Girls Like That and other plays for teenagers
eBook - ePub

Girls Like That and other plays for teenagers

  1. 160 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Girls Like That and other plays for teenagers

About this book

This collection features four urgent and explosive plays by award-winning playwright Evan Placey, each tackling issues facing young people today. They provide ideal material for teenagers to read, study and perform.

Girls Like That explores the pressures caused by technology when a schoolgirl's naked photograph goes viral. Commissioned in 2013 by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, it has subsequently been performed by school and youth-theatre groups across the UK, at the Unicorn Theatre, London, and in the Houses of Parliament. It won the Writers' Guild Award for Best Play for Young Audiences.

Banana Boys , published here for the first time, is about the challenges of being on the school football team – and secretly gay. It was commissioned and produced by Hampstead Theatre's heat&light company in 2010.

In Holloway Jones , Holloway dreams of being a world-class BMXer, but she is held back by the tough reality of a parent in prison. Also making its debut in print here, the play was commissioned by Synergy Theatre Project, toured schools and the Unicorn Theatre in 2011, and won the 2012 Brian Way Award for Best Play for Young People.

Finally, Pronoun is a love story about two childhood sweethearts dealing with the fact that one of them, Isabella, has now become a boy. As one of the plays in the 2014 National Theatre Connections Festival it proved enormously popular with youth theatres and college companies.

'Maybe change starts with plays like this' Lyn Gardner, Guardian, on Girls Like That

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Yes, you can access Girls Like That and other plays for teenagers by Evan Placey in PDF and/or ePUB format, as well as other popular books in Literature & British Drama. We have over one million books available in our catalogue for you to explore.

Information

BANANA BOYS
For Danny
A single edition of Banana Boys can be printed on demand if you wish to read, study or perform the play separately.
Please contact [email protected]
Acknowledgements
Neil Grutchfield for the faith, support, and astute dramaturgy.
Debra Glazer, and the company of young people in heat&light at the Hampstead Theatre. The most joyous time I’ve ever had in rehearsal, and doing research.
All the girl groups mentioned, quoted and used in the play, and the writers of their songs. And my parents, for forcing me to listen to them all throughout my childhood.
E.P.
Banana Boys was commissioned by the heat&light company and first performed at Hampstead Theatre, London, on 9 December 2011. The cast was as follows:
THE SCHOOLBOYS
CAMERON
Myles Howard
CALUM
Caleb Hughes
RILEY
Cavell O’Sullivan
MAX
Awaab El-Essawy
ZACH
Edmund Ludlow
BEN
Tom McDermott
THE SCHOOLGIRLS
PIPPA
Skye Stuart
ETTA
Jimena Meza Mitcher
ALISHA
Ellie Horne
TANISHA
Francesca Green
FALISHA
Nyaueth Riam
OTHERS AT SCHOOL
DJ
Ricardo Benavides
MIRANDA
Jean Mackay
THE SIBLINGS
RACHEL
Marlie H-C
JORDAN
Jesse Gassongo
NAT
Ellie O’Donnell
THE BANANA GIRLS
SANDRA
Akuc Bol
GEORGIA
Chantè Joseph
MANDY
Chloe Evans
Director
Debra Glazer
Set & Costume Designer
Robbie Sinnott
Lighting Designer
George Bishop
Sound Designer
Cressida Klaces
Dramaturgs
Neil Grutchfield
Debra Glazer
Characters
THE SCHOOLBOYS, all sixteen years old
CAMERON
CALUM
RILEY
MAX
ZACH
BEN
THE SCHOOLGIRLS, all sixteen years old
PIPPA
ETTA
ALISHA
TANISHA
FALISHA
OTHERS AT SCHOOL
DJ, nineteen years old
MIRANDA, eighteen years old
THE SIBLINGS
RACHEL, thirteen years old, Cameron’s sister
JORDAN, eighteen years old, Calum’s brother
NAT, eighteen years old, Jordan’s girlfriend
THE BANANA GIRLS, early twenties
SANDRA
GEORGIA
MANDY
Author’s Note
As much as possible, The Banana Girls should assist with scene changes/transitions – orchestrating changes and/or performing in changes as indicated. It is expected that The Banana Girls will lip-sync to their songs, and while they are women playing women, there should be something a bit drag about their huge theatricality.
Ideally the play should run straight through; however, if it’s necessary to have an interval this should go between Scene Nine and Scene Ten.
A Note on Punctuation
A dash (–) is a cut-off, sometimes of one’s own thought with a different thought (not a pause or beat).
An ellipsis (…) is a loss or search for words.
Words in square brackets [ ] are not spoken, but there to clarify a line’s meaning.
A lack of punctuation at the end of a line means the next line comes right in.
Scene One
Hampstead Heath, overlooking water. CAMERON and CALUM hold hands.
CALUM. On three.
CAMERON. Do we jump on three or after three?
CALUM. I don’t know.
CAMERON. Well you have to decide.
CALUM. Oh just jump whenever. One, two –
CALUM turns to the ‘audience’, speaks to them as if he’s pitching a film. Throughout the rest of the scene, the boys go back and forth between pitching to the audience, and speaking to each other.
That’s how it opens.
CAMERON. That’s how it would start.
CALUM. The movie of our lives. Who’s gonna play us?
CAMERON. Casting later.
On the edge of a cliff, water crashing below.
CALUM. It’s not a cliff
CAMERON. It’s like a cliff
CALUM. It’s Hampstead Heath
CAMERON. But they’re eight and it seems like a cliff.
CALUM. Danger.
CAMERON. Risk.
Calum and Cameron.
CALUM. Cam and Cal.
CAMERON. Zoom in on the edge of a cliff
CALUM. A Heath.
CAMERON. A summer that’s so hot you feel like a runaway
CALUM. A pioneer
CAMERON. The summer Cameron learns to ride his bike.
CALUM. Though you’re not very good.
The summer Calum learns to spit over a metre in front of himself.
CAMERON. The summer they discover this spot here, the cliff, their secret spot on the Heath.
CALUM. They can be anything.
CAMERON. They can talk about anything.
CALUM. Why the latest Batman movie was crap.
CAMERON. Whether Playstation 2 or Xbox is better.
CALUM. Why Pepsi is far superior to Coca-Cola, despite widespread public opinion to the contrary.
CAMERON. Cal and Cam
CALUM. Cam and Cal.
CAMERON. Think Stand by Me but without the crazy murderous dog that they spend all summer avoiding.
CALUM. Cameron, that’s The Sandlot.
CAMERON. No.
CALUM. Stand by Me they go looking for the body of a missing boy in the woods. Sandlot’s the dog...

Table of contents

  1. Cover
  2. Title page
  3. Contents
  4. Introduction
  5. Banana Boys
  6. Holloway Jones
  7. Girls Like That
  8. Pronoun
  9. About the Author
  10. Copyright and Performing Rights Information