Burn It Down!
eBook - ePub

Burn It Down!

Feminist Manifestos for the Revolution

  1. 528 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Burn It Down!

Feminist Manifestos for the Revolution

About this book

In this landmark collection spanning three centuries and four waves of feminist activism and writing, Burn It Down! is a testament to what is possible when women are driven to the edge. The manifesto-raging and wanting, quarreling and provoking-has always played a central role in feminism, and it's the angry, brash feminism we need now.

Collecting over 75 manifestos from around the world, Burn It Down! is a rallying cry and a call to action. Among this confrontational sisterhood, you'll find

Dyke Manifesto by the Lesbian Avengers
The Ax Tampax Poem Feministo by the Bloodsisters Project
The Manifesto of Apocalyptic Witchcraft by Peter Grey
Simone de Beauvoir's pro-abortion Manifesto of the 343
Double Jeopardy: To Be Black and Female by Frances M. Beal
The Futurist Manifesto of Lust by Valentine de Saint-Point
Zapatista Women's Revolutionary Laws
Riot Grrrl Manifesto by Bikini Kill
Anarchy and the Sex Question by Emma Goldman

Breanne Fahs argues that we need manifestos in all their urgent rawness-their insistence that we have to act now, that we must face this, that the bleeding edge of rage and defiance ignites new and revolutionary possibilities is where new ideas are born.

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Information

Publisher
Verso
Year
2020
Print ISBN
9781788735384
eBook ISBN
9781788735407

PART I

QUEER/
TRANS

Introduction to Queer/Trans

It’s raining dykes! Situating unabashed queer feminist voices as a persistent force of resistance, not just at the peak of queer rights in the early 1970s but throughout the last fifty years, Queer/Trans showcases queer and trans rage. In this section we consider three major clusters of queer and trans manifestos, moving from the earlier days of queer resistance (1970–71), fast-forwarding to the early 1990s, and ending with the 2000s (2002–9). Rather than presenting these in a temporal and linear fashion, the section moves back and forth between ideas that embrace shamelessness, anger, and new queer futures.
No one is off the hook here; no subject is off limits. We move between early texts of gay liberation that warn of the mainstreaming of queer culture (Queer Nation Manifesto, Gay Liberation Front Manifesto) to a call to action for contemporary lesbian politics to forge new ground (Eskalera Karakola, Katie Tastrom, and Lesbian Avengers). We see lesbians avenging and we read some of the more in-your-face queer work that smashes boundaries, distorts edges, and tells the wimpier side of identity politics to ā€œeat some dicks.ā€
We work both within and outside the notions of borders, with lesbians at the fore—as president of the US (Zoe Leonard) and as gangs of troublemakers (ACT UP, Lesbian Mafia). We also transgress borders and look at work that insists on lesbianism as both idealized and wholly natural (Jill Johnston, Radicalesbians), working in tandem with an unapologetic gay rebel (Boyfunk), men who insist on feminist politics (Steven F. Dansky, John Knoebel, and Kenneth Pitchford), and a shameless voice of trans rights (Emi Koyama). In the words of the famous protest slogan, ā€œGays Bash Back.ā€

1

I Want a President

1992

Zoe Leonard
Images

2

Queer Nation Manifesto:
Queers Read This

1990

ACT UP
How can I tell you. How can I convince you, brother, sister that your life is in danger: That everyday you wake up alive, relatively happy, and a functioning human being, you are committing a rebellious act. You as an alive and functioning queer are a revolutionary. There is nothing on this planet that validates, protects or encourages your existence. It is a miracle you are standing here reading these words. You should by all rights be dead. Don’t be fooled, straight people own the world and the only reason you have been spared is you’re smart, lucky or a fighter. Straight people have a privilege that allows them to do whatever they please and fuck without fear. But not only do they live a life free of fear; they flaunt their freedom in my face. Their images are on my TV, in the magazine I bought, in the restaurant I want to eat in, and on the street where I live. I want there to be a moratorium on straight marriage, on babies, on public displays of affection among the opposite sex and media images that promote heterosexuality. Until I can enjoy the same freedom of movement and sexuality, as straights, their privilege must stop and it must be given over to me and my queer sisters and brothers. Straight people will not do this voluntarily and so they must be forced into it. Straights must be frightened into it. Terrorized into it. Fear is the most powerful motivation. No one will give us what we deserve. Rights are not given they are taken, by force if necessary. It is easier to fight when you know who your enemy is. Straight people are your enemy. They are your enemy when they don’t acknowledge your invisibility and continue to live in and contribute to a culture that kills you. Every day one of us is taken by the enemy. Whether it’s an AIDS death due to homophobic government inaction or a lesbian bashing in an all-night diner (in a supposedly lesbian neighborhood).

