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ACT ONE
Scene One
Setting: the attic room of a house. A bed in one corner, a battered armchair in another. A sink with a mishmash of pots, plates and cups. A portable record player and discs scattered around it. Damp-ridden walls, old lino covers the floor. The curtains are always closed and the room is lit by a large floor lamp. The door to the room is upstage next to an old wardrobe. The whole room should give off a feeling of despair.
Morning. GEORGE is asleep on the bed on top of the covers. He has slept in his clothes and they are a crumpled mess. There is a knock on the door. GEORGE doesnāt move. After a pause another knock, this time louder.
WEAVER (off). George?⦠George? Are you awake?
GEORGE (stirs slightly and looks up. Mumbles). What?
WEAVER (off). George? Wake up. Come on, I know youāre in.
GEORGE (sits up). Who is it?
WEAVER (off). ME.
GEORGE. Who?
WEAVER (off). Stop fucking about, George. Itās me, Weaver, come on, let me in.
GEORGE. What do you want?
WEAVER. Just let us in, will you. Stop playing silly buggers.
GEORGE. Hold on a minute. (Gets up, staggers to the door and opens it.)
WEAVER (entering). Fuck me, itās freezing out there. Iāve just been up the dole, thought Iād pop in and see you as I was in the area. Hope you donāt mind.
GEORGE (goes to the sink and splashes his face with water). Do you want a cup of tea?
WEAVER. Wouldnāt mind.
GEORGE. I aināt got no milk though.
WEAVER. Oh. You got any coffee?
GEORGE. No.
WEAVER. I donāt think Iāll bother then. Iām not being rude or anything, itās just that I canāt stand tea without milk. I can do without it in coffee but I have to have milk in tea even if itās just a splash.
GEORGE. Well I aināt got none, Iām afraid.
WEAVER. No worries. I didnāt really fancy one anyway.
GEORGE. Iāve got a drop of whisky if youād care for it.
WEAVER. Oh I dunno. Bit early aināt it?
GEORGE. Itās twenty-to.
WEAVER. Is it?
GEORGE. I might be a bit slow.
WEAVER. Fuck it. The pubs are open in half an hour so it wouldnāt be too out of order would it?
GEORGE (gets the whisky from the wardrobe and pours out two generous amounts). Do you want water in it?
WEAVER. Just a splash, donāt go mad.
GEORGE. There you go.
WEAVER. Smashing. Just what the doctor ordered.
Pause.
GEORGE. What a night.
WEAVER. Rough was it?
GEORGE (sits on the bed). Murder. God knows how I got home.
WEAVER. That bad? I shouldāve been there.
GEORGE. You wouldāve loved it.
WEAVER. I had a gyppy tummy. Donāt know what was the matter with me. I couldnāt walk.
GEORGE. You alright now?
WEAVER. Kosher. I mustāve had a bug or something.
GEORGE. Well, you missed a good night.
WEAVER. Itās always the way, aināt it. Life can be a bit of a bollock like that.
GEORGE. Not to worry. Heās bound to have another one soon.
WEAVER. Who was there then?
GEORGE. Just the usual mob, plus a few Iād never met before. Nice people though, friendly.
WEAVER. Any women there?
GEORGE. Quite a few, as it goes.
WEAVER. Any salty ones?
GEORGE. One or two. That bird was there.
WEAVER. What bird?
GEORGE. That bird, you know.
WEAVER. What one?
GEORGE. The one with the teeth.
WEAVER. Theyāve all got teeth, well, most of them have.
GEORGE. Yeah but sheās got big ones, you know, sort of goofy but not goofy, goofy, if you know what I mean.
WEAVER. What colour hair?
GEORGE. Sort of blonde-ish, oh you know her but I canāt remember her name.
WEAVER. Not Gloria?
GEORGE. No, I know Gloria, donāt I. Sheās a bit plump, not fat, just a bit plump, fat arse.
WEAVER. Oh I know who you mean, thatās whatās-her-name, Janet!
GEORGE. Janet, thatās it. She asked me where you were.
WEAVER. Yeah? What did you say?
GEORGE. I said you were at home with a bad tummy; she looked a bit put out.
WEAVER. Did she? Oh thatās good. I quite like her.
GEORGE. She left with some bloke, though.
WEAVER. Did she? Who...