Pressure

David Haig

• Publisher: Nick Hern Books
• Year: 2014
• eBook ISBN: 9781780014630
• Topic: Literature
• Subtopic: British Drama
• Index: Literature

An intense real-life thriller centred around the most important weather forecast in the history of warfare.

June 1944. One man's decision is about to change the course of history.

Everything is in place for the biggest invasion ever known in Europe – D-Day. One last crucial question remains: will the weather be right on the day?

Problematically there are two opposing forecasts. American celebrity weatherman Colonel Krick predicts sunshine, while Scot Dr James Stagg, Chief Meteorological Officer for the Allied Forces, forecasts a storm. As the world watches and waits, General Eisenhower, Allied Supreme Commander, must decide which of these bitter antagonists to trust. The decision will not only seal the fates of thousands of men, but could win or lose the entire war.

An extraordinary and little-known true story, David Haig's play thrillingly explores the responsibilities of leadership, the challenges of prophecy and the personal toll of taking a stand.

Pressure premiered at the Royal Lyceum Theatre, Edinburgh, in May 2014 before transferring to Chichester Festival Theatre, in a production directed by John Dove, with the author playing James Stagg.

ACT ONE

Scene One

1.00 p.m. Friday, 2 June 1944.

Southwick House, Portsmouth, England. Supreme Headquarters Allied Expeditionary Force.

A large room dominated by floor-to-ceiling French windows leading out to a small balcony. From the balcony, a view of the staggering Naval armada packed into Portsmouth Harbour – battleships, destroyers and landing craft, rail to rail, as far as the eye can see.

A stiflingly hot, summer afternoon. The sun streams through the windows, dust motes in the air. The room looks… transitional, as if waiting for someone to give it a purpose. Piles of wooden chairs, tables, a single telephone. There’s a giant noticeboard, punctured by hundreds of drawing pins, but no notices. Leaning against this wall are two sets of library steps on wheels. There’s an old upright piano in the corner.

LIEUTENANT KAY SUMMERSBY (thirty-five years old) sits at a table by the window, sorting through a huge pile of correspondence. She is attractive, vivacious, the daughter of an Irish cavalry officer. She is also General Dwight D. ‘Ike’ Eisenhower’s chauffeur, unofficial aide and confidante. She is dressed in the uniform of the Motor Transport Corps. The uniform is worn out. The seat of her skirt, shiny from constant driving, her jacket, faded.

KAY, like all the characters in the play, looks unslept. She lifts her head to feed off the warmth of the sun, but her peace is disturbed by the sudden roar of a fleet of bombers passing overhead, heading for the French coast. Their shadows blot out the sun.

The noise of the bombers masks the sound of the door opening. An ordinary-looking man with a tidy moustache enters. He is dusty, sweaty and is wearing an ill-fitting RAF uniform. He carries a suitcase and a briefcase. This is DR JAMES STAGG, Chief Meteorological Officer for the Allied Forces.

He looks around him.

STAGG. I must be in the wrong room.

KAY jumps to her feet.

KAY. Good afternoon, sir.

STAGG checks the number on the door.

STAGG. Room six, first floor?

KAY. Yes, sir.

STAGG. Should you be in here?

KAY. I beg your pardon, sir.

STAGG. Should you be in here?

He takes a sheet of paper out of his pocket and checks it.

Room six. You’ll need to clear your stuff out.

KAY (demanding some sort of normal exchange). How do you do. I’m Lieutenant Summersby.

STAGG. James Stagg. Is there only one telephone?

I’ll need more than that. Who should I talk to?

KAY. I’ll find out.

STAGG (looking around him. Shocked). This is just a room.

KAY. I’ll tell the General you’ve arrived.

STAGG. Which General?

KAY. General Eisenhower.

A moment as STAGG digests this.

STAGG. He knows I’m arriving today.

KAY. Does he? It may have slipped his mind, he’s a rather busy man.

STAGG. It won’t have slipped his mind.

They stare at each other. STAGG, impassive. KAY, annoyed. She spins on her heel and leaves the room.

STAGG immediately removes KAY’s correspondence from her table, dumping it on the floor, then he drags the table further into the room. He does the same with the other table and places a chair behind each.

He takes out a handkerchief and mops his brow, then opens the French windows and goes out onto the balcony. Shielding his eyes from the sun, he looks up at the sky, turning slowly on the spot, he looks north, east, south and west. As a cricketer would check the pitch, so the meteorologist checks the sky.

There is a knock on the door. STAGG returns from the balcony.

Come in.

A young man (ANDREW), excited and out of breath, enters in the uniform of a junior Air Force officer.

ANDREW. Welcome to Southwick House, Dr Stagg.

STAGG. Thank you.

STAGG claims one of the two tables as his own and starts unpacking his briefcase.

ANDREW. It’s a great honour to meet you, sir.

STAGG says nothing. He sets out mathematical instruments and an array of pencils and coloured pens on his table.

I so enjoyed your paper on the Coriolis effect.

STAGG. It’s a fascinating subject.

ANDREW. I’m a great admirer of the Bergen School. Upper-air structures.

STAGG. You’re on the right lines then.

A young NAVAL METEOROLOGIST hurries past the open door, but stops when he sees ANDREW. He hands ANDREW a piece of paper.

NAVAL METEOROLOGIST. Latest thermograms, sir. Stevenson screen two.

ANDREW. Thank you.

The METEOROLOGIST marches off. (Whenever the door is open, we’re aware of voices, footsteps, doors slamming. A constant buzz of urgent activity.)

(To STAGG.) I’m seconded to you, sir, for as long as you’re here, if there’s anything you need…

STAGG (tension in his voice). I need everything. Look at this room. I need an anemometer, a Stevenson screen, thermometers, barograph, barometer, telephones.

ANDREW. Admiral Ramsay has a forecast room downstairs, I’ll see what I can find.

STAGG. I’d be grateful.

The NAVAL METEOROLOGIST returns. He salutes sharply and hands STAGG a rolled-up chart.

NAVAL METEOROLOGIST. Synoptic chart, sir. 1300 GMT.

STAGG takes it.

STAGG. Very good. How frequently are you producing charts?

NAVAL METEOROLOGIST. Every six hours, sir.

STAGG. Normal synoptic hours?

NAVAL METEOROLOGIST. Yes sir. 0100, 0700, 1300 and 1800.

STAGG. And intermediates at 0400, 1000 and 1600?

NAVAL METEOROLOGIST. Yes, sir.

STAGG. Thank you.

The METEOROLOGIST leaves. STAGG wheels a set of library steps to the giant notice board and climbs the steps.

ANDREW. Shall I give you a hand, sir?

ANDREW wheels the other steps over and climbs them. STAGG hands him one end of the chart.

I’m Andrew Carter, by the way. From the Met Office. Flight-Lieutenant Carter I should say. They plonked me in the Air Force, I’ve no idea why.

STAGG. No. (A beat, then:) I’m a Group Captain, I’ve never been near an aeroplane.

STAGG pi...

Table of contents

• Cover
• Title Page
• Contents
• Original Production
• Characters
• Pressure
• About the Author
• Copyright and Performing Rights Information