1
SANDY, eleven years old, in her pyjamas, sturdy boots, and a rucksack over her shoulder. She is standing on a window ledge.
SANDY. First, what you do is, you blow up a balloon. Then you tear up strips of paper and you put them in the paste. And then you put the pastey paper round the balloon until thereâs no balloon itâs all just paper. And then it dries. And what you should have, is what looks like, a head.
If it doesnât look too much like a head now, thatâs okay. Itâs not shaped like a head, itâs shaped like a balloon, âcause thatâs what it is. But if you put a nose on it looks better. You just scrunch up pastey paper into a nose shape. And then you wait for it to dry â
And then when itâs dry you get to paint it!
Now. This is important. Miss B will tell you, you can paint it any colours you like. Sheâll say, why not paint it rainbows. Why not paint stars on it. Why not paint a beautiful sky. Sheâll say, look at Omarâs work. Omarâs painted a field with a rabbit. Omarâs painted a sun with a face. Sheâll start to cry a bit âcause she loves the rabbit and the sunface so much. Sheâll say, why canât you do something like Omar? Why canât you try, for once, to make something nice? DO NOT LISTEN TO HER. A HEAD IS A HEAD IS A HEAD. It doesnât have stars or rainbows or rabbits. Itâs got wrinkles and liver spots and it ainât smiling âcause no one smiles when theyâre sleeping. Miss B can say what she likes. She can write a report, say you lack imaginative capacity. The sun donât have a face or if it does we donât know, âcause if you look at the sun you go blind.
And sheâs not seen the movie.
My favourite movie, and the best movie in the whole world, is â Escape from Alcatraz. Itâs a true movie. Itâs got my favourite actor Clint Eastwood. When I grow up Iâm going to be Clint Eastwood. I know thatâs not currently possible but it didnât used to be possible to go to the moon or for girls to go to university, so. You know. Who cares what who says what is possible.
In the movie theyâre in Alcatraz which is the worst prison ever in the world. No oneâs ever escaped from Alcatraz. The walls are thicker than an entire house and outside the walls itâs just water. Youâre locked in your cell every night, and every half-hour the screws come and check youâre sleeping, so even if you did get out you wouldnât have time to get away, theyâd know you were gone and theyâd be after you and get you. When youâre locked up in there youâre locked up there till you die. Except Clint Eastwood, he digs through the wall WITH A SPOON and he makes a fake head to fool the screws and he gets away. So it used to not be possible to escape from Alcatraz, until it was.
Dad says I can have a key when Iâm twelve. But itâll be too late then. So itâs got to be the window.
Itâs cold. But not real cold. Not cold like rowing across San Francisco Bay on a raft made of stolen raincoats is cold. This is just breezy.
And then You jump.
She jumps.
Blackout.
2
ARDEN is sat at a desk. She is holding a piece of tinsel.
She is seven months pregnant.
PETER is standing in front of her.
ARDEN. Do you know what this is?
PETER. Um. Itâs tinsel.
ARDEN. Thatâs right, Peter. Tinsel.
Beat.
What can you tell me about tinsel?
PETER. Itâs a Christmas decoration. Itâs for putting on things.
To make them Christmassy.
ARDEN. yes, thatâs right. Thatâs it exactly. Itâs for putting on things. Things, Peter. Things.
Have you been to Mrs Connollyâs room today?
PETER. Not today
ARDEN. Well I have. And what I found is, sheâs taped black all over the windows, turned all the lights off, and sheâs sat there in her armchair, with this all wrapped round her head like sheâs a bloody Christmas tree.
Is Mrs Connolly a thing, Peter?
PETER. No â
ARDEN. Where do you think she got this, Peter?
PETER. Er
ARDEN. âCause what Mrs Connolly said is, and this is a quote, âthe nice man gave it meâ. So Iâve been sat here racking my brains a bit, trying to think, who could it be â someone who works here â whoâs nice.
Peter? Can you think of anybody?
PETER. Oh â I donât â
ARDEN. Nice. Weâre looking for nice.
PETER. I think everyoneâs nice â
ARDEN. No, theyâre not, Peter, Iâm afraid youâre wrong about that. Everyone who works here is not nice. What we are, is professional. Which means when the residents come to us asking for us to give them a bit of tinsel to wrap around their heads, we think, is that a sensible, safe, professional care decision.
And we say no.
Did you give Mrs Connolly this?
PETER. Um. The thing is, she â she thinks weâre doing something to her brain. It stops her sleeping and. The tinsel â she thinks the tinsel keeps the signals out â
ARDEN. Peter, I donât care what she thinks! Sheâs a vulnerable old woman with symptoms of paranoia, and this is a serious choking hazard! We donât let her have it because we donât want her to die!
Peter, next year it wonât be me sat in this chair. Itâll be whoever head office sends in as my cover. And I promise you, they wonât care how nice you are. If you get found doing anything like this, youâll just be gone. Like that. Do you understand that?
PETER. yes.
ARDEN. Is it just Mrs Connolly?
PETER.âŚNo.
ARDEN. How many?
PETER. Um â quite a few on the fourth floor â sheâs been telling them about it and sheâs quite popular â they all wanted to try it â
ARDEN. Jesus, Peter!
Listen to me. Theyâre doing inspections now. They come in secret. Like mystery shoppers. Could be anyone. A visiting family member. Even a new member of staff. Anyone new you see here could be one. For all we know there could be someone here right now!
What do you think would happen if an inspection happened and they saw this?
PETER. Iâd be fired?
ARDEN. Yes! Youâd be fired.
PETER. Please Miss Arden â Iâm really sorry
ARDEN. Okay, god, donât cry or anything. Look, hereâs what I want you to do. Go round the whole home. Collect up all the tinsel, baubles, everything, all the decorations. Put them all in a big box. Bring them to me here so I can check youâve got everything. And then take the box down to the incinerator. And burn ...