AN ARMY OF LOVERS CANNOT LOSE

Being queer is not about a right to privacy; it is about the freedom to be public, to just be who we are. It means everyday fighting oppression; homophobia, racism, misogyny, the bigotry of religious hypocrites and our own self-hatred. (We have been carefully taught to hate ourselves.) And now of course it means fighting a virus as well, and all those homo-haters who are using AIDS to wipe us off the face of the earth. Being queer means leading a different sort of life. It’s not about the mainstream, profit-margins, patriotism, patriarchy or being assimilated. It’s not about executive directors, privilege and elitism. It’s about being on the margins, defining ourselves; it’s about gender-fuck and secrets, what’s beneath the belt and deep inside the heart; it’s about the night. Being queer is ā€œgrass rootsā€ because we know that everyone of us, every body, every cunt, every heart and ass and dick is a world of pleasure waiting to be explored. Everyone of us is a world of infinite possibility. We are an army because we have to be. We are an army because we are so powerful. (We have so much to fight for; we are the most precious of endangered species.) And we are an army of lovers because it is we who know what love is. Desire and lust, too. We invented them. We come out of the closet, face the rejection of society, face firing squads, just to love each other! Every time we fuck, we win. We must fight for ourselves (no one else is going to do it) and if in that process we bring greater freedom to the world at large then great. (We’ve given so much to that world: democracy, all the arts, the concepts of love, philosophy and the soul, to name just a few gifts from our ancient Greek Dykes, Fags.) Let’s make every space a Lesbian and Gay space. Every street a part of our sexual geography. A city of yearning and then total satisfaction. A city and a country where we can be safe and free and more. We must look at our lives and see what’s best in them, see what is queer and what is straight and let that straight chaff fall away! Remember there is so, so little time. And I want to be a lover of each and every one of you. Next year, we march naked.

