
Photography from the Turin Shroud to the Turing Machine
- 215 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Photography from the Turin Shroud to the Turing Machine
About this book
This book introduces two conceptual models of photography: the Turin Shroud and the universal Turing machine. The Turin Shroud inspires a discussion on photography's frequently acclaimed 'ontological privilege', which has conditioned an understanding of photography as a sui generis breed of images wherein pictorial representation is coextensive with human vision. This is then contrasted with a discussion of the universal Turing machine, which integrates photography into a framework of media philosophy and algorithmic art. Here, photography becomes more than just the present-day sum of its depiction traditions, devices and dissemination networks. Rather, it is archetypical of multiple systems of abstraction and classification, and various other symbolic processes of transformation.
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Information
Table of contents
- Cover Page
- Title Page
- Copyright
- Contents
- Introduction
- 1. The Nature of Photography
- 2. A Philosophy of Photography
- 3. Another Philosophy of Photography
- 4. The Landscapes of Code
- 5. Photography as Algorithmic Art
- Conclusion
- References
- Index