Vaudeville and the Making of Modern Entertainment, 1890–1925
eBook - ePub

Vaudeville and the Making of Modern Entertainment, 1890–1925

  1. 288 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Vaudeville and the Making of Modern Entertainment, 1890–1925

About this book

Today, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America’s most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form’s rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle.

Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show’s off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.

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Yes, you can access Vaudeville and the Making of Modern Entertainment, 1890–1925 by David Monod in PDF and/or ePUB format, as well as other popular books in History & North American History. We have over one million books available in our catalogue for you to explore.

INDEX

Page numbers in italics refer to illustrations.
acrobat, 12, 13, 25, 31, 52, 53, 70, 73, 76, 133, 146, 152, 204, 208
Adgie (Castillo), 178
advertising, 4, 39–43, 49, 64, 91, 141, 142, 176, 179–80, 185, 199, 224; banned from acts, 23
Albee, Edward Franklin, 21, 25; biography, 163–63, 194–95; business, 30, 97, 110, 168, 170–71, 172–74, 180, 183–84, 190, 199, 212; opinions, 23, 188, 196, 202, 217. See also Keith, Benjamin Franklin
Alexander the Great, 111
Anderson and Goines, 178
animal trainers, 2, 12, 53, 76, 92, 105, 125, 224
Antheil, George, 86
Aronson, Rudolph, 27–28
audience: actuality and, 52, 124–26, 143–144; African American, 37–38, 96–97, 99–100, 177, 193; attention and engagement, 13, 63, 66, 93–95, 100, 103–4, 107, 110–11, 113–16, 131–32, 205, 207, 224–25; behavior, 21, 32, 94, 96–98, 109–10; class, 6, 25–26, 28–29, 35–37, 39, 99–100, 150, 154, 163, 194, 216, 154, 156; ethnicity, 35–37, 83, 96, 150; female, 13, 25, 27, 30, 48–49, 54, 70, 98–100, 121, 133, 136; matinee girls, 33–34, 98; music hall, 25–29, 31, 39, 55, 59, 94, 96, 99, 130, 164; relationship with stars, 39, 41–42, 49, 54, 70, 107, 110–11, 114, roof garden, 27–29, 31, 53, 155, 156, 164, 214; tyranny of, 61, 63...

Table of contents

  1. Cover Page
  2. Title page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. Figures
  7. Acknowledgments
  8. Introduction
  9. One. The Vogue for Vaudeville: Urbanity, Comfort, and Celebrity
  10. Two. Ragging Style: Presenting the Modern American
  11. Three. Grabbing Attention: Making Good with the Distracted Audience
  12. Four. Vaudeville Modernism
  13. Five. The Business of Mass Entertainment
  14. Six. The Hook: Vaudeville Makes Its Exit
  15. Notes
  16. Index