Anger

ā€œThe strong sisters told the brothers that there were two important things to remember about the coming revolutions. The first is that we will get our asses kicked. The second is that we will win.ā€ I’m angry. I’m angry for being condemned to death by strangers saying, ā€œYou deserve to dieā€ and ā€œAIDS is the cure.ā€ Fury erupts when a Republican woman wearing thousands of dollars of garments and jewelry minces by the police lines shaking her head, chuckling and wagging her finger at us like we are recalcitrant children making absurd demands and throwing temper tantrum when they aren’t met. Angry while Joseph agonizes over $8,000 a year for AZT which might keep him alive a little longer and which makes him sicker than the disease he is diagnosed with. Angry as I listen to a man tell me that after changing his will five times he’s running out of people to leave things to. All of his best friends are dead. Angry when I stand in a sea of quilt panels, or go to a candlelight march or attend yet another memorial service. I will not march silently with a fucking candle and I want to take that goddamned quilt and wrap myself in it and furiously rend it and my hair and curse every god religion ever created. I refuse to accept a creation that cuts people down in the third decade of their life.
It is cruel and vile and meaningless and everything I have in me rails against the absurdity and I raise my face to the clouds and a ragged laugh that sounds more demonic than joyous erupts from my throat and tears stream down my face and if this disease doesn’t kill me, I may just die of frustration. My feet pound the streets and Peter’s hands are chained to a pharmaceutical company’s reception desk while the receptionist looks on in horror and Eric’s body lies rotting in a Brooklyn cemetery and I’ll never hear his flute resounding off the walls of the meeting house again. And I see the old people in Tompkins Square Park huddled in their long wool coats in June to keep out the cold they perceive is there and to cling to whatever little life has left to offer them. I’m reminded of the people who strip and stand before a mirror each night before they go to bed and search their bodies for any mark that might not have been there yesterday. A mark that this scourge has visited them.
And I’m angry when the newspapers call us ā€œvictimsā€ and sound alarms that ā€œitā€ might soon spread to the ā€œgeneral population.ā€ And I want to scream ā€œWho the fuck am I?ā€ And I want to scream at New York Hospital with its yellow plastic bags marked ā€œisolation linen,ā€ ā€œropa infecciosaā€ and its orderlies in latex gloves and surgical masks skirting the bed as if its occupant will suddenly leap out and douse them with blood and semen giving them too the plague.
And I’m angry at straight people who sit smugly wrapped in their self-protective coat of monogamy and heterosexuality confident that this disease has nothing to do with them because ā€œitā€ only happens to ā€œthem.ā€ And the teenage boys who upon spotting my Silence=Death button begin chanting ā€œFaggot’s gonna dieā€ and I wonder, who taught them this? Enveloped in fury and fear, I remain silent while my button mocks me every step of the way. And the anger I feel when a television program on the quilt gives profiles of the dead and the list begins with a baby, a teenage girl who got a blood transfusion, an elderly baptist minister and his wife and when they finally show a gay man, he’s described as someone who knowingly infected teenage male prostitutes with the virus. What else can you expect from a faggot?
I’m angry.

Queer Artists

Since time began, the world has been inspired by the work of queer artists. In exchange, there has been suffering, there has been pain, there has been violence. Throughout history, society has struck a bargain with its queer citizens: they may pursue creative careers, if they do it discreetly. Through the arts queers are productive, lucrative, entertaining and even uplifting. These are the clear-cut and useful by-products of what is otherwise considered antisocial behavior. In cultured circles, queers may quietly coexist with an otherwise disapproving power elite.
At the forefront of the most recent campaign to bash queer artists is Jesse Helms, arbiter of all that is decent, moral, christian and amerikan. For Helms, queer art is quite simply a threat to the world. In his imaginings, heterosexual culture is too fragile to bear up to the admission of human or sexual diversity. Quite simply, the structure of power in the Judeo-Christian world has made procreation its cornerstone. Families having children assures consumers for the nation’s products and a work force to produce them, as well as a built-in family system to care for its ill, reducing the expense of public healthcare systems.
ALL NON-PROCREATIVE BEHAVIOR IS CONSIDERED A THREAT, from homosexuality to birth control to abortion as an option. It is not enough, according to the religious right, to consistently advertise procreation and heterosexuality … it is also necessary to destroy any alternatives. It is not art Helms is after … IT IS OUR LIVES! Art is the last safe place for lesbians and gay men to thrive. Helms knows this, and has developed a program to purge queers from the one arena they have been permitted to contribute to our shared culture.
Helms is advocating a world free from diversity or dissent. It is easy to imagine why that might feel more comfortable to those in charge of such a world. It is also easy to envision an amerikan landscape flattened by such power. Helms should just ask for what he is hinting at: State sponsored art, art of totalitarianism, art that speaks only in christian terms, art which supports the goals of those in power, art that matches the sofas in the Oval Office. Ask for what you want, Jesse, so that men and women of conscience can mobilize against it, as we do against the human rights violations of other countries, and fight to free our own country’s dissidents.

