The Contingency Plan

Two plays

Steve Waters

• Publisher: Nick Hern Books
• Year: 2015
• eBook ISBN: 9781780013725
• Topic: Literature
• Subtopic: British Drama
• Index: Literature

A double bill of plays from the frontline of climate change - an epic portrait of an England of the near future, in the grip of unprecedented and catastrophic floods.

In On the Beach, Will Paxton, a glaciologist, returns from months in Antarctica to tell his parents that he will take up a role within Government. Thirty years ago, his father silenced his own radical thinking on climate change. Yet behind the reunion with his father lies thirty years of secrecy and bitterness. As the truth surfaces, the family is torn apart, and Will's parents must face the rising tide alone.

In Resilience, the Tory Government that has just come to power wants radical answers to the imminent floods. Their newly appointed expert, Will Paxton, puts an extreme scenario on the table: England, from its coastline to its capital, faces catastrophe.

Impressive in scale and chilling as a prediction of our immediate future, the two plays are complementary but can also stand alone.

Steve Waters' The Contingency Plan was first performed at the Bush Theatre, London, in April 2009.

ACT ONE

Scene One

Near ROBIN and JENNY’s house looking out to sea. Mid-morning.

ROBIN’s looking through a telescope of considerable power on a tripod.

He’s in shabby yet attractive cut-off jeans; a plaid shirt, ripped; glasses on a chain around his neck; on his feet, battered trainers. He’s wiry and weather-beaten and he moves fast. On a wind-up, battery-free stereo, a tape plays almost inaudibly Neil Young’s ‘On the Beach’. ROBIN checks the telescope, humming.

He notes something in a notepad.

ROBIN. Jen. It’s back.

JENNY (off). What?

ROBIN. On the marsh. Jen!

JENNY (off). Where are you?

ROBIN. Down here. It’s clearly on the marsh.

JENNY appears, breathless. She’s a sixty-year-old; face devoid of make-up bar a little eyeliner; snowy long hair, dishevelled, piled up on top and held with a bandanna.

JENNY. What are you talking about?

ROBIN. You see it? The cheek of it.

JENNY. I have no idea what you’re talking about.

ROBIN. Way out of its range.

JENNY. Why, why are you listening to this out here?

Why are you out here listening to this old rubbish?

JENNY silences the stereo. Immediately a wash of sound, the distant suck of surf, battling gulls, a dredger.

ROBIN. Look, look, out Brancaster way.

Governor’s Point.

JENNY. I thought there was a trespasser or something.

ROBIN. You can see it. On Governor’s Point.

JENNY reluctantly looks through the eyepiece of the telescope.

You see it now?

JENNY. No. Nothing.

ROBIN. You must see something.

JENNY. Nope.

ROBIN. See it now?

JENNY. No.

ROBIN refocuses it.

ROBIN. You surely see something.

JENNY. See my eyelashes.

ROBIN. Here then.

He adjusts the focus.

Lift it a little, a little.

You see Governor’s Point, okay?

JENNY. Hang on. Okay. I see Governor’s Point.

ROBIN. What do you notice about it?

JENNY. I notice as usual that Governor’s Point is a great big lump of sand in the North Sea.

ROBIN. Ah. Maybe it’s… maybe it’s already – can I see?

He moves her aside.

Couldn’t be a spoonbill.

JENNY. Okay. This is about birds.

ROBIN. Clearly not a grey heron.

JENNY. Up since God knows when because of a bird.

ROBIN. The phone woke me at five.

JENNY. And you didn’t answer it?

Have you even had any breakfast?

ROBIN. Little egret.

They sense the warming. We know that.

But also they come inland as the seas get more turbulent.

JENNY. I don’t have time for ornithology, Rob, I need to get to Lynn –

ROBIN. Is he there already?

JENNY. He left a garbled message from RAF Lyneham saying he ‘might’ be there mid-morning, it being Will, nothing more forthcoming than that.

ROBIN. So he’s finally here. Everything’s converging.

JENNY. Oh, Robin, Will’s simply coming home for a refuel, it means nothing especially portentous, I doubt he’ll stay longer than Monday.

ROBIN. Jenny, there’s an event coming; it’s building in the Atlantic; probably be with us by the small hours.

JENNY. The forecast’s a cloudless day.

ROBIN. That bird knows it. Blown several latitudes north looking for landfall.

When it leaves again, it’ll be time.

JENNY. Robin, any storm tonight’ll be the accidental meeting of hot and cold air fronts, and if a little egret decides to patronise our marsh, a little egret patronises our marsh and those two matters are entirely unrelated.

I’d better get off.

Could you get his bedroom ready?

I’ve laid out something for lunch and, please please, when he comes, please, no talk of storms and birds and phases.

She looks at ROBIN.

God, it’ll be good to see him.

ROBIN. Mmm.

JENNY. We’re incomplete. Without him.

And I worry about him.

Stuck on that base in the middle of that nothingness.

Never meeting anyone, never travelling anywhere. A man in his thirties.

ROBIN. He has his work.

JENNY. Oh, he’s got that all right.

ROBIN. Work of that urgency is pitiless. God, when I was at that pitch…

JENNY. Were you really the best of role models?

ROBIN. What?

JENNY. I sometimes wonder whether we harmed him, bringing him up that way?

ROBIN. Oh, Jenny, don’t be daft. He’s a magnificent specimen.

JENNY. Given he was always so bloody biddable. If he’d had a sibling at least.

ROBIN. He’s just focused. Full of purpose. From the start it was clear what he was. This is the lad who classified his toys into organic and inorganic matter – right?

JENNY. Oh God. Fossils set out in the correct chronology. The egg museum.

ROBIN. Shaking me awake to look at the meteor shower.

JENNY. Had to take that telescope out of his bedroom, he barely slept.

ROBIN. If I said such things were God-given, I’d say he was God-given.

JENNY. I just feel his whole life, our whole life has been a preparation for an event that never arrives.

Pause.

ROBIN. Well. Okay. Maybe if I’d had half his tenacity, his application, letting nothing stand in the way of the work, nothing, we’d not be where we are now.

JENNY. Oh. Sorry. Did I… stand in your way?

ROBIN. Oh, Jen. Come on.

JENNY. I hope I didn’t. Stand in your way.

ROBIN. You know you –

JENNY. Because if I ever thought – do you actually think that?

ROBIN. You don’t need me to answer that.

JENNY. Don’t I?

ROBIN. Jenny, he’s coming home.

It can only mean one thing.

His work’s complete.

And if his work’s complete, then my work’s complete.

JENNY. Right. What work is that, Rob?

ROBIN’s back at the telescope.

ROBIN. No, that’s no spoonbill, the beak’s all wrong. Look at him, mincing across the tidal mud.

JENNY looks at him.

JENNY. Okay. Fine.

I’ll drive to Lynn. Pick up a few things.

You get his room ...

Table of contents

• Cover
• Title page
• Contents
• Dedication
• Epigraph
• Original Production and Author’s Thanks
• On the Beach
• Characters
• Act One
• Act Two
• Resilience
• Characters and Setting
• Act One
• Act Two
• About the Author
• Copyright and Performing Rights Information