that is Hodinuggur; the old city, it means. What city? who knows! Then in the corner of this particular one a survival'—his eager hand pointed to the pile of buildings before them—'not of those old days, for no Moghul in India dates beyond Timoor, and these people are Moghuls; but of that Mohammedan civilisation which overwhelmed the older one, just as we in our turn are overwhelming the Moghul—who in the meantime bullies the people by virtue of an Englishman's signature on a piece of parchment—'

'But I suppose we found the Diwân in possession when we annexed—' began George stolidly.

Dan scorned the interruption and the common-sense. 'Oh, 'tis queer, looked at any way. A mound of sherds and dust higher than the gateway of the palace. I'll go bail that reed hut yonder on the top is higher than old Zubr-ul-Zamân's tower. He lives up there winter and summer, does the old Diwân, looking out over his world and the strength of it—that's what his name means, you know. His son, Khush-hâl Beg, lives in the next storey. A Jack Falstaff of a man—that's why I call him the Flesh. Then Dalel, the Devil, roams about seeking whom he may devour.'

'A charming trio; and what part have I to play in the drama?' asked George with a laugh.

'St. George, of course.'

The lad laughed louder. 'So I am in baptism. George for short. Born on the saint's day—father a parson—fire away, old chap—don't let me pull Pegasus.'

'Sure! my dear boy, and aren't you sent to fight them all? Sent into this wilderness of a place to be tempted—'

'Oh, don't talk rot, Fitzgerald! I suppose you mean about the sluice-gate; but it's sheer folly.'

'Is it? My two last subordinates didn't find it so. Perhaps the potter's thumb had slipped over their honesty. So the authorities gave me you—a real white man—and said it was my last chance. Think of that now, my boy, and be careful.'

George Keene frowned perceptibly.

'That's a fine old gateway,' he said, to change the subject. As they approached it a flock of iridescent pigeons rocketed from the dark niches to circle and flash against the sky. It was a great square block of a building cut through by one high arch of shadow, and showing the length of the tunnel in the smallness of the sunlit arch beyond. On the worn brick causeway, as they entered, half in the sunshine, half in shade, lay the scattered petals of a pomegranate blossom which some passer-by had flung aside.

'By Jove, what a colour!' said Fitzgerald: 'like drops of blood.'

George Keene frowned again. 'If I had your diseased imagination I'd engage lodgings in Bedlam. Seriously, I mean it. Fellows like you are get rid of it in words—all froth and fuss; but if that sort of thing ever got a real grip on me—Hullo! what's that?' He flushed through his tan in sheer vexation at his own start. From the deep recesses, which on either side of the causeway lost themselves in shadow, came a clash as of silver bells, and something through the arches showed white yet shadowy; something of exceeding grace, salaaming to the sahib-logue; something sending the scent of jasmine flowers into the hot air.

'That is Chândni,' said Dan, passing on regardless of the salutation, 'she generally sits here.'

George, imitating his companion, felt the thrill still in his veins. 'Chândni!' he echoed, 'that means silvery, doesn't it?'

'Moonshine also. They call her Chândni-rât or Moonlit-night as a rule. If tales be true, there is a good deal of the night about her. She and Dalel—but here he comes, innocently, from a side door. The Devil loves moonshiny nights.'

The figure approaching them was not outwardly of diabolic mould, being altogether too insignificant. The oval face was barely shadowed by a thin beard curling in an oiled tuft on either side of the retreating chin, and the only Mephistophelian feature was the narrow line of moustache waxed upwards towards the eyes. The dress was nondescript to absurdity. A biretta-shaped Moghul cap, heavy with church embroidery, sate jauntily on the long greasy hair; a blue velvet shooting-coat, cut ...

Table of contents

• CHAPTER I
• CHAPTER II
• CHAPTER III
• CHAPTER IV
• CHAPTER V
• CHAPTER VI
• CHAPTER VII
• CHAPTER VIII
• CHAPTER IX
• CHAPTER X
• CHAPTER XI
• CHAPTER XII
• CHAPTER XIII
• CHAPTER XIV
• CHAPTER XV
• CHAPTER XVI
• CHAPTER XVII
• CHAPTER XVIII
• CHAPTER XIX
• CHAPTER XX
• CHAPTER XXI
• CHAPTER XXII
• CHAPTER XXIII
• CHAPTER XXIV
• CHAPTER XXV
• CHAPTER XXVI
• CHAPTER XXVII
• CHAPTER XXVIII