IF YOU’RE QUEER,

Queers are under siege.
Queers are being attacked on all fronts and I’m afraid it’s ok with us.
In 1969, there were 50 ā€œQueer Bashingsā€ in the month of May alone. Violent attacks, 3,720 men, women and children died of AIDS in the same month, caused by a more violent attack—government inaction, rooted in society’s growing homophobia. This is institutionalized violence, perhaps more dangerous to the existence of queers because the attackers are faceless. We allow these attacks by our own continued lack of action against them. AIDS has affected the straight world and now they’re blaming us for AIDS and using it as a way to justify their violence against us. They don’t want us anymore. They will beat us, rape us and kill us before they will continue to live with us. What will it take for this not to be ok? Feel some rage. If rage doesn’t empower you, try fear. If that doesn’t work, try panic.

SHOUT IT!

Be proud. Do whatever you need to do to tear yourself away from your customary state of acceptance. Be free. Shout.
In 1969, Queers fought back. In 1990, Queers say ok. Next year, will we be here?

I HATE …

I hate Jesse Helms. I hate Jesse Helms so much I’d rejoice if he dropped down dead. If someone killed him I’d consider it his own fault.
I hate Ronald Reagan, too, because he mass-murdered my people for eight years. But to be honest, I hate him even more for eulogizing Ryan White without first admitting his guilt, without begging forgiveness for Ryan’s death and for the deaths of tens of thousands of other PWA’s—most of them queer. I hate him for making a mockery of our grief.
I hate the fucking Pope, and I hate John fucking Cardinal fucking O’Connor, and I hate the whole fucking Catholic Church. The same goes for the Military, and especially for Amerika’s Law Enforcement Officials—the cops—state sanctioned sadists who brutalize street transvestites, prostitutes and queer prisoners. I also hate the medical and mental health establishments, particularly the psychiatrist who convinced me not to have sex with men for three years until we (meaning he) could make me bisexual rather than queer. I also hate the education profession, for its share in driving thousands of queer teens to suicide every year. I hate the ā€œrespectableā€ art world; and the entertainment industry, and the mainstream media, especially The New York Times. In fact, I hate every sector of the straight establishment in this country—the worst of whom actively want all queers dead, the best of whom never stick their necks out to keep us alive.
I hate straight people who think they have anything intelligent to say about ā€œouting.ā€ I hate straight people who think stories about themselves are ā€œuniversalā€ but stories about us are only about homosexuality. I hate straight recording artists who make their careers off of queer people, then attack us, then act hurt when we get angry and then deny having wronged us rather than apologize for it. I hate straight people who say, ā€œI don’t see why you feel the need to wear those buttons and t-shirts. I don’t go around telling the whole world I’m straight.ā€
I hate that in twelve years of public education I was never taught about queer people. I hate that I grew up thinking I was the only queer in the world, and I hate even more that most queer kids still grow up the same way. I hate that I was tormented by other kids for being a faggot, but more that I was taught to feel ashamed for being the object of their cruelty, taught to feel it was my fault. I hate that the Supreme Court of this country says it’s okay to criminalize me because of how I make love. I hate that so many straight people are so concerned about my goddamned sex life. I hate that so many twisted straight people become parents, while I have to fight like hell to be allowed to be a father. I hate straights.

WHERE ARE YOU SISTERS?

I wear my pink triangle everywhere. I do not lower my voice in public when talking about lesbian love or sex. I always tell people I’m a lesbian. I don’t wait to be asked about my ā€œboyfriend.ā€ I don’t say it’s ā€œno one’s business.ā€
I don’t do this for straight people. Most of them don’t know what the pink triangle even means. Most of them couldn’t care less that my girlfriend and I are totally in love or having a fight on the street. Mo...

Table of contents

  1. Cover Page
  2. Halftitle Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Contents
  7. Preface to the Paperback Edition
  8. Introduction. The Bleeding Edge: On the Necessity of Feminist Manifestos
  9. A Note on Source Material
  10. Part I: Queer/Trans
  11. Part II: Anticapitalist/Anarchist
  12. Part III: Angry/Violent
  13. Part IV: Indigenous/Women of Color
  14. Part V: Sex/Body
  15. Part VI: Hacker/Cyborg
  16. Part VII: Trashy/Punk
  17. Part VIII: Witchy/Bitchy
  18. Notes
  19. Acknowledgments
  20. About the Contributors
  21. Sources

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